The Gay Talese Reader: Portraits & Encounters

Rating:
Summary: Intelligent curiosity and great writing
Review: "Intensely curious" is how Gay Talese describes himself on his arrival in New York City as a young man in the mid-1950s, a provincial from a community of immigrants in New Jersey. " But until I got a job in journalism I knew of no way to indulge my peculiar interest in the natural and unnatural order of city life."

Talese's interest in the lifestyle of alley cats, the inside knowledge of doormen and charwomen and taxi drivers, and the various overlooked architectural marvels throughout the city was underappreciated by his bosses at "The New York Times." As punishment for his lackluster efforts on the Albany political beat, Talese was shunted to the obituaries desk. But to him it was an opportunity to write about the personal accomplishments of interesting people. "I was never happier," he says.

Each of the superb pieces in this collection of writing from the 1960s to the 1990s exemplifies his elevation of curiosity to an art form. The opening piece, "New York Is a City of Things Unnoticed," his first article for "Esquire," in 1960, (and the opening of his first book, "New York: A Serendipiter's Journey") combines elements from a number of stories he had written for the "Times." Talese portrays the city's vastness and variety in a catalog of wonders and personal vignettes and portraits, from the gallons of soap used on a big day at Yankee Stadium to the doorman with parts of three bullets in his head, to a snapshot of the city during its quietest hour (5 a.m.).

Many of these pieces are classic profiles of famous people. "Frank Sinatra Has a Cold," is a riveting portrait of a complex man at the center of his universe, not always comfortable, but always in command. For this piece - one of his most famous - Talese never spoke to the man, using only his considerable powers of observation and fleshing it out with brief interviews with family, friends, employees and fans.

There are several profiles of prize fighters, including a particularly poignant one of Floyd Patterson after his loss to Sonny Liston, in which Patterson describes himself as a coward: "He stopped. He stood very still in the middle of the room, thinking about what he had just said, probably wondering whether he should have said it." Talese pursues the subject and Patterson explains, "It's in defeat that a man reveals himself. In defeat I can't face people. I haven't the strength to say to people, 'I did my best, I'm sorry, and whatnot.' " Over his career Talese has written 38 articles on Patterson, which may help explain why the fighter is so forthcoming.

"Joe Louis: The King as a Middle-Aged Man," and "Ali in Havana" also portray the fighters after their heyday. These portraits are affectionate, admiring. Though virtually crippled by Parkinson's disease, Ali signs his full name for autographs, though it takes him 30 seconds for each one. "He does not settle for a time saving 'Ali' or his mere initials. He has never shortchanged his audience."

As for Louis, his reputation for naivety and, well, dimness, is legendary. "And so it was with some unexpected elation that I found Joe Louis to be an astute businessman in New York, a shrewd bargainer, and a man with a sense of humor often quite subtle."

A profile of the "New York Times" obituary writer, Alden Whitman, "Mr. Bad News" is a gem of appreciation, humor and personality as well as an inside look at the job where Talese honed his own profiling skills.

Two pieces show another side of Talese - rapier-sharp, satirical wit, made all the sharper for flashes of admiration. "Looking for Hemingway," portrays George Plimpton's "Paris Review" crowd as a group of dilettantish (but talented) poseurs, and "Vogueland," is a hilarious view of "Vogue" magazine's muscular snobbery.

Talese, all but invisible in his profiles, reflects on his own life and work in several later pieces; two on writing, "Origins of a Non-Fiction Writer," and "When I Was Twenty-Five," and one on the resurgence of Puritanism in New York, "Walking My Cigar." "The Brave Tailors of Maida" is taken from "Unto the Sons," his book about his Italian father.

Each of these wonderful pieces attests to Talese's talent as a close observer and a careful listener, skills honed from his childhood eavesdropping on customers at his parents' shop. Author of the bestsellers "The Kingdom and the Power" (about "The New York Times") his mafia profile, "Honor They Father" and his expose of sexual mores "Thy Neighbors Wife," as well as a previous collection, "Fame & Obscurity," Talese is a writer to savor.

Rating:
Summary: Great light reading. Interesting, poignant and cool....
Review: For a sweetly essential read this is a must. Profiling people like Muhammed Ali, Floyd Patterson, Joe DiMaggio, Peter O'Toole, Sinatra and his own grandfather, Talese unites the journalistic style he even writes about, with an attractive fiction-like narrative. I looked forward to reading this each time, and was captivated by the non-sequitor poetics of Mr. Talese. Highly recommended for being simple, active and care-full about it's subjects.

Rating:
Summary: Wish I could copy and paste this book on my walls
Review: That is how much I loved this book. Mr. Talese eliminates all fluff and nonsense generally written about celebrity and New York City, decisively zooming in on the truth of both, giftedly selecting details that stir, exciting our interest, and thereby awarding his readers an intimate and delightful read.

Rating:
Summary: Wish I could copy and paste this book on my walls
Review: That is how much I loved this book. Mr. Talese eliminates all fluff and nonsense generally written about celebrity and New York City, decisively zooming in on the truth of both, giftedly selecting details that stir, exciting our interest, and thereby awarding his readers an intimate and delightful read.

Rating:
Summary: The Gay Talese Reader: Portraits & Encounters
Review: This beautifully written collection of essays by journalist and best-selling author Talese (The Bridge; The Kingdom and the Power), who is now in his early seventies, brings together short pieces originally published from the 1960s through the 1990s. Talese's nonfiction magazine writing was first published in the 1960s and immediately became a gold standard; his approach, which combines elegance of style with exhaustive research and features ordinary Americans, was dubbed the "New Journalism." This all-embracing collection features a variety of writing styles and reflects the author's varied interests: some pieces are purely autobiographical, others biographical (on such figures like Peter O'Toole, Joe Louis, Frank Sinatra, and Joe DiMaggio), and yet others tackle such diverse topics as tailoring, writing, and Vogue. The result is a nice addition to all public and academic libraries, especially those already owning Talese's work. Those that don't may want to start with this reader, as it truly represents the best of this still highly prolific author's work. With an introduction by Barbara Lounsberry (English language & literature, Univ. of Northern Iowa), coauthor with Talese of Writing Creative Non-Fiction: The Literature of Reality