Lend Me Your Ears: Great Speeches in History

Rating:
Summary: Speech Writers Take Note
Review: This book cannot help but inspire readers and speech writers alike. I've not seen a better collection of speeches that cover the gamut of human emotion and social and political experience. Mr Safire's commentary is insightful and extremely useful for aspiring speech writers, highlighting as it does just what makes each speech 'great'. A must have on my book shelf.

Rating:
Summary: My ears are yours
Review: This is the speaker's cook book. Every great speech since the Sermon on the Mount seems to get a listing, each a beautiful little inspirational recipe for our own fumbling, stuttering, trembling efforts. To cap it all, Safire's editorial contribution is brilliant. He follows his hypnotic introduction with concise and balanaced analysis for each speech. If you are looking for something stirring for the Scout jamboree, something special for cousin Harriet's wedding, or that little extra for Pastor William's Sunday service this is the book for you. I couldn't put the book down. Highly recommended.

Rating:
Summary: My ears are yours
Review: This is the speaker's cook book. Every great speech since the Sermon on the Mount seems to get a listing, each a beautiful little inspirational recipe for our own fumbling, stuttering, trembling efforts. To cap it all, Safire's editorial contribution is brilliant. He follows his hypnotic introduction with concise and balanaced analysis for each speech. If you are looking for something stirring for the Scout jamboree, something special for cousin Harriet's wedding, or that little extra for Pastor William's Sunday service this is the book for you. I couldn't put the book down. Highly recommended.

Rating:
Summary: A wonderful collection with terrific commentary & insight
Review: William Safire has given readers a remarkable gift with this collection. Lend Me Your Ears is very similar to a book of poetry - it is to be treasured, read and referenced over a lifetime; never to be "finished" or forgotten.

This book has broad appeal - especially to fans of history and politics. But, anyone looking for inspiration or uplifting can find an appropriate speech or passage in its pages. And, most importantly, the book cuts both ways across the political divide - one can find speeches from John F. and Robert Kennedy, FDR, Clinton, Lincoln, Churchill, Martin Luther King, and least surprisingly, Nixon, since Safire served as one of his speechwriters. Safire knows the language as well as anyone, probably better than your favorite English teacher, and his marvelous talents as a speechwriter give this book even more credibility. A good speechwriter knows a great speech when he hears it and/or reads it, as Safire shows with his selections in this book. (Point of fact - I'm a proud, liberal Democrat, and I have these feelings about Safire!)

Safire offers introductions and sage commentary before each speech, which I found both enlightening and entertaining. I cannot recommend this book highly enough for anyone interested in great speeches through history. I'm hoping for a revised edition or perhaps a volume II from Safire.

One final note: some criticize the author for speeches omitted in this volume, but a line has to be drawn, or a book on this subject could span thousands of pages. Keep in mind, this book contains great speeches in Safire's opinion; it's not an end-all-be-all list of great historic speeches.

Rating:
Summary: Lend Me Your Ears: The Great Speech is the Rare Speech
Review: William Safire in his LEND ME YOUR EARS does not purport how to tell the novice speaker how to step up to the podium and knock 'em dead with a fluid barrage of words. Instead, his goal is more modest, to figure out why some speeches have reverberated through the acoustic corridors of history while others have fizzled out with nary an echo to record their passing. Surprisingly enough, he acknowledges that a magnificent speaking voice can not turn verbal mush into thrilling oratory. No one knows what Abe Lincoln truly sounded like, but we honor his Gettysburg Address as a sublime example of stirring words. What Safire does is to give the reader a sort of ten commandents that the great speakers of the past must have followed. Ironically, this list is not something that one can examine, nor can compare to what the speaker brings to the podium to exclaim,'Ah ha, this is what I lack!' Among the magical list includes a variation on the old saw, 'Tell 'em what you're going to tell 'em; then tell 'em; then tell 'em what you told 'em.' Safire translates this as a smooth flow that invites a rhythm to the delivery. He adds that this smooth flow must not be the smoothness of uninterrupted rhythm; there ought to be a variation that allows the audience to catch a breath at just the right point. Other necessities include occasion (the speaker is at the right point at the right time); forum (the 'where' the speech is given); focus (what's the purpose or point); theme; word choice.
What Safire does with this list is to quote generally agreed upon memorable speeches and list them by category, speeches of patriotism, revolution and war, tributes and elegies, debates, trials, gallows and farewell, sermons, inspirational, lectures, social responsibility, finally closing with speeches of media, politics, and commencement. Each category has some dozen examples, with a prefatory explanatory essay per. Some speeches have the added advantage of having been popularized in the media by recording or rehearsed performance. I can still hear Marlon Brando as Mark Antony in 'Julius Caesar' rousing the crowd to a killing frenzy: 'If you have tears, prepare to shed them now.' Shakespeare used every one of Safire's requirements. Getting Brando to say them was just a bonus. Who can forget Chief Joseph's closing words of the agony he felt over the destruction of his people by the white man: 'From where the sun now stands, I will fight no more forever.' Then there is FDR's war declaration against Japan, replete with its sonorous cadences that begin with the critical phrase, 'day of infamy.'
Great speeches are often not great until after the fact. Lincoln felt that his speech at Gettysburg was a failure since it met only polite applause. Others generate the unmistakable cachet of greatness right away. Reading LEND ME YOUR EARS will not make you a great speaker, but it can give clues as to how and why the power of the spoken word can shake societies to their core.

Rating:
Summary: Lend Me Your Ears: The Great Speech is the Rare Speech
Review: William Safire in his LEND ME YOUR EARS does not purport how to tell the novice speaker how to step up to the podium and knock 'em dead with a fluid barrage of words. Instead, his goal is more modest, to figure out why some speeches have reverberated through the acoustic corridors of history while others have fizzled out with nary an echo to record their passing. Surprisingly enough, he acknowledges that a magnificent speaking voice can not turn verbal mush into thrilling oratory. No one knows what Abe Lincoln truly sounded like, but we honor his Gettysburg Address as a sublime example of stirring words. What Safire does is to give the reader a sort of ten commandents that the great speakers of the past must have followed. Ironically, this list is not something that one can examine, nor can compare to what the speaker brings to the podium to exclaim,'Ah ha, this is what I lack!' Among the magical list includes a variation on the old saw, 'Tell 'em what you're going to tell 'em; then tell 'em; then tell 'em what you told 'em.' Safire translates this as a smooth flow that invites a rhythm to the delivery. He adds that this smooth flow must not be the smoothness of uninterrupted rhythm; there ought to be a variation that allows the audience to catch a breath at just the right point. Other necessities include occasion (the speaker is at the right point at the right time); forum (the 'where' the speech is given); focus (what's the purpose or point); theme; word choice.
What Safire does with this list is to quote generally agreed upon memorable speeches and list them by category, speeches of patriotism, revolution and war, tributes and elegies, debates, trials, gallows and farewell, sermons, inspirational, lectures, social responsibility, finally closing with speeches of media, politics, and commencement. Each category has some dozen examples, with a prefatory explanatory essay per. Some speeches have the added advantage of having been popularized in the media by recording or rehearsed performance. I can still hear Marlon Brando as Mark Antony in 'Julius Caesar' rousing the crowd to a killing frenzy: 'If you have tears, prepare to shed them now.' Shakespeare used every one of Safire's requirements. Getting Brando to say them was just a bonus. Who can forget Chief Joseph's closing words of the agony he felt over the destruction of his people by the white man: 'From where the sun now stands, I will fight no more forever.' Then there is FDR's war declaration against Japan, replete with its sonorous cadences that begin with the critical phrase, 'day of infamy.'
Great speeches are often not great until after the fact. Lincoln felt that his speech at Gettysburg was a failure since it met only polite applause. Others generate the unmistakable cachet of greatness right away. Reading LEND ME YOUR EARS will not make you a great speaker, but it can give clues as to how and why the power of the spoken word can shake societies to their core.