Rating: 
Summary: The Wind's Twelve Quarters by Ursula K. Le Guin
Review: An excellent collection of short stories from this master (mistress?) of Science Fiction and Fantasy literature.Ursula is a cut above the rest in terms of intellectual involvement, poses moral and spiritual questions, always tells a ripping good yarn. Fans of The Dispossessed will be entranced by the story of Odo - founder of the Odonian movement which led to settling of the moon Anarres by the anarchists.
Rating:
Summary: Brain Food for SF fans
Review: Every story in *The Wind's Twelve Quarters* is memorable, which makes it one of my favorite collections of Ursula Le Guin's short stories. They are arranged chronologically by order of publication, so you can see the maturation of the artist in these pages. "Semley's Necklace" was the germ of the later novel *Rocanon's World.* In this story, Rocanon was a minor character who just wouldn't "sink obediently into obscurity" as the author says in her introduction, and "you really can't argue with these people." "April in Paris" is an entertaining time travel story in which characters from past and future travel to 1463 to join a literature professor from our time in his quest to investigate the mysterious disappearance of the poet Francois Villon. "The Masters" is, in the author's words, her first "genuine authentic real virgin wool SF story." But it's also a psychomyth, set in a future time when math had become one of the "black arts" and its rediscovery becomes most costly for the hero. "Darkness Box" is a magical tale set in no-time - a sort of fable - one of Le Guin's fortes. "The Word of Unbinding," like "Semley's Necklace" later grew into a book - four actually - *The Earthsea Trilogy* and a sequel. It lays the groundwork for the most consistent essential element of how magic works in Earthsea. "The Rule of Names" is a sword and sorcery tale, but with an interesting little twist. "Winter's King" is another seminal story, the beginning idea for Le Guin's masterpiece, *The Left Hand of Darkness.* Since the novel came out, she has written another short story (in a Dozois collection) about the planet Winter, Karhide, and the androgynous Gethenians. I hope she writes more of these. "The Good Trip" is a whimsical psychological tale, set in the '60s, of a trip that never happened - except that it did. "Nine Lives" is one of the best clone stories I've ever read. It's right up there with Kate Wilhelm's excellent *Where Late the Sweet Birds Sang.* "Things" is another parable-like tale of the strangeness and daring of human ingenuity. "A Trip to the Head" reminds me of the episode in *Alice in Wonderland* when Alice found herself in a wood where there were no names - for anything. "Vaster Than Empires and More Slow" (based on the Hainish series) is hard science fiction with strong psychological observations, and here you can see the maturation of the writer. In the exploration of another planet, astrophysics, biology and human and alien psychology come into play with a peculiarly satisfying ending. What happens to the creative mind (in this case, an astronomer) when it is driven underground? The next story, "The Stars Below" answers that question. "The Field of Vision" is another true nuts-and-bolts SF story about the exploration of an alien planet, but with the author's usual psychological depth and insights, this time about the nature of human perception. "Direction of the Road" is also about perception, of humans and - trees (there are an uncommon number of trees in Le Guin's stories, not only in her excellent *The Word for World is Forest* but also in her short stories). "The Ones Who Walk Away From Omelas" should have been, in my opinion, the last story in the book because it is a parable, or a psychomyth if you will, on the theme of sacrifice (although I don't believe the word "sacrifice" is ever used in the story) and would have been a more fitting ending to the collection. "This is the treason of the artist:" says Le Guin, "a refusal to admit the banality of evil and the terrible boredom of pain." However, I do understand the author's reasoning in putting "The Day Before the Revolution" last because the heroine of this story is one of those who walked away from Omelas. This one is a spinoff from her story about the planet of *The Dispossessed* which is a novel about anarchism. Real anarchism. "Not the bomb-in-the-pocket stuff, which is terrorism, whatever name it tries to dignify itself with; not the social-Darwinist economic 'libertarianism' of the far right; but anarchism as prefigured in early Taoist thought...its principal moral-practical theme is cooperation (solidarity, mutual aid)." This is a fine collection and its author, in my opinion, is one of the most influential writers of the genre responsible for bringing science fiction up to the caliber of true literature. pamhan99@aol.com
Rating:
Summary: Brain Food for SF fans
Review: Every story in *The Wind's Twelve Quarters* is memorable, which makes it one of my favorite collections of Ursula Le Guin's short stories. They are arranged chronologically by order of publication, so you can see the maturation of the artist in these pages. "Semley's Necklace" was the germ of the later novel *Rocanon's World.* In this story, Rocanon was a minor character who just wouldn't "sink obediently into obscurity" as the author says in her introduction, and "you really can't argue with these people." "April in Paris" is an entertaining time travel story in which characters from past and future travel to 1463 to join a literature professor from our time in his quest to investigate the mysterious disappearance of the poet Francois Villon. "The Masters" is, in the author's words, her first "genuine authentic real virgin wool SF story." But it's also a psychomyth, set in a future time when math had become one of the "black arts" and its rediscovery becomes most costly for the hero. "Darkness Box" is a magical tale set in no-time - a sort of fable - one of Le Guin's fortes. "The Word of Unbinding," like "Semley's Necklace" later grew into a book - four actually - *The Earthsea Trilogy* and a sequel. It lays the groundwork for the most consistent essential element of how magic works in Earthsea. "The Rule of Names" is a sword and sorcery tale, but with an interesting little twist. "Winter's King" is another seminal story, the beginning idea for Le Guin's masterpiece, *The Left Hand of Darkness.* Since the novel came out, she has written another short story (in a Dozois collection) about the planet Winter, Karhide, and the androgynous Gethenians. I hope she writes more of these. "The Good Trip" is a whimsical psychological tale, set in the '60s, of a trip that never happened - except that it did. "Nine Lives" is one of the best clone stories I've ever read. It's right up there with Kate Wilhelm's excellent *Where Late the Sweet Birds Sang.* "Things" is another parable-like tale of the strangeness and daring of human ingenuity. "A Trip to the Head" reminds me of the episode in *Alice in Wonderland* when Alice found herself in a wood where there were no names - for anything. "Vaster Than Empires and More Slow" (based on the Hainish series) is hard science fiction with strong psychological observations, and here you can see the maturation of the writer. In the exploration of another planet, astrophysics, biology and human and alien psychology come into play with a peculiarly satisfying ending. What happens to the creative mind (in this case, an astronomer) when it is driven underground? The next story, "The Stars Below" answers that question. "The Field of Vision" is another true nuts-and-bolts SF story about the exploration of an alien planet, but with the author's usual psychological depth and insights, this time about the nature of human perception. "Direction of the Road" is also about perception, of humans and - trees (there are an uncommon number of trees in Le Guin's stories, not only in her excellent *The Word for World is Forest* but also in her short stories). "The Ones Who Walk Away From Omelas" should have been, in my opinion, the last story in the book because it is a parable, or a psychomyth if you will, on the theme of sacrifice (although I don't believe the word "sacrifice" is ever used in the story) and would have been a more fitting ending to the collection. "This is the treason of the artist:" says Le Guin, "a refusal to admit the banality of evil and the terrible boredom of pain." However, I do understand the author's reasoning in putting "The Day Before the Revolution" last because the heroine of this story is one of those who walked away from Omelas. This one is a spinoff from her story about the planet of *The Dispossessed* which is a novel about anarchism. Real anarchism. "Not the bomb-in-the-pocket stuff, which is terrorism, whatever name it tries to dignify itself with; not the social-Darwinist economic 'libertarianism' of the far right; but anarchism as prefigured in early Taoist thought...its principal moral-practical theme is cooperation (solidarity, mutual aid)." This is a fine collection and its author, in my opinion, is one of the most influential writers of the genre responsible for bringing science fiction up to the caliber of true literature. pamhan99@aol.com
Rating:
Summary: Excellent collection
Review: I bought this book for the first story however all of them will surpass your expectations. Ursula has a unique way with words that rival her tales.
The Winds Twelve Quarters Ursula K. Le Guin (Harper & Row, 1975, hc)
Foreword
Semley's Necklace ["The Dowry of Angyar"] - ss Amazing Sep '64
April in Paris - ss Fantastic Sep '62
The Masters - ss Fantastic Feb '63
Darkness Box - ss Fantastic Nov '63
The Word of Unbinding - ss Fantastic Jan '64
The Rule of Names - ss Fantastic Apr '64
Winter's King - nv Orbit 5, ed. Damon Knight, G.P. Putnam's, 1969
The Good Trip - ss Fantastic Aug '70
Nine Lives - nv Playboy Nov '69
Things ["The End"] - ss Orbit 6, ed. Damon Knight, G.P. Putnam's, 1970
A Trip to the Head - ss Quark #1, ed. Samuel R. Delany & Marilyn Hacker, Paperback Library, 1970
Vaster Than Empires and More Slow - nv New Dimensions I, ed. Robert Silverberg, Doubleday, 1971
The Stars Below - ss Orbit 14, ed. Damon Knight, Harper & Row, 1974
The Field of Vision - ss Galaxy Oct '73
Direction of the Road - ss Orbit 12, ed. Damon Knight, G.P. Putnam's, 1973
The Ones Who Walk Away from Omelas - ss New Dimensions 3, ed. Robert Silverberg, Nelson Doubleday, 1973
The Day Before the Revolution - ss Galaxy Aug '74
Rating: 
Summary: Underappreciated stories from a fine story teller
Review: I have a two volume collection from Grafton, the UK publisher, and it ranks in my 'most read' section. The author has a variety of stories with comments that are helpful to fans and writers alike. Those that boast their ignorance of SF literature should be given this volume and made to read 'Nine Lives' and 'The Ones that walk from Olemas'. The characters are well drawn and believable and her stories concentrate on the emotional moments within the narrative rather than clever explanations. A fine storyteller that should not be passed of in the SF ghetto.
Rating: 
Summary: Thought provoking.
Review: I would love some feedback on her story "The Ones Who Walk Away from Omelas". Did those who walk away do so because they refused to live a comfortable and successful life at the cost of another's suffering? Did they go to find help for the boy?
Rating:
Summary: Thought provoking.
Review: I would love some feedback on her story "The Ones Who Walk Away from Omelas". Did those who walk away do so because they refused to live a comfortable and successful life at the cost of another's suffering? Did they go to find help for the boy?
Rating:
Summary: Worth it, if only for "The Ones Who Walk Away from Omelas"
Review: Since this is a collection of her early work, its style and ideas are sometimes immature, incomplete. Still, it shows Ursula Le Guin's growth as a writer, and includes the absolutely amazing "The Ones Who Walk Away from Omelas".
Rating:
Summary: Simply Amazing!
Review: The Wind's Twelve Quarters gave me a deeper understanding of one of my fave SF writers of all time--and pure reading enjoyment. The stories just blew me away--especially the last two, 'The Ones Who Walk Away From Omelas' and 'The Day Before the Revolution.'(So had 'Nine Lives,' but I'd seen it before.) About the ones who walk away,I don't think they've gone to findhelp for the child. Like the author says, 'helping' the child wouldn't really be helping him/her much and besides, it would ruin the happiness of thousands. In a way, I guess, they're refusing to live happily at the cost of another--but it's more than that. They know how terribly wrong it is to know the child is there, and accept it. Even if that is the basis of all their happiness and their achievements. They're not just running away from that reality, but trying to do something about the terrible injustice in it, because sacrifice of one for thousands is right only when it's voluntary and comes from love. Remember how Dostoyevsky makes the pious younger brother respond to his elder brother's cynicism about tormenting one innocent child for the happiness of all mankind. He said Jesus had played the role of that child. Not that the man's sacrifice has turned this world into a near-paradise like Omelas, but Omelas isn't paradise anyway, because there is such gross injustice in it. Can the unwilling scapegoat be the only kind of sacrifice that works? The ones who walk away are out to find out, I guess. Joy to the ones who want questions, not answers.
Rating:
Summary: Simply fascinating !
Review: Ursula Le Guin is one of my favorite authors (SF or otherwise) - "The Dispossesed" being my personal choice as the best book she wrote. But this story collection is definitely a tie for the second place along with "The Left Hand of Darkness". No doubt the inclusion of the story "The Day before the Revolution" affects my choice - but that's not the only great story this book has. In fact, I liked almost all the stories that are included - and a book which contains even 3 or 4 stories as good as "The Day before..", "The Masters", "Things", "The ones who walked away from Omelas", etc. deserves to be considered as a classic. Personally I am fascinated by Laia Asieo Odo, the anarchist philosopher who is alluded to in "The Dispossesed" (part of the reason I like it so much is its almost believable portraiture of a functioning anarchist society) - and is only explored as a person in the story "The Day before..". I wish Le Guin had given a novel-length treatment of Odo as a person and her development of the syndicalist philosophy. To go back to the stories in "The Wind's Twelve Quarters" - what I find so fascinating is the wide range of stories that are included: from the delightful dargon-and-sorcery fantasy of "The Word of Unbinding" and "The Rule of Names" (the only comparably charming dragons I can think of appear in some of the fables of Orson Scott Card) to the melancholic, existential "Things" and "The stars below" (where an astronomer whose observatory has been burnt down by a mob, ends up living in a mine where the sparkle of the minerals become "the stars below" for him). Many of the stories really make you think about deep social and ethical issues. And then there are the stories which can be just enjoyed for the sheer joy of reading them, like the dragon stories and the time-travel romance, "April in Paris". All in all, a must-read for any thinking person!
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