Rating: 
Summary: A great idea, a good commentary, but an average story.
Review: I finally bought this trilogy second-hand (as it is no longer in print in Australia) after noticing the enticing cover art of the 80's versions many times in used book stores. Have you heard the saying "don't judge a book by it's cover"? It applies here.The general premise of the trilogy is interesting - Helliconia, a distant planet circling a binary star sytem is discovered by Earth-humans who set up a satellite space station to observe the day to day life of Helliconia's 'human' and Phagor inhabitants. The lifestyle of the Helliconian's is determined by the season in which their generation lives in, and the trilogy begins at the end of a 3000 year winter, where Phagors are dominant and humans subjective to them. Despite this unique idea, the trilogy falls down in story-telling. The plot for "Spring" is weak, but improves in "Summer" and "Winter", and the characterisation is average - especially the female characters. Having said this, there is some thought-provoking commentary on our nature: in particular, sociology; conservation; religion; and warfare. The Helliconia Trilogy has been compared to Dune by other reviewers, but I think this is unfair on Aldiss. The purpose of the series is not just to create a new world, but to provide us with an insight into human nature by comparing us to our contempories on this new world (which is not Frank Herbert's purpose in Dune). Accept each book for what it is. Do I recommend the trilogy? Probably not. Why? I was hurrying to get through it. I found the commentary a bit trying towards the end of each book (it also interrupted the flow of the story) and so I started skipping through it without thinking, endeavouring to continue with the storyline - which wasn't very impressive.
Rating: 
Summary: Not the Epic That It Thinks It Is
Review: In this first book of the Helliconia trilogy, Brian Aldiss has created what appears to be a Dune-like epic taking place over many centuries. It certainly is a creative concept. - an Earth-like world with a long orbit in a binary star system, with an extremely long revolution and seasons that last for centuries. Here the "people" of Helliconia have lived a hard life in winter conditions, much like the Neanderthals or Eskimos, and believed that the world had always been that way. But springtime slowly begins in this book, and the people become more cultured and learned with the easier life, but also less healthy and vigilant. This obviously represents the transition in the real world from hunting and gathering to agriculture, or from the dark ages to the renaissance. These grand concepts are definitely robust, but at the more immediate levels of plotline and character development, Aldiss delivers little more than a very typical fantasy/adventure yarn with a little bit of sci-fi mixed in. There are some creative settings and weird features like animals that are born by eating their way out of their parents, and trees that grow underground during the winter then literally explode into the spring. But these are undermined by a very predictable tale of epic journeys, strange creatures, and complex but courageous leaders, straight from a million fantasy novels. Also Aldiss has a very - shall we say - "outdated" conception of the female characters. The worst aspect of this novel is something that really looks like a tacked-on afterthought. It turns out that Helliconia is being observed by a team of Earth scientists who ludicrously have been hanging around the planet for centuries and making very quiet analyses of this primitive world. This seems like merely a convenient way for Aldiss to provide a detached narrator to the story, and the Earth scientists' presence is hard to take seriously. This first book ends predictably with little to make you running to the following books in the trilogy. The Helliconia tale tries to be a vast epic but turns out to be small in scope.
Rating: 
Summary: No plot
Review: It must be more than fifteen years since I first got my hands on a copy of Helliconia Spring. I read it in an afternoon. Summer and Winter were gobbled up with equal enjoyment. I go back to Helliconia every few years and row the "Great Wheel" along with the devout to "its rightful port beside Freyr".
Rating: 
Summary: The Great Wheel of Kharnabhar still turns
Review: It must be more than fifteen years since I first got my hands on a copy of Helliconia Spring. I read it in an afternoon. Summer and Winter were gobbled up with equal enjoyment. I go back to Helliconia every few years and row the "Great Wheel" along with the devout to "its rightful port beside Freyr".
Rating:
Summary: No plot
Review: Of course, this is not Dune. It's a series of episodes loosely bound together, with uninteresting humanoids going to and from nowhere and a cameo human observation space station. It makes one think when the most memorable character in the book is the revenge - seeking phagor. A classic? Classic books have plots.
Rating: 
Summary: Fascinating, entertaining!
Review: The fact that this series is not in print is almost criminal, probably because Aldiss is British or something. But for those who haven't heard of perhaps the greatest science-fiction series ever to be written, the Heliconnia series was Aldiss' attempt at a world building on the scale of Dune, but at the same time using it to make a commentary on his feelings about current society. Lofty goals but the beauty of it is that it never feels like he's overextending himself, everything feels natural and the book never deviates from Aldiss' calm, almost Arthur Clarke like narration, though his use of metaphor is much better than the more hard science oriented Clarke. For those coming in late, Aldiss envisioned Heliconnia as a Earth like planet with one big difference, really really really long seasons. The planet takes about 2500 years to orbit so each generation effectively notices only one season. In the first book he shows the end of winter and the reawakening of civilization, a cycle that has gone by many times without anyone realizing it. In the beginning the book is almost standard Tolkein stuff, fantasy but just when you think that Aldiss has gone into sword and sorcery, it throws in a bit with Earth having set up an orbiting space station to watch the planet, reminding you that above all this is a science-fiction story. If you can find even one book of this series used, snap it up as fast as you can, or just swamp a publisher with requests to put it back into print. Like Moorcock's Cornelius series, this is one that deserves to be out there for everyone to read.
Rating:
Summary: Frank Herbert eat your heart out
Review: The fact that this series is not in print is almost criminal, probably because Aldiss is British or something. But for those who haven't heard of perhaps the greatest science-fiction series ever to be written, the Heliconnia series was Aldiss' attempt at a world building on the scale of Dune, but at the same time using it to make a commentary on his feelings about current society. Lofty goals but the beauty of it is that it never feels like he's overextending himself, everything feels natural and the book never deviates from Aldiss' calm, almost Arthur Clarke like narration, though his use of metaphor is much better than the more hard science oriented Clarke. For those coming in late, Aldiss envisioned Heliconnia as a Earth like planet with one big difference, really really really long seasons. The planet takes about 2500 years to orbit so each generation effectively notices only one season. In the first book he shows the end of winter and the reawakening of civilization, a cycle that has gone by many times without anyone realizing it. In the beginning the book is almost standard Tolkein stuff, fantasy but just when you think that Aldiss has gone into sword and sorcery, it throws in a bit with Earth having set up an orbiting space station to watch the planet, reminding you that above all this is a science-fiction story. If you can find even one book of this series used, snap it up as fast as you can, or just swamp a publisher with requests to put it back into print. Like Moorcock's Cornelius series, this is one that deserves to be out there for everyone to read.
Rating:
Summary: Fascinating, entertaining!
Review: The first half of this book is outstanding, and makes the whole thing worth reading. The imagery is excellent, the story entertaining and intense at times. The second half lags considerably, as the action largely subsides. After finsishing, I definitely will continue on to the next in the series. Very well written throughout.
Rating:
Summary: Great book!
Review: The span of years encompassed by the first book in the Helliconia trilogy is huge, the concept of Helliconia infinite. I've only read the first book, and I can't wait to read Summer. Spring was well written, even visionary, and I read it non-stop for two days until I turned the last page.
The generation gap between the two sections of Spring was at first troubling. I normally like to follow a character all the way through, but the scope of this series is too big for one protagonist to fulfill. It's the story of a world, and a culture, embroiled in perpetual combat with an enemy species--an alien species paramount in the Spring.
I was reminded of those films in school showing a flower blooming with time-lapse photography. I could almost see humanity blooming as Spring advanced. Each snapshot through the years featured a blossoming human ascendency over the evil Phagors. There was also a troubling, and for me, unresolved question about the voyeuristic watchers from Earth. What part do they play in this saga?
What happens as the season roll towards winter again?
Rating:
Summary: A Great Book
Review: This is a great book and part of a great trilogy. The proper comparison is with Gene Wolfe and not with Frank Herbert. The book is fascinating in the way it shows the multitude of effects that the environment has on societies.
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