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Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them

Lapsing Into a Comma : A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--and How to Avoid Them

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Product Info Reviews

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Rating: 4 stars
Summary: Just remember that this is the _author's_ opinion
Review: "Lapsing Into a Comma" is perhaps the most interesting stylebook one will find in print today. Reader's just have to beware that this is the _author's_ stylebook.

You'll find the usual suspects here with clear explanations about how to handle them. Punctuation, grammar and spelling are all covered, from the use of commas to the proper spelling of some famous individuals. The latter is one example of how different this book is. Knowing the proper spelling of Nicolas Cage's name might be entertaining and useful to those working for a newspaper, but I'm not sure it makes for a better reference book.

Some of the "rules" presented here will invariably be treated arbitrarily by the public. Some rules we follow, others just don't sound correct when we speak them so we move on. And sometimes what we think we know is not true at all.

Three examples:

Walsh makes the grammatically correct point that sports teams (or rock bands) with singular names (e.g. The Who, The Orlando Magic, etc.) must be combined with singular verbs. He argues that this is subject-verb agreement. While that is true, people simply don't think this way. The Magic are a team full of individuals. (See, I just made the "mistake" in the previous sentence! I did it without thought.) People don't think of the Magic as a he. They think of the Magic as a them. Just like the Yankees. Walsh dismisses these concerns, but he's ultimately spitting into the wind. People don't talk or think in this manner, subject-verb agreement or no. Fifty years from now someone writing about grammar will lament the fact that no one follows this rule. Get over it.

While Walsh is annoyed by this example, he also states that the current oral tradition of using plural (they, them) instead of singular pronouns (he, she) might trump the grammatical rule. And he's OK with that. I happen to agree with him, but it only weakens his earlier point. If the oral tradition creates the rule in this case then why doesn't it in another?

Then there's at least one example where Walsh is just clearly wrong and, ironically, injects his own political views while accusing others of doing the same. Under the term gender Walsh claims that it came about as a result of the word "sex" being viewed as specific to the sexual act. He gives the example "race and sex preferences" and then says that _he_ thinks "sexual preferences" when he hears this term. Funny, I never thought of that until I read his words! But that's not the most important point.

Walsh criticizes those who would "politicize" the word gender by making it refer to behavior. His example goes something like this: Johnny likes to wear dresses so he's of the female gender. The problem is that the word gender came from the fields of sociology and psychology long before it was in common use today. The very roots of this word are _specific_ to behavior. There are no politics about it. In 1990 when you said the word gender you were talking about behavior, no genitalia. Walsh, who apparently didn't speak with a sociologiy or psychology professor before writing this, makes it appear as if the original meaning is the new "political" definition while at the same time injecting his own current political view - one that rejects the the need for a term which recognizes varying degrees of gendered behavior among the sexes.

Despite these criticisms, I still recommend this book. It's interesting and educational. Just beware of the fact that this is a stylebook and, by definition, expresses the author's viewpoint.

Rating: 4 stars
Summary: Just remember that this is the _author's_ opinion
Review: "Lapsing Into a Comma" is perhaps the most interesting stylebook one will find in print today. Reader's just have to beware that this is the _author's_ stylebook.

You'll find the usual suspects here with clear explanations about how to handle them. Punctuation, grammar and spelling are all covered, from the use of commas to the proper spelling of some famous individuals. The latter is one example of how different this book is. Knowing the proper spelling of Nicolas Cage's name might be entertaining and useful to those working for a newspaper, but I'm not sure it makes for a better reference book.

Some of the "rules" presented here will invariably be treated arbitrarily by the public. Some rules we follow, others just don't sound correct when we speak them so we move on. And sometimes what we think we know is not true at all.

Three examples:

Walsh makes the grammatically correct point that sports teams (or rock bands) with singular names (e.g. The Who, The Orlando Magic, etc.) must be combined with singular verbs. He argues that this is subject-verb agreement. While that is true, people simply don't think this way. The Magic are a team full of individuals. (See, I just made the "mistake" in the previous sentence! I did it without thought.) People don't think of the Magic as a he. They think of the Magic as a them. Just like the Yankees. Walsh dismisses these concerns, but he's ultimately spitting into the wind. People don't talk or think in this manner, subject-verb agreement or no. Fifty years from now someone writing about grammar will lament the fact that no one follows this rule. Get over it.

While Walsh is annoyed by this example, he also states that the current oral tradition of using plural (they, them) instead of singular pronouns (he, she) might trump the grammatical rule. And he's OK with that. I happen to agree with him, but it only weakens his earlier point. If the oral tradition creates the rule in this case then why doesn't it in another?

Then there's at least one example where Walsh is just clearly wrong and, ironically, injects his own political views while accusing others of doing the same. Under the term gender Walsh claims that it came about as a result of the word "sex" being viewed as specific to the sexual act. He gives the example "race and sex preferences" and then says that _he_ thinks "sexual preferences" when he hears this term. Funny, I never thought of that until I read his words! But that's not the most important point.

Walsh criticizes those who would "politicize" the word gender by making it refer to behavior. His example goes something like this: Johnny likes to wear dresses so he's of the female gender. The problem is that the word gender came from the fields of sociology and psychology long before it was in common use today. The very roots of this word are _specific_ to behavior. There are no politics about it. In 1990 when you said the word gender you were talking about behavior, no genitalia. Walsh, who apparently didn't speak with a sociologiy or psychology professor before writing this, makes it appear as if the original meaning is the new "political" definition while at the same time injecting his own current political view - one that rejects the the need for a term which recognizes varying degrees of gendered behavior among the sexes.

Despite these criticisms, I still recommend this book. It's interesting and educational. Just beware of the fact that this is a stylebook and, by definition, expresses the author's viewpoint.

Rating: 5 stars
Summary: Not for the weak
Review: 'Lapsing Into a Comma' is one of the best grammar books on the market today. You can almost hear the sarcasm in his voice as he talks about people with annoying grammar habits! If you prefer proper grammar and find double negatives annoying, you'll love this book!

Rating: 4 stars
Summary: An interesting and convincing book
Review: After having "the media are" drilled into my head through four years of journalism school, I screamed when Bill Walsh said it's OK to say "the media is." However, I have to admit he has a point, and he states it well.

Walsh says it is difficult to "truly understand the reasons behind the rules -- and therefore know when they should be ignored." He knows enough about grammar to be able to give legitimate reasons for ignoring some rules.

This is not your grandmother's grammar. "Web site" vs. "website" and "e-mail" vs. "email" are the subjects of several rants. And Walsh casts his blessing on split infinitives and sentences beginning with conjunctions.

Throughout these grammar and style lessons, Walsh's writing is interesting, fresh, convincing, intelligent and, yes, funny.

This is a book for grammar-geeks and grammar-phobes alike.

Rating: 5 stars
Summary: The next Bill Safire?
Review: Bill Walsh does a great service to the English language by building a potent barricade in the war against imprecision, obfuscation and outright misuse. And he makes it a great read as well. A great gift for your favorite college student or federal official!

Rating: 5 stars
Summary: To boldly go...
Review: Bill Walsh is a curmudgeon, but he is also witty, smart, and capable of explaining the reasons behind the rules. His Web site ("The Slot") is an invaluable tool for copy editors and others in need of style tips, and his book does not disappoint. It covers everything from why dot.com would read "dot dot com" to why it is acceptable to occasionally split an infinitive. True style geeks will have a hard time not laughing out loud and sharing every other entry with friends and coworkers.

Rating: 4 stars
Summary: An engaging read
Review: Bill Walsh is the copy desk chief (business desk) for the "Washington Post." He explains his background in journalism and refers, at times, to the AP style. Don't let this mislead you. Even though a few items are related directly to newspapers (like the section on headlines and captions), the wealth of information is helpful to anyone trying to better his or her writing.

With many grammar textbooks, the reader tries to understand correct grammar and punctuation with rules explained in a confusing manner. The reader will re-read the rule a few times just get the basic idea. In Walsh's book, I found the explanations clear, witty, and helpful. I found his explanations and examples help me in developing my ear for proper grammar.

In the latter half of the book, Walsh has a stylebook with many common errors in writing. Granted, some are so specific that I don't know if they would help me (like knowing that it is Elisabeth Shue and not Elizabeth Shue). Nonetheless, I feel stronger about my grammar skills after reading this book.

I would recommend this book to all people wishing to improve their grammar skills.

Rating: 4 stars
Summary: An engaging read
Review: Bill Walsh is the copy desk chief (business desk) for the "Washington Post." He explains his background in journalism and refers, at times, to the AP style. Don't let this mislead you. Even though a few items are related directly to newspapers (like the section on headlines and captions), the wealth of information is helpful to anyone trying to better his or her writing.

With many grammar textbooks, the reader tries to understand correct grammar and punctuation with rules explained in a confusing manner. The reader will re-read the rule a few times just get the basic idea. In Walsh's book, I found the explanations clear, witty, and helpful. I found his explanations and examples help me in developing my ear for proper grammar.

In the latter half of the book, Walsh has a stylebook with many common errors in writing. Granted, some are so specific that I don't know if they would help me (like knowing that it is Elisabeth Shue and not Elizabeth Shue). Nonetheless, I feel stronger about my grammar skills after reading this book.

I would recommend this book to all people wishing to improve their grammar skills.

Rating: 5 stars
Summary: O for a correctly placed hyphen...
Review: Bill Walsh knows a good hyphen, and more importantly, he can tell you where to put it.

This book will probably never find a niche on my shelf; no doubt it will be within arm's reach on my desk at all times. Why? Because in this book Walsh reminds us that there are reasons for the rules that shape editorial policy. We must know the reasons behind the rules in order to know when to appropriately ignore the rules.

Novice copy editors (and writers and editors) may be horrified to read such a suggestion, but you don't have to have been seated in the slot for long to learn that there are times when all good rules will bend a little. Not that rules were made to be broken, but sometimes the hard line isn't the best line to take. Walsh makes that point time after time -- and he makes it well. I don't agree with all of his entries (I will strike through "over" and replace it with "more than"), but the logic is sound.

If you are ever in a position to proofread/edit/copy edit someone's writing, you'll need a stylebook you can point to and say "See? It's just fine to put the hyphen in there!" This is a good book to have in your arsenal.

Rating: 5 stars
Summary: Useful and fun
Review: Bill Walsh, the Washington Post's copy editor for national news, is an unabashed "prescriptivist" -- someone for whom, in writing, there are things that are wrong because they've always been wrong. "Even if you think it's arrogant to condemn a perfectly understandable bit of prose as 'wrong,'" he writes, "you have to answer one big question: Do you want to look stupid?"

With "The Elephants of Style" you'll reduce the chance of sounding stupid, increase the likelihood that your writing will have style -- or, as Walsh puts it, FLAIR! ELAN! PANACHE! -- and have a lot of fun. "The Elephants of Style" is the rare book about writing and style that you may (as I did) read from cover to cover for sheer pleasure -- like the pleasure of learning that "the New York train station is Grand Central Terminal," but "Grand Central Station remains the correct expression for mothers yelling at their kids about running in and out of the kitchen."

I'll admit it: I'm one of those lovers of English who has shelves full of books about writing and the use of our language. I regularly read Walsh's website "The Slot: A Spot for Copy Editors," and I also purchased his first book, "Lapsing Into a Comma," which also was a delight. "Lapsing" was aimed at an audience of more sophisticated word users or, as Walah says, was written for editors and writers. "Elephants of Style," he says, was written for writers and editors. It will benefit everyone, I say, from professional writers and editors to middle-school English students. I recommend it highly.


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