A Wing in the Door: Life With a Red-Tailed Hawk (The World As Home Series)

Rating:
Summary: Strong story compromised by some inaccuracies.
Review: Take a strong premise-the observations and interactions of a human family with a partially tamed Red-tailed Hawk, evocative, often lyrical writing, add some anthropomorphism and a few factual errors, and you have A Wing in the Door. I really wanted to like this book more than I did. Like Marie Winn's Red-tails in Love, it covers a subject very near to my heart, humans and their relationship to birds of prey (I teach environmental education using non-releasable hawks, and one of the birds I use is a big female Red-tailed Hawk). The opportunity to interest a wider audience in the "personal" lives of these birds could be a valuable asset in promoting greater understanding of and appreciation for not just the subject species, but all wildlife and the environment in general. To do that effectively, anthropomorphism is a legitimate tool to make the birds seem more human and give them recognizable character traits to which the reader can relate. However, you shouldn't go too far. Too often, I thought, Ms. McQuay ascribed feelings, motivations, and premeditation to the bird's actions that I felt were a stretch. She addressed this issue in an opening note, explaining her use of anthropomorphism as a conscious, necessary antidote to the alternative worldview that we humans are somehow above other animals. I agree, in principal, up to a point, but felt that the author went too far in many cases, thus undermining the non-fiction objectivity of her narrative. In a similar vein, there were some inaccuracies, mainly having to do with aging and plumage characteristics. Early on, she discusses the bird's age when it came to her family, spring of the year following the year it hatched. The bird still has the brown and gray banded tail typical of an immature redtail, as it is coming up on its first molt. Yet, the bird is called a two year-old in the text (it is, in fact, just coming up on one year). I found this confusion about the bird's age as the years cycle throughout the narrative a bit distracting. The process of molting (shedding old feathers and growing in new ones) was often described as being uncomfortable for the bird, with allusions to ill-temper and bad behavior related to being thus indisposed. In my experience and from everything I have read, I have never seen reference to molt being a particularly discomforting process, any more than is the shedding of our hair. Out with the old, in with the new. Molt does change the bird's energetic requirements, but doesn't seem to actually cause them pain. These and similar problems with raptor biology aside, there is much to enjoy in A Wing in the Door. I welcome the effort to interest the general public in some of the fascinating details of the lives of raptorial birds. In the end, the author spins a pretty good tale about her experiences. For myself, I would have liked it better with a little more about the bird and a little less of the human.

Rating:
Summary: A Future Classic of Nature Literature
Review: The fact that Milkweed Press has wisely chosen to reprint Peri Phillips McQuay's A Wing in the Door: Adventures with a Red-Tail Hawk (originally published in Canada in 1993), bespeaks its enduring value, and I think helps ensure its survival into the future as a classic of nature literature. Like another great Canadian nature writer, Farley Mowat (Never Cry Wolf), Peri Mcquay explores the relation between human and wild with wisdom, intelligence, and spirit. McQuay adds to these qualities a remarkably poetic prose which deeply involves the reader in the inner experience of her story-- which is also the story of Merak the hawk, who becomes movingly real to us through the pages of this wonderful book. 'A Wing in the Door' is even more convincing and enriching because it includes not only the human-imprinted hawk and her caretakers who are attempting to help her live as close to the wild as possible, but much of the other wildlife surrounding them as well. The world of 'A Wing in the Door' is broad, rich, and varied, as well as exciting and deeply poetic. To quote from a moment in the book when the author is enjoying watching Merak in flight: 'To fly through the wings of a hawk is like flying through a kite, only far better." As a scholar and teacher of nature literature and editor of two books on naturalist John Burroughs, I find this book a treasure, one that I hope to use in the classroom.

Rating:
Summary: Fine new Milkweed title.
Review: This gentle, closely-observed, radiant work explores new territory in the genre of writing about animals. The red-tailed hawk, Merak, never gets more than a wing in the door, literally. She is neither reared nor rehabilitated in the McQuay house. She is brought to them Ñ on their 800 acre conservation area in Ontario Ñ by the local rehabilitator to be released back into the wild. It is only almost as the door to the cage is being opened that the McQuays find out that the hawk may be human imprinted, and thus Merak may be within the circle of their lives for the rest of her own. This book, like a crafted journal, tells the story of several years of Merak's life interwoven with the lives of the people who choose to feed her (mice and rats and muskrats) and look out after her. It is always the hawk who is the focus. Merak is neither wild nor domesticated, but lives in that space where more and more nonhuman creatures will be found, as human existence encroaches upon the natural states necessary for animals to be completely themselves. McQuay is all too aware of the losses that Merak must live with, and records them with the clarity and honesty available to someone who lives amidst such hard lessons.

Rating:
Summary: Praise for A Wing in the Door
Review: Toronto Globe and Mail, June 23, 2001: "In the style of Jane Goodall and other...animal behaviourists, there's a magnificent tenderness in these narratives--emphatically not to be confused with sentimentality....[A] rare and enlightened witness to the truth of non-human nature."

Washington Post Book World, April 22, 2001: "McQuay knows her land, knows its inhabitants, both plant and the animal, like a first language. Because of this she has written a compelling tale about wild places and wild and half-wild creatures and what it feels like to be around them that rings with authenticity."