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Rating: 
Summary: A correction to my earlier review
Review: I posted a review here on October 10. I want to make a small correction, in case I confused anyone. The book I recommended looking at, if you can find a copy, is "Off the Beaten TRACK in the Classics," not "Off the Beaten PATH...." The author is C. Kaeppel, and it was published in Melbourne, Australia, in 1936.
Rating: 
Summary: overseas overviews
Review: Not the most stunning or innovative of Professor Grafton's works, <New Worlds, Ancient Texts> makes a sweeping review from the expectations held by the world of humanists received from Greek, Latin, and Arabic forerunners to the explosion and expansion of these expectations due to America's discovery. Grafton is a smooth and engaging writer, who can bind the vast realms of his study into fine sentences and clear argumentation.The text consists of five chapters, intermittent miniature biographies of more interesting or less frequently known players, and luxurious black and white reproductions of images and manuscripts of the age. The text runs its course and neither references the small biographies nor acknowledges the handsome illustrations. It is very possible that one will skip over these images as accessory to follow the sweep of the author's narrative, only to revisit them later. Sweeps and anecdotes describe the nature of the investigation rather than patient analysis of sites and sights. This book seems to share only the prettiest berries plucked from Grafton's years as a tender of the tree. This book more than adequately accounts for the changes in European thought on account of the discovery not just of new lands, but of new worlds, new diseases, drugs, and, as important, the discovery of the limitations of many ancient texts. Again, Grafton is beguiling, informative and masterful at his craft. <New Worlds, Ancient Texts> will be equally welcome reading for those who enjoy the period and those who wish to find a compelling way to enter it.
Rating:
Summary: overseas overviews
Review: Not the most stunning or innovative of Professor Grafton's works, makes a sweeping review from the expectations held by the world of humanists received from Greek, Latin, and Arabic forerunners to the explosion and expansion of these expectations due to America's discovery. Grafton is a smooth and engaging writer, who can bind the vast realms of his study into fine sentences and clear argumentation.The text consists of five chapters, intermittent miniature biographies of more interesting or less frequently known players, and luxurious black and white reproductions of images and manuscripts of the age. The text runs its course and neither references the small biographies nor acknowledges the handsome illustrations. It is very possible that one will skip over these images as accessory to follow the sweep of the author's narrative, only to revisit them later. Sweeps and anecdotes describe the nature of the investigation rather than patient analysis of sites and sights. This book seems to share only the prettiest berries plucked from Grafton's years as a tender of the tree. This book more than adequately accounts for the changes in European thought on account of the discovery not just of new lands, but of new worlds, new diseases, drugs, and, as important, the discovery of the limitations of many ancient texts. Again, Grafton is beguiling, informative and masterful at his craft. will be equally welcome reading for those who enjoy the period and those who wish to find a compelling way to enter it.
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