Rating: 
Summary: Sci fi stories, without the science?
Review: In the introduction to this collection, editor Gardner Dozois bemoans the popular perception that sci fi is a genre that is dying. But with weak selections such as these, it's a miracle the genre isnt dead already.
If this is the best sci fi can do, then the genre is in alot of trouble. Its a sad day for science fiction when the best stories of the year, contain pitifully little science. In most of the stories, science is none existent, or has a negligable role in the plots (and this even from some so called 'masters' of hard sci fi). Although there were a (very) few gems in this collection, most of the stories are pointless, aimless, lack any kind of meaningfull conclusion, and leave the reader thinking (to paraphrase Simon Cowell) "Well, so what?".
Rating: 
Summary: Not up to some of the earlier offerings.
Review: Some years I've finished Year's Best Science Fiction within a week of it being published. This year's edition took me seven months to plod through. That word, "plod," captures the problem I had with the book. Some of the stories in this collection ("A Flock of Birds," "The Potter of Bones," "V.A.O.," and "Turquoise Days") are over far too soon. Others end up dragging on for weeks (real time). There often just wasn't a spark in them that captured my interest. The overall effect, unfortunately, is a bit leaden. It is, as always, a must for anyone looking for a thorough survey of the year's short SF, but overall I found Hartwell and Cramer's _Year's Best SF 8_ to be a much more enjoyable take on the year.
Rating: 
Summary: strong collection of short stories
Review: The twentieth edition of what annually is one of the best anthologies is a strong collection of short stories that showcases the top tales of the year. The contributions come mostly from United States, Great Britain, and Australia and run the gamut of the genre. As usual Gardner Dozois provides a superb introduction that gives the perspective and condition of the genre. This time though much of the critical world claim the genre is dead, no earth-shattering innovation occurred, and magazines have suffered losses, Mr. Dozois shows that SF remains a viable powerful entity. Each tale is well written as expected from an anthology packaged by the award winning Mr. Dozois who leaves no stone (magazine or book?) unturned in his quest to provide THE YEAR'S BEST SCIENCE FICTION at least the shorts.Harriet Klausner
Rating:
Summary: strong collection of short stories
Review: The twentieth edition of what annually is one of the best anthologies is a strong collection of short stories that showcases the top tales of the year. The contributions come mostly from United States, Great Britain, and Australia and run the gamut of the genre. As usual Gardner Dozois provides a superb introduction that gives the perspective and condition of the genre. This time though much of the critical world claim the genre is dead, no earth-shattering innovation occurred, and magazines have suffered losses, Mr. Dozois shows that SF remains a viable powerful entity. Each tale is well written as expected from an anthology packaged by the award winning Mr. Dozois who leaves no stone (magazine or book?) unturned in his quest to provide THE YEAR'S BEST SCIENCE FICTION at least the shorts. Harriet Klausner
Rating: 
Summary: A handful of greatness, a boatload of mediocrity.
Review: This collection is a resource both for readers and writers of contemporary science fiction. Emerging and established writers are assembled with an emphasis on the diverse range of styles and forms being utilized. From brief, nearly mainstream literary shorts to sprawling pulpy novellas, there is something to appeal and to repel nearly every taste. This book serves as a window into the personal tastes of Mr. Dozois, who offers a critical survey of the year in movies to the year in reprints, to the state of the genre publishing industry. In addition to any "writer's market" books, this collection provides insight into what writing is selling at most of the professional sci-fi markets. If you don't have the money to subscribe to every magazine or website you are considering submitting to, or more likely, don't have the time to read absolutely everything from each magazine, this book is a good alternative and a worthy aid when deciding which market best suits your length, style, etc. Finally, if the 26 stories within leave you wanting more (admittedly, Dozois seems to have included a disproportionate number of stories from his own periodical), Dozois offers a daunting list of honorable mentions, some of which he discusses briefly in his introductory summation. As for the stories themselves: "Breathmoss" is a fairly well told coming of age tale of a girl in a patiently detailed exotic world. "The Most Famous Little Girl In The World" has a distinctly literary tone, and despite its mixture of post 9/11 paranoia and confusing possibly-alien-caused apocalyptic scenarios, it remains solidly character driven. The first person narrative restricts our understanding of this world in the near future (the story spans decades detailing the interaction of two cousins who dislike each other), which may or may not be a good thing. "The Passenger" hints at issues of class disparity without being heavy-handed, and uses "hard science" (i.e. descriptions of technology) to further the plot rather than just create a "futuristic" atmosphere. Well done. "The Political Officer" features several macho characters, and intrigue based on competing ideas of who has legitimate control of the ship and the mission. Its not surprising something goes terribly wrong. Despite the author's efforts to redeem them, none of the characters are likeable...and the lengthy "tension-building" scenes seem largely extraneous. "Lambing Season" is tightly written, and at barely 10 pages its concise style is reflected in its brevity. Molly Glass has honed her literary style quite well, and she presents a rancher's encounter with an alien with fine realism and emotional resonance. Wonderful. "Coelacanths" is set in the far future, where humans, despite all their adaptations and technological accouterments, struggle to survive let alone understand the multi-dimensional world that has evolved around them. Other characters emerge, ranging from adventurous/fatalistic sub-atomic dust motes to some sort of evolved yet imprisoned humanoids. In telling the story of each of the numerous beings permeating or failing to permeate the boundaries of each other, "Coelacanths" offers a message seemingly against the infinite proliferation of humankind across the cosmos. While the story is neither the best written or the most entertaining in the collection, it does present ideas that merit at least cursory perusal if not careful scrutiny. "Presence" by Marueen F. McHugh is a moving portrait of a wife tending to her husband who has a fairly aggressive case of dementia. When presented with a potential curative, her husband recovers quite a bit, but loses most of his pre-existing scrupulous personality. If not for the existence of the sci-fi element of the Alzheimer's drug, you would think you were reading one of the better entries in Glimmer Train Stories or Prairie Schooner. This is easily one of the best stories in the collection. "Halo" is by Charles Stross, who has taken the sci-fi world by storm, publishing a flurry of stories in quick succession in the top magazines, not to mention a novel and more. I think his style will be polarizing, his distinctive fervent voice entertaining or distracting depending on the reader. I fall into the latter camp, finding his use of present day neologisms and pop culture highly annoying, especially when he ignores the actual meaning of words new to our cultural lexicon by recontextualizing them as flippant jargon. "Blog," "otaku," and many other words suffer this fate. The writing is a strange hybrid of technology the science and pseudo-science mashed together depending on if it is an area Stross has a grip on (e.g. computers, networks, trans-human singularity theory, avatars) or not (e.g. statistics). Also the relationships between the characters are quite interesting; however, the characters themselves are shot through with self-conscious quirky-ness. I have yet to read his story "Lobster" which should probably be read before this so I should probably reserve judgment of such an energetic and evolving (albeit somewhat schizophrenic) writing style. Despite being high concept, "Halo" has the breezy mania of a television program for young children. I have yet to finish it. "In Paradise" by Bruce Sterling is a superlative brief love story (no really) set in an all to believable American security dystopia in the near future, told with a humorous and tireless tone. "The Old Cosmonaut And The Construction Worker Dream Of Mars" is a surreal story, with out of body experiences, disruptions in time and space, virtual-reality intergalactic construction, incontinent dogs, and much more. The writing is imagistic which works quite well at dispensing wonder and reflecting the multiple meanings of "dream" with regard to exploration of the inner self, one's connection to community, and one's connection with place (in this case Mars). When presenting the grand myth of heroic idealistic space travel, the writing gives the narrative a bit of a breathless tone, which is somewhat off-putting; though, overall this is an enjoyable read for anyone who shares the feelings of the characters. ...
Rating:
Summary: A handful of greatness, a boatload of mediocrity.
Review: This collection is a resource both for readers and writers of contemporary science fiction. Emerging and established writers are assembled with an emphasis on the diverse range of styles and forms being utilized. From brief, nearly mainstream literary shorts to sprawling pulpy novellas, there is something to appeal and to repel nearly every taste. This book serves as a window into the personal tastes of Mr. Dozois, who offers a critical survey of the year in movies to the year in reprints, to the state of the genre publishing industry. In addition to any "writer's market" books, this collection provides insight into what writing is selling at most of the professional sci-fi markets. If you don't have the money to subscribe to every magazine or website you are considering submitting to, or more likely, don't have the time to read absolutely everything from each magazine, this book is a good alternative and a worthy aid when deciding which market best suits your length, style, etc. Finally, if the 26 stories within leave you wanting more (admittedly, Dozois seems to have included a disproportionate number of stories from his own periodical), Dozois offers a daunting list of honorable mentions, some of which he discusses briefly in his introductory summation. As for the stories themselves: "Breathmoss" is a fairly well told coming of age tale of a girl in a patiently detailed exotic world. "The Most Famous Little Girl In The World" has a distinctly literary tone, and despite its mixture of post 9/11 paranoia and confusing possibly-alien-caused apocalyptic scenarios, it remains solidly character driven. The first person narrative restricts our understanding of this world in the near future (the story spans decades detailing the interaction of two cousins who dislike each other), which may or may not be a good thing. "The Passenger" hints at issues of class disparity without being heavy-handed, and uses "hard science" (i.e. descriptions of technology) to further the plot rather than just create a "futuristic" atmosphere. Well done. "The Political Officer" features several macho characters, and intrigue based on competing ideas of who has legitimate control of the ship and the mission. Its not surprising something goes terribly wrong. Despite the author's efforts to redeem them, none of the characters are likeable...and the lengthy "tension-building" scenes seem largely extraneous. "Lambing Season" is tightly written, and at barely 10 pages its concise style is reflected in its brevity. Molly Glass has honed her literary style quite well, and she presents a rancher's encounter with an alien with fine realism and emotional resonance. Wonderful. "Coelacanths" is set in the far future, where humans, despite all their adaptations and technological accouterments, struggle to survive let alone understand the multi-dimensional world that has evolved around them. Other characters emerge, ranging from adventurous/fatalistic sub-atomic dust motes to some sort of evolved yet imprisoned humanoids. In telling the story of each of the numerous beings permeating or failing to permeate the boundaries of each other, "Coelacanths" offers a message seemingly against the infinite proliferation of humankind across the cosmos. While the story is neither the best written or the most entertaining in the collection, it does present ideas that merit at least cursory perusal if not careful scrutiny. "Presence" by Marueen F. McHugh is a moving portrait of a wife tending to her husband who has a fairly aggressive case of dementia. When presented with a potential curative, her husband recovers quite a bit, but loses most of his pre-existing scrupulous personality. If not for the existence of the sci-fi element of the Alzheimer's drug, you would think you were reading one of the better entries in Glimmer Train Stories or Prairie Schooner. This is easily one of the best stories in the collection. "Halo" is by Charles Stross, who has taken the sci-fi world by storm, publishing a flurry of stories in quick succession in the top magazines, not to mention a novel and more. I think his style will be polarizing, his distinctive fervent voice entertaining or distracting depending on the reader. I fall into the latter camp, finding his use of present day neologisms and pop culture highly annoying, especially when he ignores the actual meaning of words new to our cultural lexicon by recontextualizing them as flippant jargon. "Blog," "otaku," and many other words suffer this fate. The writing is a strange hybrid of technology the science and pseudo-science mashed together depending on if it is an area Stross has a grip on (e.g. computers, networks, trans-human singularity theory, avatars) or not (e.g. statistics). Also the relationships between the characters are quite interesting; however, the characters themselves are shot through with self-conscious quirky-ness. I have yet to read his story "Lobster" which should probably be read before this so I should probably reserve judgment of such an energetic and evolving (albeit somewhat schizophrenic) writing style. Despite being high concept, "Halo" has the breezy mania of a television program for young children. I have yet to finish it. "In Paradise" by Bruce Sterling is a superlative brief love story (no really) set in an all to believable American security dystopia in the near future, told with a humorous and tireless tone. "The Old Cosmonaut And The Construction Worker Dream Of Mars" is a surreal story, with out of body experiences, disruptions in time and space, virtual-reality intergalactic construction, incontinent dogs, and much more. The writing is imagistic which works quite well at dispensing wonder and reflecting the multiple meanings of "dream" with regard to exploration of the inner self, one's connection to community, and one's connection with place (in this case Mars). When presenting the grand myth of heroic idealistic space travel, the writing gives the narrative a bit of a breathless tone, which is somewhat off-putting; though, overall this is an enjoyable read for anyone who shares the feelings of the characters. ...
Rating:
Summary: Eh, just buy it already.
Review: Wow, lots of bad comments. Here's the thing... this book is a bargain if nothing else. You get Dozois' introduction, the Reynolds, the Egan (you don't have to like it, but you have to read it anyway), and about five other fairly good stories. The rest, well, you just pick around and eventually pick up something else. Don't like a story? No problem, you can just skip it and move on to something else. Then there is always the ritual of hoping -- like someone rooting for the Cubs -- that next year will be better. That's plenty of value for the money. Wait! The Sterling! Come on, that's a darned terrific story! It's not even sci-fi! It's just pretty! And it's by Bruce Sterling! (Calms down...)
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