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Rating: Summary: Church, or Muse . . . Doctrine, or Verse ... Review: [John Milton, son of a scrivener and musician...] This review is of the Oxford World's Classics edition of -John Milton: The Major Works- (ISBN: 019280409X), edited and with an Introduction by Stephen Orgel and Jonathan Goldberg. "That kings for such a tomb would wish to die" (John Milton-- "On Shakespeare") -- "one of the greatest, most noble, and most sublime poems which either this age or nation has produced" (John Dryden -- on -Paradise Lost-). The picture drawn of Milton, his life, and his career (or careers) by Orgel and Goldberg is of a man of intelligence and means who had been educated for the life of a gentleman and a scholar in his early life, yet finding that the surge of events and ideologies has a way of changing one's timing, course of expression, and even personal fate. Thus Milton makes conflicting statements about his intents, his "ripeness" (maturity of intellect and wisdom, more than age), and which venue is his real chosen arena of expression. His first published poem, is anonymous, and is "On Shakespeare" included in "the dedicatory verses to the second Shakespeare folio[1632]." (Chronology.) Yet in his first signed publication, -The Reason for Church Government- (1642), a prose tract, "Milton presents himself ... as a poet who uses only his 'left hand' in writing prose. In the account he gives, his entire life appears to have been spent in training as a poet." (Introduction.) As the eldest son, however, he "had been from childhood 'destined'...to a Church career." (Introduction.) But events intrude, as well as yearnings, and the 2 Jan. 1646 publication of -Poems of Mr. John MIlton, Both English and Latin-, dated 1645. The Church career never materializes, but in a strange way, a more interesting "preaching" or "exhorting" or "inspirational" one does, through his poetry, rather than his political tracts. And Milton, perhaps even oblivious to his own constantly self- revisionist attitudes and stances, creates a more enduring legacy which has influenced literature, scholarship, views about justifying "the ways of God to man" (from -Paradise Lost-), and the common cultural views about Satan, and Hell, and the Fall, even more so than those of Dante. This is an excellent edition which contains the shorter English poems, the Latin poems (with both Latin text on left pages -- and the Enlish translations on the right pages), Selections from -A Book of Sylvae-, Greek poem added 1673, Carmina Elegiaca, the Prose Works: from -The Reason of Church Government-, from -An Apology for Smectymnuus-, -The Doctrine and Discipline of Divorce (Complete), -Of Education- (Complete), -Areopagitica- (Complete), -The Tenure of Kings and Magistrates- (Complete), from -The Second Defence of the English People, -The Ready and Easy Way to Establish a Free Commonwealth- (Complete). Of course, there is also -Paradise Lost- (Complete); -Paradise Regained- (Complete); and -Samson Agonistes- (Complete). Highly enlightening are 3 Familiar Letters of 1674: "To Charles Diodati, 1637"; "To Benedetto Buonmattei, 1638"; and "To Leonard Philaras, Athenian." There is a lengthy excerpt from -Christian Doctrine- which starts out talking of "restoring religion to something of its pure original state" and has the very interesting (telling) perspective on Milton's own "cross": "If I were to say that I had focused my studies principally upon Christian doctrine because nothing else can so effectually wipe away those two repulsive affictions,tyranny and superstition [of course, no idea that doctrine itself might promote those two evils -- R.K.], from human life and the human mind, I should show that I had been concerned not for religion but for life's well-being." And the glory of Oxford editions, there are copious notes in the back going from page 735 to page 959, Further Reading List, and Index of Titles and First Lines. At this price, this volume is a real steal (er, get thee behind me, Satan...) ... bargain! -- Robert Kilgore.
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