Home :: Books :: Reference  

Arts & Photography
Audio CDs
Audiocassettes
Biographies & Memoirs
Business & Investing
Children's Books
Christianity
Comics & Graphic Novels
Computers & Internet
Cooking, Food & Wine
Entertainment
Gay & Lesbian
Health, Mind & Body
History
Home & Garden
Horror
Literature & Fiction
Mystery & Thrillers
Nonfiction
Outdoors & Nature
Parenting & Families
Professional & Technical
Reference

Religion & Spirituality
Romance
Science
Science Fiction & Fantasy
Sports
Teens
Travel
Women's Fiction
Divine Mirrors: The Virgin Mary in the Visual Arts

Divine Mirrors: The Virgin Mary in the Visual Arts

List Price: $29.95
Your Price: $29.95
Product Info Reviews

<< 1 >>

Rating: 4 stars
Summary: An excellent overview
Review: For me the real beauty of this book was not the illustrated catalogue of images in the Wellesley College collection, it was the excellent essay by Melissa Katz. Robert Orsi's essay was superb as usual, but rather short, and the other essays are so short (2 pages each) as to be almost unmentionable. Katz on the other hand takes her readers on a historical tour of Marian imagery that is also thematically related to the hours of her devotion. In this way, her essay is not only an overview of Marian imagery, but it is also an overview of the history of the Roman Catholic church, an overview of Marian devotional practices, and the social forces in Europe which shaped these two phenomena. My only criticism of her essay, which might be more accurately a criticism of the Wellesley College collection, is that there is very little information on Marian imagery and devotion outside of Europe.

Rating: 4 stars
Summary: An excellent overview
Review: For me the real beauty of this book was not the illustrated catalogue of images in the Wellesley College collection, it was the excellent essay by Melissa Katz. Robert Orsi's essay was superb as usual, but rather short, and the other essays are so short (2 pages each) as to be almost unmentionable. Katz on the other hand takes her readers on a historical tour of Marian imagery that is also thematically related to the hours of her devotion. In this way, her essay is not only an overview of Marian imagery, but it is also an overview of the history of the Roman Catholic church, an overview of Marian devotional practices, and the social forces in Europe which shaped these two phenomena. My only criticism of her essay, which might be more accurately a criticism of the Wellesley College collection, is that there is very little information on Marian imagery and devotion outside of Europe.


<< 1 >>

© 2004, ReviewFocus or its affiliates