The Conqueror's Child

Rating:
Summary: Amazing
Review: First, I don't know if this book would have the same impact if you hadn't already read the preceding three. That said, this novel is one of the best I've ever read (as are its predecessors). The characters are rich and complex, filled with contradiction and capable of growth and change. The dynamics of the interactions between different groups of people are as intricate and convoluted as in real life. The world of the Holdfast--both its culture and ecology--is described in rich detail. The prose is so good that it is invisible. I was transported into the future world of the Holdfast and was never drawn back to the present by a clumsy bit of exposition. You won't like this book if you don't like character-driven novels, or if you think that strong women characters have to be perfect. The Free Fems and the New Free are far from perfect, but they are utterly human, and doing their best to create a new way to live from the ashes of the old. 4 thumbs up! I strongly recommend that you read the whole series: The Slave and the Free (2 books in one), The Furies, and The Conqueror's Child.

Rating:
Summary: Violent end to a violent book series
Review: I have read all four books in the Holdfast Chronicles. I have sometimes wondered what the world would be like in a matriarchal society where women made most of the decisions. Would women be as violent and war-like as men have been throughout history? I doubt it! However, the women in Ms. Charnas post-holocaust world are surprisingly like their former (male) masters. I prefer the utopian world of Charlotte Perkins Gilman's "Herland". Neither worlds are particularly believable. But it is interesting to speculate.

Rating:
Summary: Violent end to a violent book series
Review: I have read all four books in the Holdfast Chronicles. I have sometimes wondered what the world would be like in a matriarchal society where women made most of the decisions. Would women be as violent and war-like as men have been throughout history? I doubt it! However, the women in Ms. Charnas post-holocaust world are surprisingly like their former (male) masters. I prefer the utopian world of Charlotte Perkins Gilman's "Herland". Neither worlds are particularly believable. But it is interesting to speculate.

Rating:
Summary: The Fems have conquered their male masters -- what now?
Review: The Holdfast/Motherlines series reaches a triumphant conclusion with this fourth volume. Many authors might have ended with the third novel, THE FURIES, in which the Free Fems, with the help of the Riding Women, invade the Holdfast and overcome the men, their former masters. But the reversal of roles between masters and slaves is only the beginning. As the young heroine says in the epilogue of THE CONQUEROR'S CHILD, there are no real endings.

This final book focuses on the "next generation"; the warriors led by Alldera the Conqueror have won back their homeland, and now her followers must build a new society, where men and woman can live at peace together for the first time in centuries. The renegade male who returns from the wilderness to attack the female-ruled Holdfast proves to be an anachronism; so also, however, does Alldera, already in the process of growing into a legend. The major viewpoint character, Alldera's daughter Sorrel (NOT "adopted daughter"), flees the Grasslands for the Holdfast with a boy child she has taken under her protection. The narrative follows the structure of Dickens' BLEAK HOUSE and Bradley's HERITAGE OF HASTUR, alternating chapters told in the first person by Sorrel with third-person chapters focusing on various other characters, thus combining the advantages of both intimacy and breadth.

Given that men must be kept alive for breeding, must they remain forever prisoners or chattel? Can they ever be trusted? Can they learn to live with females as equals? Can both men and women forget old bitterness and hate? What will become of the new generation of male children? Ambiguous, multifaceted, lifelike characters work together toward answers. Even though there are no "real endings," Sorrel's epilogue ties up a number of loose ends to provide closure for the reader.

Rating:
Summary: The Fems have conquered their male masters -- what now?
Review: The Holdfast/Motherlines series reaches a triumphant conclusion with this fourth volume. Many authors might have ended with the third novel, THE FURIES, in which the Free Fems, with the help of the Riding Women, invade the Holdfast and overcome the men, their former masters. But the reversal of roles between masters and slaves is only the beginning. As the young heroine says in the epilogue of THE CONQUEROR'S CHILD, there are no real endings.

This final book focuses on the "next generation"; the warriors led by Alldera the Conqueror have won back their homeland, and now her followers must build a new society, where men and woman can live at peace together for the first time in centuries. The renegade male who returns from the wilderness to attack the female-ruled Holdfast proves to be an anachronism; so also, however, does Alldera, already in the process of growing into a legend. The major viewpoint character, Alldera's daughter Sorrel (NOT "adopted daughter"), flees the Grasslands for the Holdfast with a boy child she has taken under her protection. The narrative follows the structure of Dickens' BLEAK HOUSE and Bradley's HERITAGE OF HASTUR, alternating chapters told in the first person by Sorrel with third-person chapters focusing on various other characters, thus combining the advantages of both intimacy and breadth.

Given that men must be kept alive for breeding, must they remain forever prisoners or chattel? Can they ever be trusted? Can they learn to live with females as equals? Can both men and women forget old bitterness and hate? What will become of the new generation of male children? Ambiguous, multifaceted, lifelike characters work together toward answers. Even though there are no "real endings," Sorrel's epilogue ties up a number of loose ends to provide closure for the reader.

Rating:
Summary: Completing an epic is gratifying but not easy
Review: Welcome to the end of a long, exciting road! Although, to tell the truth, I'm not sure that such roads every truly end. The series of four boosk that this volume concludes began thirty years ago, and has grown itself over the intervening time by way of questions that each book raised for me at its ending, and I see that the end ing of THE CONQUEROR'S CHILD is also rich in questions. This is because the issues raised in the series are too large and enduring to be resolved by any one person, even an author who is supposed to be "in charge" of what happens in her story. The only way that I could navigate the wide, deep waters of gender relations and their impact on individual human beings and their societies was to set my people loose and follow as best I could, scribbling away like a journalist to record what they said and did and what came of all that. And what comes of historic action is -- future history, which the inquiring reader can catch glimpses of in the ending of this book. I meant to bring my people to a pause in their story that would find them reasonably satisfied, though still caught up in the currents of their lives (as real people always are, even when at rest), as that is the only way I could see myself taking leave of them at last, after all this time spent, on and off, in their company. The story of their adventures will, I hope, also entertain and stimulate you as a reader, and leave you feeling -- as most of them do -- that the journey has been strange and wonderful and well worth taking.