Rating: Summary: Philosophical Mystery Story Review: A mystery story involving, of course, dead bodies.The spirit of the novel is best contained in the statistician's remarks on gravity. The word "Gravity" doesn't really explain anything, rather it gives a name to the tendency of objects to fall toward the center of the earth. If something like that happens every day, we give it a name of some sort and accept it as normal. If something like that seldom happens, then it's exceptional and warrants investigation. Although I was dissatisfied with the ending, the reasoning employed along the way there is pretty engrossing. The story is also strange enough in places to be bleakly humorous. Maybe an extra half-star, for being different.
Rating: Summary: Philosophical Mystery Story Review: A mystery story involving, of course, dead bodies. The spirit of the novel is best contained in the statistician's remarks on gravity. The word "Gravity" doesn't really explain anything, rather it gives a name to the tendency of objects to fall toward the center of the earth. If something like that happens every day, we give it a name of some sort and accept it as normal. If something like that seldom happens, then it's exceptional and warrants investigation. Although I was dissatisfied with the ending, the reasoning employed along the way there is pretty engrossing. The story is also strange enough in places to be bleakly humorous. Maybe an extra half-star, for being different.
Rating: Summary: Philosophical Mystery Story Review: A mystery story involving, of course, dead bodies. The spirit of the novel is best contained in the statistician's remarks on gravity. The word "Gravity" doesn't really explain anything, rather it gives a name to the tendency of objects to fall toward the center of the earth. If something like that happens every day, we give it a name of some sort and accept it as normal. If something like that seldom happens, then it's exceptional and warrants investigation. Although I was dissatisfied with the ending, the reasoning employed along the way there is pretty engrossing. The story is also strange enough in places to be bleakly humorous. Maybe an extra half-star, for being different.
Rating: Summary: Just the facts, Stan. Review: As every detective and scientist should know, objectively there are facts and relationships between facts. Sometimes there are causal relationships between facts, and the facts are correlated; sometimes there are no causal connections between facts, and the facts may or may not show some statistical correlation. The situation where the facts display at least chance correlations but may not be linked causally provides the leitmotiv for Stanislaw Lem's "The Investigation" (and his "Chain of Chance" for that matter). Correlated facts are suggestive, but when the number of facts does not amount to a meaningful statistical sample the correlation may be an artifact, and then sound inductive reasoning often gives way to wild speculation. In "The Investigation", lieutenant Gregory of Scotland Yard desperately tries to puzzle out a consistent explanation for a bizarre series of disappearing corpses while receiving input from a scientist, a doctor, and fellow detectives --- each with his own ideas. The problem is that there doesn't seem to be enough solid evidence to decide whether the facts of the case have causal structure or whether they simply form "fortuitous patterns". Hmmm. The category of "science fiction" is usually reserved for whimsical flights of fancy, but here we have a book that breathes fictional life into part of the intellectual apparatus that is at the very heart of science --- the empirical, or scientific, method. No pedantic statement is made about the empirical method, it's darker corners simply serve as a compelling thematic backdrop for a detective story. "The Investigation" is not a detective novel in the traditional sense though, and the ending will throw Agatha Christie enthusiasts for a disconcerting loop...but, an enjoyable one. The narrative style is pleasingly "cinematic" in that, with few exceptions, only things that can be seen and heard are described --- it reads something like a well-written screenplay. This narrative approach is nothing new, though, and its lack of originality kept me from getting too excited; but, my fetish for stylistic originality is probably not shared by most readers. The book is also intellectually provocative without being didactic in that the story conjures up a small whirlwind of intriguing questions, not a parade of dubious and facile answers. Most importantly, it's a fun and engaging story. I really liked this one.
Rating: Summary: Just the facts, Stan. Review: As every detective and scientist should know, objectively there are facts and relationships between facts. Sometimes there are causal relationships between facts, and the facts are correlated; sometimes there are no causal connections between facts, and the facts may or may not show some statistical correlation. The situation where the facts display at least chance correlations but may not be linked causally provides the leitmotiv for Stanislaw Lem's "The Investigation" (and his "Chain of Chance" for that matter). Correlated facts are suggestive, but when the number of facts does not amount to a meaningful statistical sample the correlation may be an artifact, and then sound inductive reasoning often gives way to wild speculation. In "The Investigation", lieutenant Gregory of Scotland Yard desperately tries to puzzle out a consistent explanation for a bizarre series of disappearing corpses while receiving input from a scientist, a doctor, and fellow detectives --- each with his own ideas. The problem is that there doesn't seem to be enough solid evidence to decide whether the facts of the case have causal structure or whether they simply form "fortuitous patterns". Hmmm. The category of "science fiction" is usually reserved for whimsical flights of fancy, but here we have a book that breathes fictional life into part of the intellectual apparatus that is at the very heart of science --- the empirical, or scientific, method. No pedantic statement is made about the empirical method, it's darker corners simply serve as a compelling thematic backdrop for a detective story. "The Investigation" is not a detective novel in the traditional sense though, and the ending will throw Agatha Christie enthusiasts for a disconcerting loop...but, an enjoyable one. The narrative style is pleasingly "cinematic" in that, with few exceptions, only things that can be seen and heard are described --- it reads something like a well-written screenplay. This narrative approach is nothing new, though, and its lack of originality kept me from getting too excited; but, my fetish for stylistic originality is probably not shared by most readers. The book is also intellectually provocative without being didactic in that the story conjures up a small whirlwind of intriguing questions, not a parade of dubious and facile answers. Most importantly, it's a fun and engaging story. I really liked this one.
Rating: Summary: Highly original mystery will intrigue the curious Review: For years I'd heard a lot about Stanislaw Lem as a great Polish science fiction writer, maybe one of the world's greats in that field, but I hadn't ever read him. Therefore, when I saw a book of his at a yard sale, I bought it. The price was certainly right. But, I must report that I still haven't read any of his science-fiction because THE INVESTIGATION turns out to be one of his few works in other genres. But what genre is this ? You might say it's a detective novel, but "metaphysical detective fiction" would describe it better. How many other books fit into the same field ? Good question. Here we find bodies removed from graveyards and mortuaries; sometimes they turn up elsewhere, sometimes not. Gregory, a suspicious policeman, is assigned to catch the perpetrator. But is there a perpetrator ? Discussions of statistics and probability, as well as mysterious speculations, pepper this novel, which takes place in cold, foggy, rainy or snowy conditions in England, a country that does not emerge very realistically from the background. I was constantly reminded of Ismail Kadare's novel "Doruntine" by the similar philosophical nature of the writing which marks both books, by the rain and cold, and even by the names of characters-Stres in the Albanian book, and Sciss (the statistician) in Lem's. I can't say that this is a characteristic Lem novel because it's the first I ever read. But a detective novel that asks "what if everything that exists is fragmentary, incomplete, aborted, events with ends but no beginnings, events that only have middles, things that have fronts or rears, but not both, with us constantly making categories..... ?" cannot be considered average. Lem's novel may not be to everyone's taste---especially if you are looking for sex, violence, or lots of action---but it is unusual and well-written.
Rating: Summary: Highly original mystery will intrigue the curious Review: For years I'd heard a lot about Stanislaw Lem as a great Polish science fiction writer, maybe one of the world's greats in that field, but I hadn't ever read him. Therefore, when I saw a book of his at a yard sale, I bought it. The price was certainly right. But, I must report that I still haven't read any of his science-fiction because THE INVESTIGATION turns out to be one of his few works in other genres. But what genre is this ? You might say it's a detective novel, but "metaphysical detective fiction" would describe it better. How many other books fit into the same field ? Good question. Here we find bodies removed from graveyards and mortuaries; sometimes they turn up elsewhere, sometimes not. Gregory, a suspicious policeman, is assigned to catch the perpetrator. But is there a perpetrator ? Discussions of statistics and probability, as well as mysterious speculations, pepper this novel, which takes place in cold, foggy, rainy or snowy conditions in England, a country that does not emerge very realistically from the background. I was constantly reminded of Ismail Kadare's novel "Doruntine" by the similar philosophical nature of the writing which marks both books, by the rain and cold, and even by the names of characters-Stres in the Albanian book, and Sciss (the statistician) in Lem's. I can't say that this is a characteristic Lem novel because it's the first I ever read. But a detective novel that asks "what if everything that exists is fragmentary, incomplete, aborted, events with ends but no beginnings, events that only have middles, things that have fronts or rears, but not both, with us constantly making categories..... ?" cannot be considered average. Lem's novel may not be to everyone's taste---especially if you are looking for sex, violence, or lots of action---but it is unusual and well-written.
Rating: Summary: I think that last reviewer is talking about a different book Review: Lem also has a book called _The Invincible_ that is sci-fi. This book, _The Investigation_ is not sci-fi at all, it's a mystery. But true to Lem's style it is like no other mystery. You're never sure if the missing corpses are actually getting up and walking away or if the whole thing is just some epic scheme. I loved it but I have to admit it's not for everyone and not an easy read.
Rating: Summary: I think that last reviewer is talking about a different book Review: Lem also has a book called _The Invincible_ that is sci-fi. This book, _The Investigation_ is not sci-fi at all, it's a mystery. But true to Lem's style it is like no other mystery. You're never sure if the missing corpses are actually getting up and walking away or if the whole thing is just some epic scheme. I loved it but I have to admit it's not for everyone and not an easy read.
Rating: Summary: Solid piece of writing Review: Sci-fi thriller. Very nicely written, good plot, surprising twists. Could have easily been one of the Asimov's "I Robot"-cycle stories. However, not really ourstanding or especially original.
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