The Sarasota School of Architecture, 1941-1966

Rating:
Summary: GOOD Mid-Century Modernism
Review: This is the story of a group of talented young architects who were in the right place at the right time. The time (1946-66) was when America was in a building boom, the public wanted fresh, clean designs. Sarasota was a growing town and Modern Architecture was going to change the world. The Father of it all was an architect named Ralph Twitchell. In 1940 Twitchell hired a young intern architect named Paul Rudolph. Rudolph would go onto Harvard GSD, serve in the Navy and return to Sarastoa in 1946, and then become Twitchell's partner in 1950. The two of them, with a group of other talented architects (most notably Victor Lundy) would go on to design some extraordinary custom homes, churches and schools. Their architecture stressed the tectonic (the use of new technologies). Although the Sarasota aesthetic was in similar vein to the California post- war architecture, it also was heavily derivative of a Florida vernacular architecture. Rudolph's early philosophy stressed five points: the Clarity of construction; Maximum economy of means; Simple overall volumes penetrating vertically and horizontally; Clear geometry floating above the Florida Landscape; Honesty in details and in structural connections. It is always a treat to see his pen and ink renderings. A must for the serious student of modernism.

Rating:
Summary: GOOD Mid-Century Modernism
Review: This is the story of a group of talented young architects who were in the right place at the right time. The time (1946-66) was when America was in a building boom, the public wanted fresh, clean designs. Sarasota was a growing town and Modern Architecture was going to change the world. The Father of it all was an architect named Ralph Twitchell. In 1940 Twitchell hired a young intern architect named Paul Rudolph. Rudolph would go onto Harvard GSD, serve in the Navy and return to Sarastoa in 1946, and then become Twitchell's partner in 1950. The two of them, with a group of other talented architects (most notably Victor Lundy) would go on to design some extraordinary custom homes, churches and schools. Their architecture stressed the tectonic (the use of new technologies). Although the Sarasota aesthetic was in similar vein to the California post- war architecture, it also was heavily derivative of a Florida vernacular architecture. Rudolph's early philosophy stressed five points: the Clarity of construction; Maximum economy of means; Simple overall volumes penetrating vertically and horizontally; Clear geometry floating above the Florida Landscape; Honesty in details and in structural connections. It is always a treat to see his pen and ink renderings. A must for the serious student of modernism.