Home :: Books :: Professional & Technical  

Arts & Photography
Audio CDs
Audiocassettes
Biographies & Memoirs
Business & Investing
Children's Books
Christianity
Comics & Graphic Novels
Computers & Internet
Cooking, Food & Wine
Entertainment
Gay & Lesbian
Health, Mind & Body
History
Home & Garden
Horror
Literature & Fiction
Mystery & Thrillers
Nonfiction
Outdoors & Nature
Parenting & Families
Professional & Technical

Reference
Religion & Spirituality
Romance
Science
Science Fiction & Fantasy
Sports
Teens
Travel
Women's Fiction
Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture

Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture

List Price: $19.95
Your Price: $19.95
Product Info Reviews

<< 1 >>

Rating: 5 stars
Summary: When every man is a poet
Review: A delicious document that proves that architecture has always been made by and for the people. This book almost always ilustrated by very sensuous photographs aproaches the subject that although architecture is suposed to respond objectively to problems of the «inhabitance» doesn't have to abdicate of any dramatic expression, and in fact can be enhanced that pragmatism!

Rating: 5 stars
Summary: My Dream.
Review: As the author shows, you don't need a degree to build practical beautiful buildings. Just the need and some perseverance can do wonders as shown inside.

Rating: 3 stars
Summary: Bummer ... all photos in black and white only
Review: Great book with great pictures and well organized, but all images are only in black and white, and the paperback itself feels flimsy. Thought it was a great present for a friend of mine, but the B/W is quite a let-down.

Rating: 5 stars
Summary: quite wonderful, one small drawback
Review: I look forward to paging through the amazing variety of architectural styles in this book for years to come. My only disappointment, and it's a small one, is that the photos are all in black and white. I didn't notice this when I ordered the book. They are still terrific!

Rating: 5 stars
Summary: A Classic Presentation
Review: Originally published in 1964, concurrent with the exhibition Architecture Without Architects shown at MOMA, this slim volume of text and photographs radiates heat and light when reviewed almost forty years later. In fact, Rudofsky's introductory essay is so fresh today it is almost inconceivable it was written the better part of four decades ago! Offering a scathing attack on modern approaches to the landscape and to problems of living more generally in a time of rampant population growth, Rudofsky shrewdly pointed to the fact that "part of our troubles results from the tendency to ascribe to architects-or, for that matter, to all specialists-excessive insight into problems of living when, in truth, most of them are concerned with problems of business and prestige." But what transpires when the focus can be maintained on functionality, efficiency, ease of use, and a design aesthetic that remains humbly in tune with and loyal to the mood and visual imperative of the land under development? To answer these crucial questions Rudofsky takes us back a few thousands of years to the origins of architectural strivings (even preceding man's earliest efforts) and the material results thereof.

The essential point Rudofsky cares to make in these pages is that "vernacular architecture does not go through fashion cycles. It is nearly immutable, indeed, unimprovable, since it serves its purpose to perfection." Rooted in a practical, harmonious relationship with its setting, 'primitive' architecture exemplifies the art of living well through its consistent use of frugality in construction, cleanliness in line and detail, and a general respect for "creation." Further, its impetus is aligned with a human dimension fundamentally as opposed to an excessively hubristic predisposition to conquer nature at whatever cost. Finally, from Rudofsky's vantage, these principles are usefully to be understood as timeless guidelines for the future as well as descriptions of the past.

According to Rudofsky, sophisticated people seek rugged country where what is intrinsic holds sway. His search for the origins of a humanistic architecture was always in rugged terrain where people's lives must necessarily challenge the difficulties of topography and the vicissitudes of climate. His primary heuristic interest was in elucidating the solutions creatively and spontaneously generated by these people in order to make such rugged locales inhabitable AND livable. Architecture Without Architects demonstrates the way in which basic solutions to complex problems were developed historically and why those solutions are so important to remain cognisant of today.

Rating: 5 stars
Summary: a fascinating and challenging book
Review: This is a wonderful book. Nearly every page introduces me to something new, and thus broadens my conception of what it means to be a human being. Flipping through it at random reveals photos of gigantic Syrian water wheels, Dogon granaries, Spanish arcades, desert fortresses in Morocco, Italian hill towns, and hollowed-out baobab trees used as homes. The book is far more than a mere collection of curiosities, though: it is a challenge to our narrow conceptions of what makes a building or a city "legitimate." The book goes on to challenge us on even more fundamental levels: it radically expands one's exposure to alternate forms of living/urbanism/social networks, and exposure to the different social forms of the past always causes me to think heavily upon the ways in which the ones of our own time might be deficient (The incredible diversity of building styles depicted in this book are jeopardized and in some cases destroyed by the rise of tourism and the global marketplace; a trend that has already done irreperable damage to some of these cultures at the time the text was written.) A slim but important book, a celebration of human diversity, and a call for increased attention towards both our own lifestyles and the ones we endanger.

Rating: 5 stars
Summary: a fascinating and challenging book
Review: This is a wonderful book. Nearly every page introduces me to something new, and thus broadens my conception of what it means to be a human being. Flipping through it at random reveals photos of gigantic Syrian water wheels, Dogon granaries, Spanish arcades, desert fortresses in Morocco, Italian hill towns, and hollowed-out baobab trees used as homes. The book is far more than a mere collection of curiosities, though: it is a challenge to our narrow conceptions of what makes a building or a city "legitimate." The book goes on to challenge us on even more fundamental levels: it radically expands one's exposure to alternate forms of living/urbanism/social networks, and exposure to the different social forms of the past always causes me to think heavily upon the ways in which the ones of our own time might be deficient (The incredible diversity of building styles depicted in this book are jeopardized and in some cases destroyed by the rise of tourism and the global marketplace; a trend that has already done irreperable damage to some of these cultures at the time the text was written.) A slim but important book, a celebration of human diversity, and a call for increased attention towards both our own lifestyles and the ones we endanger.

Rating: 5 stars
Summary: My Dream.
Review: You don't need a degree to build practical beautiful buildings, just the need, and perseverance can do wonders as shown in this book, which is one of my goals in life.


<< 1 >>

© 2004, ReviewFocus or its affiliates