Beyond the Pleasure Principle (Norton Library (Paperback))

Rating:
Summary: a classic not for beginners....
Review: ....but a daring example of the willingness of a thinker to make fundamental changes to his theoretical framework very late in his career. This is where Freud shifts his emphasis from ego vs. id instincts to the famous Eros/death polarity, clinically questionable but archetypally informative.

Rating:
Summary: a classic not for beginners....
Review: ....but a daring example of the willingness of a thinker to make fundamental changes to his theoretical framework very late in his career. This is where Freud shifts his emphasis from ego vs. id instincts to the famous Eros/death polarity, clinically questionable but archetypally informative.

Rating:
Summary: Beyound Psycho-analysim
Review: Freud did a remarkable job of reinstateing, and clearifying exsisting established beliefs, In this his finale publishcation. Although it is a bit wordy on occassions, a even a bit (dare i say) nonsenseacal. It is a enlightning and fasanating piece of work. And though I would'nt recommend it for new-comers to the world of psyco-analysim, it is diffently worth reading.

Rating:
Summary: Happy, Deadly, Wild Psychology!
Review: Sigmund Freud's "Beyond the Pleasure Principle" is a key text, not only for psychologists, or literary theorists, but anyone who thinks about why our minds work the way they do. If your mind is open to extreme possibilities, give this text a read. It is short, barely 75 pages, but give yourself time to pore over and make notes, as Freud moves very quickly.

In "Beyond the Pleasure Principle," Freud seeks to discover the causes and effects of our drives. To this end, he begins with the pleasure principle, which basically holds that the job of our 'mental apparatus' is to lower tension and move us towards pleasure and stability. Working against the pleasure principle are our baser instincts, which must be repressed by a vigilant brain. The pleasure principle can also be interrupted by the reality principle, which operates in moments when basic life functions are threatened - to wit, when maintaining life is more important than pleasure.

Examining the pleasure principle, Freud looks at scenarios which may shed light on mental processes that seem to challenge it. These include repetition compulsion, wherein adults seem to fixate and reenact moments of trauma. Seeking a more primal cause for repetition instinct, Freud analyses children's games. Interestingly, the further Freud regresses, the more speculative and intense he gets - from childhood, Freud talks about the brain itself, moving back to simple multicellular organisms, unicellular organisms, and ultimately inorganic matter - all the time looking for an explanation of the origin of instincts themselves.

Freud's queries on instinct and repetition compulsion lead him to the darkest possible places - the revelation of the death instinct. Freud posits that the repetition compulsion manifests itself in all conscious beings in the desire to return to the earliest state, total inactivity. The remainder of his treatise is spent developing the conditions of the death instinct, and trying to find a way out of this shocking thesis. Taking up Hesiodic Eros as symbolic of the life instinct, Freud attempts to argue out of the seemingly inescapable conclusion.

Freud's writing style is direct and fluid, but not necessarily straightforward. If you're not paying attention, Freud can go over your head quickly. For example, on page 50 of this standard edition, his line of argument dismisses Darwin, Marx, and Nietzsche in a matter of two paragraphs to astounding effect. His language is highly figurative, drawing on philosophy, literature, biology, and anecdote to make and illustrate his points. A critical text for anyone interested in psychoanalysis and its figurehead author.

Rating:
Summary: Happy, Deadly, Wild Psychology!
Review: Sigmund Freud's "Beyond the Pleasure Principle" is a key text, not only for psychologists, or literary theorists, but anyone who thinks about why our minds work the way they do. If your mind is open to extreme possibilities, give this text a read. It is short, barely 75 pages, but give yourself time to pore over and make notes, as Freud moves very quickly.

In "Beyond the Pleasure Principle," Freud seeks to discover the causes and effects of our drives. To this end, he begins with the pleasure principle, which basically holds that the job of our 'mental apparatus' is to lower tension and move us towards pleasure and stability. Working against the pleasure principle are our baser instincts, which must be repressed by a vigilant brain. The pleasure principle can also be interrupted by the reality principle, which operates in moments when basic life functions are threatened - to wit, when maintaining life is more important than pleasure.

Examining the pleasure principle, Freud looks at scenarios which may shed light on mental processes that seem to challenge it. These include repetition compulsion, wherein adults seem to fixate and reenact moments of trauma. Seeking a more primal cause for repetition instinct, Freud analyses children's games. Interestingly, the further Freud regresses, the more speculative and intense he gets - from childhood, Freud talks about the brain itself, moving back to simple multicellular organisms, unicellular organisms, and ultimately inorganic matter - all the time looking for an explanation of the origin of instincts themselves.

Freud's queries on instinct and repetition compulsion lead him to the darkest possible places - the revelation of the death instinct. Freud posits that the repetition compulsion manifests itself in all conscious beings in the desire to return to the earliest state, total inactivity. The remainder of his treatise is spent developing the conditions of the death instinct, and trying to find a way out of this shocking thesis. Taking up Hesiodic Eros as symbolic of the life instinct, Freud attempts to argue out of the seemingly inescapable conclusion.

Freud's writing style is direct and fluid, but not necessarily straightforward. If you're not paying attention, Freud can go over your head quickly. For example, on page 50 of this standard edition, his line of argument dismisses Darwin, Marx, and Nietzsche in a matter of two paragraphs to astounding effect. His language is highly figurative, drawing on philosophy, literature, biology, and anecdote to make and illustrate his points. A critical text for anyone interested in psychoanalysis and its figurehead author.