Abayudaya: The Jews of Uganda

Rating:
Summary: A Breath-Taking Visual Chronicle of Faith and Endurance
Review: I first heard about the Abayudaya in 1996, through the work of "Kulanu," an organization working in support of isolated and marginalized Jewish community around the world. In September 2003, Rachel Namudosi Keki, a 21-year-old Abayudaya woman visited our community. It was a remarkable event.

Rachel highly recommends this book (which includes many pictures of her father, J.J. Keki, and a few of Rachel as well, although she is not identified by name) as the best available resource for understanding the history, reality, and day-to-day life of the Abayudaya.

The audio CD is a vital part of that understanding. (More Abayudaya music is available on the Kulanu-produced CD, "Shalom Everybody Everywhere;" Rachel is the soloist on these recordings, mostly recorded when she was around ten years old.)

Among the many unexpected revelations in this visually stunning book is the fact that J.J. Keki was visiting America in the late summer of 2001, and witnessed the first plane striking the World Trade Centers on September 11th. If you review film footage from that day, you can catch a glimpse of a tall black man wearing a kippah among those running from the scene.

Rating:
Summary: A Breath-Taking Visual Chronicle of Faith and Endurance
Review: I first heard about the Abayudaya in 1996, through the work of "Kulanu," an organization working in support of isolated and marginalized Jewish community around the world. In September 2003, Rachel Namudosi Keki, a 21-year-old Abayudaya woman visited our community. It was a remarkable event.

Rachel highly recommends this book (which includes many pictures of her father, J.J. Keki, and a few of Rachel as well, although she is not identified by name) as the best available resource for understanding the history, reality, and day-to-day life of the Abayudaya.

The audio CD is a vital part of that understanding. (More Abayudaya music is available on the Kulanu-produced CD, "Shalom Everybody Everywhere;" Rachel is the soloist on these recordings, mostly recorded when she was around ten years old.)

Among the many unexpected revelations in this visually stunning book is the fact that J.J. Keki was visiting America in the late summer of 2001, and witnessed the first plane striking the World Trade Centers on September 11th. If you review film footage from that day, you can catch a glimpse of a tall black man wearing a kippah among those running from the scene.

Rating:
Summary: A Story of Faith . . . and Self-Reliance
Review: I was thrilled to read Richard Sobel's powerful story of the Abayudaya. I had the opportunity to visit this community in May of 2002 on behalf of Heifer International. At the time I did not know of Sobel's book. It has made my visit all the more meaningful. Now I want to return.

The Abayudaya Women's Heifer Project is located in the Mbale district of Eastern Uganda and Heifer work with them was started in 1997. A group of seven women became the governing council. Twenty heifers were originally distributed and to date there have been 5 pass-ons. There are now 22 persons ready to receive Heifers.

This group is one of the poorest groups that Heifer works with in Uganda. However, it should be noted that the assistance of the Abayudaya Women's Heifer Project extends to those who are Christian and Muslim as well as Jewish.

We visited many of the farms and then visited the people gathered at the synagogue. They shared their story and we felt the power of their faith. The cows are helping the move toward self-reliance, but it is their own strength that is so empowering.

Rating:
Summary: A Story of Faith . . . and Self-Reliance
Review: I was thrilled to read Richard Sobel's powerful story of the Abayudaya. I had the opportunity to visit this community in May of 2002 on behalf of Heifer International. At the time I did not know of Sobel's book. It has made my visit all the more meaningful. Now I want to return.

The Abayudaya Women's Heifer Project is located in the Mbale district of Eastern Uganda and Heifer work with them was started in 1997. A group of seven women became the governing council. Twenty heifers were originally distributed and to date there have been 5 pass-ons. There are now 22 persons ready to receive Heifers.

This group is one of the poorest groups that Heifer works with in Uganda. However, it should be noted that the assistance of the Abayudaya Women's Heifer Project extends to those who are Christian and Muslim as well as Jewish.

We visited many of the farms and then visited the people gathered at the synagogue. They shared their story and we felt the power of their faith. The cows are helping the move toward self-reliance, but it is their own strength that is so empowering.

Rating:
Summary: Exquisite Photos and Music of Uganda's Jews
Review: Richard Sobol has just come out with Abayudaya: The Jews of Uganda, an exquisite volume of photographs with text about this remarkable group, and a CD of Abayudaya music is included in a pocket attached to the back cover. The music was recorded and annotated by Rabbi Jeffrey Summit, an ethnomusicologist at Tufts University.
Those of us who have lived and traveled in sub-Saharan Africa universally bemoan the fact that our pictures cannot capture the color and contrast, the rhythm, the unique beauty that is Africa. Richard Sobol, a seasoned pro, has captured the essence of these African scenes as few others can (Carol Beckwith comes to mind). Views of the Ugandan countryside and towns, of Abayudaya prayer and study and feasting, of women washing dishes and carrying water and preparing food, of elders in contemplation, of adults and children at play, of vendors of colorful housewares, of stunning posed portraits - it's all there, and each photo is a masterpiece.
And Sobol's 18-page essay about Abayudaya history and life and Jewish practice is a fine summary for those who have not been introduced to this unique community before.
Summit has written a five-page text to introduce the CD, which is entitled Abayudaya Music of Worship and Celebration. This essay is both informative and poignant. It reviews the various influences on Abayudaya music - Zulu music, church and Salvation Army music, Bantu folk music, Western visitors, and Nairobi (Kenya) synagogue melodies - often learned from recordings or the radio.
Summit recorded this wonderful sampling of Abayudaya music in informal sessions in Uganda in 2000 and 2002. The first half of the CD includes unaccompanied traditional hymns and psalms, some dating back 20 or 30 years, one composed by the community's founder, Semei Kakungulu, in the 1920s. The annotations themselves make fascinating reading. One note explains that Psalm 136, heard on the recording as a responsive "reading" with soloist and chorus, reminds the community of the downfall of Idi Amin since it recounts God's deliverance with the splitting of the Red Sea. A particularly precious rendition is Rena bat Esther's solo in Psalm 121, used by the Abayudaya to provide strength and comfort when a person is ill. This is one of the few compositions on the CD by a female composer. Another woman's composition is the melody to Psalm 130, which is sung repeatedly during a burial while shoveling earth and filling up the grave. Women seem to specialize in consolation.
Twagala Torah ("We Love the Torah") is a charming children's song composed by one of the youth leaders of the community, Moses Sebagabo. The text, in Luganda, English and Hebrew, is sung by Abayudaya children who attend public school.
The more upbeat second half of the CD features guitar accompaniment by Gershom Sizomu and electric keyboard by John Mark Nkoola, musical director of the Abayudaya high school. In an interesting contrast, Summit placed the a capella rendition of Psalm 136 in the first half and the electric version of the same psalm in the latter half. J.J. Keki's song "Ali Omu Yekka" ("My Only One") sounds like a standard love song: "I have one chosen one. I only have one love. I'm warning those others, don't come near me, she's enough...." But Summit points out that the Torah is the object of the songwriter's love, and the song is a veiled warning to Christian and Muslim proselytes in Uganda!
John Mark Nkoola wrote a modern song about the feeling he has when somebody has died. The words are particularly poignant in this place where deaths from AIDS and malaria are not uncommon: "The time has come. We must be going back where we have come from, to dust... When I think about death, I become afraid. I wish I had somebody to explain why this happens. Perhaps I may settle my mind. Let us enjoy life... Enjoy life in the right time, place and with the right people before you disappear like a shadow."
A few of the selections were heard on the community's first recording, "Shalom Everybody Everywhere!" produced by Kulanu with the Abayudaya in 1997. It is particularly satisfying to hear the beautiful, mature voice of Rachel Namudosi, in "Adonai Mukulu" ("God Is Great"). We heard her lovely child's voice on earlier recording. Happily, more recordings are in the works.

Rating:
Summary: Exquisite Photos and Music of Uganda's Jews
Review: Richard Sobol has just come out with Abayudaya: The Jews of Uganda, an exquisite volume of photographs with text about this remarkable group, and a CD of Abayudaya music is included in a pocket attached to the back cover. The music was recorded and annotated by Rabbi Jeffrey Summit, an ethnomusicologist at Tufts University.
Those of us who have lived and traveled in sub-Saharan Africa universally bemoan the fact that our pictures cannot capture the color and contrast, the rhythm, the unique beauty that is Africa. Richard Sobol, a seasoned pro, has captured the essence of these African scenes as few others can (Carol Beckwith comes to mind). Views of the Ugandan countryside and towns, of Abayudaya prayer and study and feasting, of women washing dishes and carrying water and preparing food, of elders in contemplation, of adults and children at play, of vendors of colorful housewares, of stunning posed portraits - it's all there, and each photo is a masterpiece.
And Sobol's 18-page essay about Abayudaya history and life and Jewish practice is a fine summary for those who have not been introduced to this unique community before.
Summit has written a five-page text to introduce the CD, which is entitled Abayudaya Music of Worship and Celebration. This essay is both informative and poignant. It reviews the various influences on Abayudaya music - Zulu music, church and Salvation Army music, Bantu folk music, Western visitors, and Nairobi (Kenya) synagogue melodies - often learned from recordings or the radio.
Summit recorded this wonderful sampling of Abayudaya music in informal sessions in Uganda in 2000 and 2002. The first half of the CD includes unaccompanied traditional hymns and psalms, some dating back 20 or 30 years, one composed by the community's founder, Semei Kakungulu, in the 1920s. The annotations themselves make fascinating reading. One note explains that Psalm 136, heard on the recording as a responsive "reading" with soloist and chorus, reminds the community of the downfall of Idi Amin since it recounts God's deliverance with the splitting of the Red Sea. A particularly precious rendition is Rena bat Esther's solo in Psalm 121, used by the Abayudaya to provide strength and comfort when a person is ill. This is one of the few compositions on the CD by a female composer. Another woman's composition is the melody to Psalm 130, which is sung repeatedly during a burial while shoveling earth and filling up the grave. Women seem to specialize in consolation.
Twagala Torah ("We Love the Torah") is a charming children's song composed by one of the youth leaders of the community, Moses Sebagabo. The text, in Luganda, English and Hebrew, is sung by Abayudaya children who attend public school.
The more upbeat second half of the CD features guitar accompaniment by Gershom Sizomu and electric keyboard by John Mark Nkoola, musical director of the Abayudaya high school. In an interesting contrast, Summit placed the a capella rendition of Psalm 136 in the first half and the electric version of the same psalm in the latter half.J.J. Keki's song "Ali Omu Yekka" ("My Only One") sounds like a standard love song: "I have one chosen one. I only have one love. I'm warning those others, don't come near me, she's enough...." But Summit points out that the Torah is the object of the songwriter's love, and the song is a veiled warning to Christian and Muslim proselytes in Uganda!
John Mark Nkoola wrote a modern song about the feeling he has when somebody has died. The words are particularly poignant in this place where deaths from AIDS and malaria are not uncommon: "The time has come. We must be going back where we have come from, to dust... When I think about death, I become afraid. I wish I had somebody to explain why this happens. Perhaps I may settle my mind. Let us enjoy life... Enjoy life in the right time, place and with the right people before you disappear like a shadow."
A few of the selections were heard on the community's first recording, "Shalom Everybody Everywhere!" produced by Kulanu with the Abayudaya in 1997. It is particularly satisfying to hear the beautiful, mature voice of Rachel Namudosi, in "Adonai Mukulu" ("God Is Great"). We heard her lovely child's voice on earlier recording. Happily, more recordings are in the works.

Rating:
Summary: A beautiful, fascinating book
Review: Richard Sobol takes you on a soulful journey to the Abayudaya Black Jewish Tribe in Uganda. His words and pictures capture the hidden beauties of the Abayudaya. Together with a CD of "live" music from the Abayudaya recorded by Jeff Summit, you do not "read" the book - you EXPERIENCE it. If you are Jewish, or not, your soul will be touched and your eyes will be opened. I already own one copy and plan on purchasing more as gifts. This is not just a coffee table book - it is a book that you will go back to time and time again, and will be proud to display.

Rating:
Summary: This Book is a MUST to Experience!
Review: Richard Sobol takes you on a soulful journey to the Abayudaya Black Jewish Tribe in Uganda. His words and pictures capture the hidden beauties of the Abayudaya. Together with a CD of "live" music from the Abayudaya recorded by Jeff Summit, you do not "read" the book - you EXPERIENCE it. If you are Jewish, or not, your soul will be touched and your eyes will be opened. I already own one copy and plan on purchasing more as gifts. This is not just a coffee table book - it is a book that you will go back to time and time again, and will be proud to display.

Rating:
Summary: A beautiful, fascinating book
Review: This book is the fascinating and bizarre true story of a small group of rural Ugandans who got the idea to convert to Judaism about 75 years ago. The prose part of the book is actually quite brief, but the pictures are beautiful, and the CD that accompanies the book (their prayer music) is a musical treat.