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Situation Normal (Pamphlet Architecture, No 21) |
List Price: $12.95
Your Price: $9.71 |
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Product Info |
Reviews |
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Rating: Summary: an excellent example of the power of the pencil Review: situation normal is a fine example or what can be done in architecture with a tool that is becoming somewhat of a lost art, the pencil. the authors use the pencil exclusively in their design process, and Situation Normal is a fine resource for architectral students and architects, whom it is very important to, to understand the power of the pencil. the pamphlet is by no means wordy, but it does contain a strong body of designs and projects by the author, that demonstrate how the pencil can holds its own in a profession where the pen and especially the computer have become the norm.
Rating: Summary: an excellent example of the power of the pencil Review: situation normal is a fine example or what can be done in architecture with a tool that is becoming somewhat of a lost art, the pencil. the authors use the pencil exclusively in their design process, and Situation Normal is a fine resource for architectral students and architects, whom it is very important to, to understand the power of the pencil. the pamphlet is by no means wordy, but it does contain a strong body of designs and projects by the author, that demonstrate how the pencil can holds its own in a profession where the pen and especially the computer have become the norm.
Rating: Summary: a primer to tactical thinking Review: While the pencil provides a compelling graphic for the authors, their method of representation is not the point (I think they've moved on to renderings at this stage, anyway). LTL discusses the advantages of TACTICS over STRATEGIES. Strategies rely heavily on an overall structure, while tactics are much more agile and fluid. Although definitely not the only architects to promote a situationist method, LTL offers a way of thinking in a way that is succinct, and they make their point without too much embellishment. They instead use this framework to present past (conceptual) projects. A good example of letting the work talk as much as the text, itself.
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