The Princess and Curdie

Rating:
Summary: Classic fairy tale with important themes about human nature.
Review: 'The Princess and Curdie' is a superb sequel to the brilliant children's fantasy 'The Princess and the Goblin'. In both books, MacDonald displays his incredible talent as a story-teller for children, by crafting a tale that makes great reading aloud material for children. Curdie, a miner's son, is sent by a magical princess on an urgent quest to save the king and his kingdom. His companion is Lina, an ugly monster of a dog who proves to be a steadfast, powerful and courageous companion. Curdie discovers that evil and wickedness threaten to overthrow the good kingdom of the king and his daughter Irene, and it is only when Curdie and Lina escape perils and dangers and marshal together the forces of good that the dangers can be overcome.

In the process of telling the story, MacDonald entertains a few curious notions rather surprising for a Christian. Especially surprising are the ideas of a mountain being bubbles of heat thrust from the center of the earth (p.2), and the earth being a cooled body that flew off the sun (p.3) ' ideas more akin to evolutionary thinking than Christian faith in the Biblical teaching about creation. This book is also somewhat different from 'The Princess and the Goblin' on a literary level, because in this book MacDonald's story-telling at times employs vocabulary and sentence structure that is overly complex for children, and at times he waxes overly philosophical.

But those weaknesses aside, it's a thrilling and captivating story of an exciting quest, enhanced by deeper underlying Christian themes. MacDonald describes the king as 'a real king ' that is, one who ruled for the good of his people and not to please himself.' (p.5). True citizens of this kingdom, such as Curdie's parents, are those who 'always loved what was fair and true and right better, not than anything else, but than everything else put together.' (p.35) In contrast there are many false citizens who have open doors but closed hearts, and who live a life of wickedness, chiefly characterized by lying, drinking, stealing and unkindness. These seeds of corruption also contain the seeds of destruction, and threaten to overthrow the kingdom. The morality is clear and solidly Christian.

Particularly fascinating is the concept that all humans are either noble human beings, or else slowly turning into animals on the inside. By putting his hands into a magical fire, Curdie is given the ability to perceive the inner layer of man by means of a handshake: 'you will henceforth be able to know at once the hand of a man who is growing into a beast.' (p.73) One cannot help but wonder if MacDonald has too much faith in human nature, since he does not spell out that it is only the regenerating Spirit that makes a heart true and noble. But the underlying truth is valid: all men's hearts are inclined to be beastly because of sin, but by the grace of God some hearts are changed to be noble and truly human. It echoes the truth of the teaching of Jesus Christ: where your heart is, there your treasure is, and ultimately you cannot serve both God and Mammon. Those who are overwhelmed by wickedness and by love of Mammon, are eventually destroyed, whereas those with a pure heart and love of God establish the kingdom of righteousness. The pessimism of the final ending raises many questions, but perhaps can be best explained as a growing wickedness among men leading to a complete and final judgment, similar to the flood and the end of the world. MacDonald's tale is in the end very reminiscent of the Biblical pattern of the Judges and Kings: in times of wickedness, God raised up judges and kings to ensure the establishment of a kingdom where justice and righteousness reigned.

Just as in the 'The Princess and the Goblin', Irene's great-great-grandmother plays a central and decisive role. She is also known as 'The Mother of Light', 'the Lady of the Silver Moon' and less affectionately as 'Old Mother Wotherwop'. MacDonald attributes to her both omniscience ' 'I am always about' ' and a measure of omnipotence (p.53). She is the Light that guides the way in darkness (p.50), and she it is who commissions Curdie for his quest and ensures its success.

These timeless tales contain enduring truths, as well as delightful stories. What they've done for over 100 years is something that they are still doing today - pleasing imaginative children and adults with a tale of lasting significance.

Rating:
Summary: The Development of a Pure Heart
Review: George MacDonald has the gift of expressing a deep theological idea through the form of a story.I grew up with his fairy stories,as a Adult,I am still affected by the skillful and beautiful portrayal of the quest for wisdom of a pure heart.The Princess and Curdie,is a story of just that.Curdies own journey is a story of the Christian walk and if one wishes can learn much from it.Do not get the idea that The Princess and Curdie is dull however!This book pays tribute to George MacDonalds fantastic imagination,as a child and as an "grownup" once picked up this book is difficult to put down.Perhaps the deepest things are also the most interesting.

Rating:
Summary: The Development of a Pure Heart
Review: George MacDonald has the gift of expressing a deep theological idea through the form of a story.I grew up with his fairy stories,as a Adult,I am still affected by the skillful and beautiful portrayal of the quest for wisdom of a pure heart.The Princess and Curdie,is a story of just that.Curdies own journey is a story of the Christian walk and if one wishes can learn much from it.Do not get the idea that The Princess and Curdie is dull however!This book pays tribute to George MacDonalds fantastic imagination,as a child and as an "grownup" once picked up this book is difficult to put down.Perhaps the deepest things are also the most interesting.

Rating:
Summary: The Princess and The Curdie
Review: I recommend this book to anyone who forgets what they are here for in life...and what their meaning is... I have my doctorate in Psycholgy and I work to integrate spirituality and philosophy in my practice. I purchase THIS book-- The Princess and the Curdie -- as well as George MacDonald's The Wise Woman -over and over---to help my clients with their problems. In my opinion, George MacDonald has more insight into the psyche than any other writer I have encountered.

Rating:
Summary: Classic fairy tale with important themes about human nature.
Review: �The Princess and Curdie� is a superb sequel to the brilliant children�s fantasy �The Princess and the Goblin�. In both books, MacDonald displays his incredible talent as a story-teller for children, by crafting a tale that makes great reading aloud material for children. Curdie, a miner�s son, is sent by a magical princess on an urgent quest to save the king and his kingdom. His companion is Lina, an ugly monster of a dog who proves to be a steadfast, powerful and courageous companion. Curdie discovers that evil and wickedness threaten to overthrow the good kingdom of the king and his daughter Irene, and it is only when Curdie and Lina escape perils and dangers and marshal together the forces of good that the dangers can be overcome.

In the process of telling the story, MacDonald entertains a few curious notions rather surprising for a Christian. Especially surprising are the ideas of a mountain being bubbles of heat thrust from the center of the earth (p.2), and the earth being a cooled body that flew off the sun (p.3) � ideas more akin to evolutionary thinking than Christian faith in the Biblical teaching about creation. This book is also somewhat different from �The Princess and the Goblin� on a literary level, because in this book MacDonald�s story-telling at times employs vocabulary and sentence structure that is overly complex for children, and at times he waxes overly philosophical.

But those weaknesses aside, it�s a thrilling and captivating story of an exciting quest, enhanced by deeper underlying Christian themes. MacDonald describes the king as �a real king � that is, one who ruled for the good of his people and not to please himself.� (p.5). True citizens of this kingdom, such as Curdie�s parents, are those who �always loved what was fair and true and right better, not than anything else, but than everything else put together.� (p.35) In contrast there are many false citizens who have open doors but closed hearts, and who live a life of wickedness, chiefly characterized by lying, drinking, stealing and unkindness. These seeds of corruption also contain the seeds of destruction, and threaten to overthrow the kingdom. The morality is clear and solidly Christian.

Particularly fascinating is the concept that all humans are either noble human beings, or else slowly turning into animals on the inside. By putting his hands into a magical fire, Curdie is given the ability to perceive the inner layer of man by means of a handshake: �you will henceforth be able to know at once the hand of a man who is growing into a beast.� (p.73) One cannot help but wonder if MacDonald has too much faith in human nature, since he does not spell out that it is only the regenerating Spirit that makes a heart true and noble. But the underlying truth is valid: all men�s hearts are inclined to be beastly because of sin, but by the grace of God some hearts are changed to be noble and truly human. It echoes the truth of the teaching of Jesus Christ: where your heart is, there your treasure is, and ultimately you cannot serve both God and Mammon. Those who are overwhelmed by wickedness and by love of Mammon, are eventually destroyed, whereas those with a pure heart and love of God establish the kingdom of righteousness. The pessimism of the final ending raises many questions, but perhaps can be best explained as a growing wickedness among men leading to a complete and final judgment, similar to the flood and the end of the world. MacDonald�s tale is in the end very reminiscent of the Biblical pattern of the Judges and Kings: in times of wickedness, God raised up judges and kings to ensure the establishment of a kingdom where justice and righteousness reigned.

Just as in the �The Princess and the Goblin�, Irene�s great-great-grandmother plays a central and decisive role. She is also known as �The Mother of Light�, �the Lady of the Silver Moon� and less affectionately as �Old Mother Wotherwop�. MacDonald attributes to her both omniscience � �I am always about� � and a measure of omnipotence (p.53). She is the Light that guides the way in darkness (p.50), and she it is who commissions Curdie for his quest and ensures its success.

These timeless tales contain enduring truths, as well as delightful stories. What they�ve done for over 100 years is something that they are still doing today - pleasing imaginative children and adults with a tale of lasting significance.

Rating:
Summary: Good sequel
Review: Most sequels stink. A lot. George MacDonald, the first fantasy master, managed to buck that trend with the sequel to "The Princess and the Goblin," with "The Princess and Curdie." If anything, this book is even better than the first -- a bit more mature, a little bit darker, but with the same haunting prose and likeable characters.

In the time since the defeat of the goblins, Curdie has gone back to his life as a miner. Unfortunately he also begins to stray from the pure actions he showed in the first book, pushing aside thoughts of Princess Irene's grandmother and trying to convince himself that the more supernatural events of "Goblin" were just imagination. Until he needlessly wounds a pigeon with his bow and arrow, and takes it to the stately, mysterious Grandmother.

As Curdie regains his innocence and his faith, the Lady sends him on a quest, with a weird doglike creature called Lina who was once a human. She also (by having him stick his hands into burning roses) makes his hands able to feel a person's soul when he touches them, if a person is "growing into a beast" on the inside. Now Curdie and Lina set off for the capital, where Irene's father is physically ill, and falling prey to the scheming of his sinister officials.

If the first book was Irene's, then this book is undeniably Curdie's. The focus is on him almost constantly through the book, and it's his internal struggles that we are fascinated by. Every person (well, most of them, anyway) eventually loses their childlike faith and innocence, as Curdie has begun to do at the beginning. He's naturally a more skeptical person than Irene, and so time begins to fade whatever he thought he saw; also, being "one of the guys" in the mine requires a seemingly more mature attitude. But with the loss of innocence also goes some of the faith and internal beauty, and so MacDonald brings Curdie back to the gentle, trusting kid he was in the first book.

The Lady (also known as Irene's great-great-great-grandmother, Lady of the Silver Moon, and Mother Wotherwop -- don't ask about the last one) is also a more prominent figure. She's still both maternal and supernaturally distant, very warm while also seeming to know everything. Precisely who and what she is remains a mystery, but we see more of her subtle, awe-inspiring powers here.

The writing is, as the first book was, immensely dreamy and haunting. MacDonald let rip with the surreally beautiful descriptions of the Lady's room and appearances, and of scenes like Curdie sticking his hands into the rose petals. Like in "Princess and the Goblin," the plot takes awhile to get moving, but it's so well-written that you probably won't notice.

"The Princess and Curdie" is currently harder to find than the first book, which strikes me as a little odd. (Especially since this duology is just screaming to be compiled in one book) But anyone who enjoyed the first book, or even just enjoys a gorgeously-written fantasy, will definitely want to get this sequel.

Rating:
Summary: Good sequel
Review: Most sequels stink. A lot. George MacDonald, the first fantasy master, managed to buck that trend with the sequel to "The Princess and the Goblin," with "The Princess and Curdie." If anything, this book is even better than the first -- a bit more mature, a little bit darker, but with the same haunting prose and likeable characters.

In the time since the defeat of the goblins, Curdie has gone back to his life as a miner. Unfortunately he also begins to stray from the pure actions he showed in the first book, pushing aside thoughts of Princess Irene's grandmother and trying to convince himself that the more supernatural events of "Goblin" were just imagination. Until he needlessly wounds a pigeon with his bow and arrow, and takes it to the stately, mysterious Grandmother.

As Curdie regains his innocence and his faith, the Lady sends him on a quest, with a weird doglike creature called Lina who was once a human. She also (by having him stick his hands into burning roses) makes his hands able to feel a person's soul when he touches them, if a person is "growing into a beast" on the inside. Now Curdie and Lina set off for the capital, where Irene's father is physically ill, and falling prey to the scheming of his sinister officials.

If the first book was Irene's, then this book is undeniably Curdie's. The focus is on him almost constantly through the book, and it's his internal struggles that we are fascinated by. Every person (well, most of them, anyway) eventually loses their childlike faith and innocence, as Curdie has begun to do at the beginning. He's naturally a more skeptical person than Irene, and so time begins to fade whatever he thought he saw; also, being "one of the guys" in the mine requires a seemingly more mature attitude. But with the loss of innocence also goes some of the faith and internal beauty, and so MacDonald brings Curdie back to the gentle, trusting kid he was in the first book.

The Lady (also known as Irene's great-great-great-grandmother, Lady of the Silver Moon, and Mother Wotherwop -- don't ask about the last one) is also a more prominent figure. She's still both maternal and supernaturally distant, very warm while also seeming to know everything. Precisely who and what she is remains a mystery, but we see more of her subtle, awe-inspiring powers here.

The writing is, as the first book was, immensely dreamy and haunting. MacDonald let rip with the surreally beautiful descriptions of the Lady's room and appearances, and of scenes like Curdie sticking his hands into the rose petals. Like in "Princess and the Goblin," the plot takes awhile to get moving, but it's so well-written that you probably won't notice.

"The Princess and Curdie" is currently harder to find than the first book, which strikes me as a little odd. (Especially since this duology is just screaming to be compiled in one book) But anyone who enjoyed the first book, or even just enjoys a gorgeously-written fantasy, will definitely want to get this sequel.

Rating:
Summary: Even better than the first
Review: One of the few sequels better than its predecessor, this is a beautiful fairy tale about a young boy who saves a kingdom from its greed and selfishness. George MacDonald has taken a more social turn in this book in comparison to the first, "The Princess and the Goblin", dealing with human nature in a most clever way. It's only a fairy tale, of course; but it's one of my favorites

Rating:
Summary: Perhaps the two best children's books ever
Review: The Princess and the Goblin and this book, The Princess and Curdie, together make up a single story that is among the most moving and insightful tales ever penned for children, or rather for the child-like.

In the first book, Curdie is an almost perfect young boy, fearless and valiant, and though only twelve he is instrumental in saving the kingdom from a goblin plot. In The Princess and Curdie, though, he sets out becoming more and more ordinary, until by good fortune he comes face to face with the mysterious old woman rumored to live in the nearby tower (the Princess already knows her quite well!). The old woman prepares Curdie for a quest she is sending him on. How? By having him plunge his hands into a pile of rose petals that burns like a fire.

Though Curdie thinks his hands have burned off, he finds them unscathed. But they have a new sensitivity: by shaking a person's hand, he can tell what kind of an animal they are turning into, at heart. The old woman also gives him a companion--a hideous dog-like beast, but whose great ugly paw feels to Curdie like the hand of a little girl.

Curdie travels to the capitol city, where he finds the kingdom in a sorry state, his friend the Princess near despair, and her King-Papa ensnared and enfeebled by the devious plots of the all-too-real and believable officials of the court. The threat posed to the kingdom by those who serve in the castle is far greater than the earlier threat posed by the goblins.

This wonderful story shows good and evil fighting, and shows that the two go by very different sets of rules! And help comes from strange quarters. I never grow tired of this book's insights or of the great plot and storyline. I've re-read both books every couple years since my first time as a child, more than 30 years ago. MacDonald and Lewis Carroll were friends, but to my tastes MacDonald is the greater storyteller. And the ending of this story is unlike any I've read elsewhere, serving as the source of many discussions on why MacDonald ended it that way!

Rating:
Summary: Perhaps the two best children's books ever
Review: The Princess and the Goblin and this book, The Princess and Curdie, together make up a single story that is among the most moving and insightful tales ever penned for children, or rather for the child-like.

In the first book, Curdie is an almost perfect young boy, fearless and valiant, and though only twelve he is instrumental in saving the kingdom from a goblin plot. In The Princess and Curdie, though, he sets out becoming more and more ordinary, until by good fortune he comes face to face with the mysterious old woman rumored to live in the nearby tower (the Princess already knows her quite well!). The old woman prepares Curdie for a quest she is sending him on. How? By having him plunge his hands into a pile of rose petals that burns like a fire.

Though Curdie thinks his hands have burned off, he finds them unscathed. But they have a new sensitivity: by shaking a person's hand, he can tell what kind of an animal they are turning into, at heart. The old woman also gives him a companion--a hideous dog-like beast, but whose great ugly paw feels to Curdie like the hand of a little girl.

Curdie travels to the capitol city, where he finds the kingdom in a sorry state, his friend the Princess near despair, and her King-Papa ensnared and enfeebled by the devious plots of the all-too-real and believable officials of the court. The threat posed to the kingdom by those who serve in the castle is far greater than the earlier threat posed by the goblins.

This wonderful story shows good and evil fighting, and shows that the two go by very different sets of rules! And help comes from strange quarters. I never grow tired of this book's insights or of the great plot and storyline. I've re-read both books every couple years since my first time as a child, more than 30 years ago. MacDonald and Lewis Carroll were friends, but to my tastes MacDonald is the greater storyteller. And the ending of this story is unlike any I've read elsewhere, serving as the source of many discussions on why MacDonald ended it that way!