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Rating: 
Summary: A fine and thorough book
Review: Litwak provides about as much as a professional could share in this throrough outing. He also shares 'boilerplate' contracts for virtally all key players in a film production. Of course, direct experience is the best teacher, but EVERY neophyte in film or television must own this book, and its a handy reference for seasoned professionals and part-timers.Also check out his companion book, "Dealmaking..." which has priceless cues on what gray areas to avoid in negotiating with lawyers and their clients. Essential for producers, directors, writers and anyone hoping to get financed or paid or both!
Rating:
Summary: A fine and thorough book
Review: Litwak provides about as much as a professional could share in this throrough outing. He also shares 'boilerplate' contracts for virtally all key players in a film production. Of course, direct experience is the best teacher, but EVERY neophyte in film or television must own this book, and its a handy reference for seasoned professionals and part-timers. Also check out his companion book, "Dealmaking..." which has priceless cues on what gray areas to avoid in negotiating with lawyers and their clients. Essential for producers, directors, writers and anyone hoping to get financed or paid or both!
Rating:
Summary: This is the best book on contracts for film/TV
Review: Mark Litwak's book is by far the best book available on film and television contracts. His book is a no nonsense, thorough guide to the complex world of contractual law for an industry that has a history of taking advantage of those who don't take the time or spend the money to hire good legal representation. He is an advocate for the rights of artists, writers, actors, etc., and his contracts are a good basis for negotiations and deals in the TV/Film industry. Even if you hire your own attorney, this book will help you understand the structure of your deal and alert you to details and potential booby traps in all that fine print. D. Kuspa
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