Many Masks: A Life of Frank Lloyd Wright

Rating:
Summary: Good alternate view of FLW for a reader who is already famil
Review: If you do not know much about FLW's life, this isn't the book for you. It assumes that you are familar with his life-story as it jumps back and forth and drops names of people out of sequence to his chronological life story. For the neophyte reader there may be too much verbal description of floor plans. Despite these "flaws" (which forced me to do some background research in his other bios) the book is insightful and revealling as it peels off the layers of masks (most built by FLW himself). The book has many, many, black & white photos of his buildings and furniture - most of which I have not seen in other books. This would be a good companion book for someone who has read FLW's autobiography or other bios. It is amazing he survived, professionally, in spite of his apparent self-destructive habits. I found myself comparing his life to Picasso's - perhaps genius cannot be contained in an conventional life .

Rating:
Summary: WHAT'S RIGHT WITH WRIGHT...
Review: The Story of Frank Lloyd Wright has been told many times. Aside from his many biographers he is also the inspiration of a well known book and hilarious (unintentionally, though) movie, The Fountainhead. Other than Michaelangelo, I do not know of another architecte who has rated such a treatment.

Wright's life was heroic and this book is useful in seeing how that came to be. Gill is suited to the task, he not only knew Wright, but wrote the building column in the New Yorker for many years.

This book is a common sense take on Wright's life. Gill explores many of the myths that Wright constructed around his life and finds that Wright's creative powers were not always expended in the direction of his buildings. Wright was a genius who did not feel the slightest need to conceal this fact from the world. He was also a visionary who took the Eurpean architecture of its day and transformed it into the American vernacular. This feat he conttrasts strongly with Beaux Arts school which merely transplanted these European fads. Wright was a real original

The book is lavishly illustrated since all of Gills writing does not give the same feel for Wright's genious as a hangful of these images provide. I think that were it possible color photographs might have provided a clearer view.

As Gill demonstrates, Wright at times could be a rascal, but he was also a genius even when when all of the artifice of his life is stripped away. This book is a welcomed addition to Wright biographical scholarship.