The Luminous Ground: The Nature of Order, Book 4

Rating:
Summary: Borrowed spiritual wisdom
Review: Alexander's Pattern Language series was/is a great accomplishment. It made the mysteries of good architectural design accessible to everyone. It attempted to liberate home- and town-building from the arrogant priesthood of professional architects and exposed the bankrupt values behind so much of contemporary building. It offered a deeply human alternative much more in tune with the way we really live.

Not surprisingly it did very little to change professional practices. Even the few architects who are sympathetic to his viewpoint largely dismiss his ideas and methods as economically impractical, except for wealthy clients who can afford the time and money needed to build a home with such individual attention to every idiosyncratic detail. The one area Alexander has had a major influence on is computer program design -- there economic factors are not a constraint and his notions about recursive patterns and sequences have been taken seriously and had a lasting effect.

Having made hardly a dent in his chosen profession, Alexander now appears to have turned his attention elsewhere - to the future and to his own posterity. In The Nature of Order, and especially in the final Book 4, he babbles on and on about his Holy Grail - an "astounding" new world view that will supposedly revolutionize civilization (and vindicate Alexander as a Prophet crying in the modern Wilderness), in which Science and Art, object and subject, ornament and function, beauty and practicality will at last be seen as One Living Whole, inextricably bound together in mystical union like the interwoven threads of the Turkish prayer rugs he is so enamored of. Then and only then will buildings express the True Self and Blaze with Spirit and Inner Light and Centers and Beings and "I-stuff", blah, blah, blah.

The art history illustrations are lovely (by comparison, most of Alexander's own paintings and drawings look rather second-rate), but the half-baked metaphysical ramblings, dressed up as pseudo-science, are very tedious, overly intellectual, and hardly new. The 2500-year-old Buddhist canon and many other spiritual traditions, like Sufism, Taoism, the Hindu Upanishads or Native American and Aboriginal religious cosmologies, have all expressed this vision far more eloquently and effectively. Alexander gives these venerable traditions barely a nod of acknowledgment, except as visual evidence supporting his own vague and untestable theories - since they make no claims to Scientific Truth, as Alexander does relentlessly, he just ignores or co-opts their immense contributions.

Give Alexander credit for his emphasis on personal feeling, but educating our feeling to make ever more accurate side-by-side discriminations between "degrees of life" can take us only so far as an aesthetic method. Being an artist is more a matter of life-long discipline and *practice* - above all, learning how to cultivate the right state of mind - natural and open, free from fixed concepts, beyond even the most refined intellectual judgments of good and bad, beautiful and ugly. It's not something to rattle on about for page after repetitive page, it's something to do - to discover how to do through doing, through direct experience. In my own work, books like John Daido Loori's Zen and Creativity and Chogyam Trungpa's Dharma Art, or Suzuki Roshi's Not Always So have been much more helpful and to the point.


Rating:
Summary: wisdom through patience
Review: I'm not an architect, though I do paint a bit and presume to teach. A friend from Ohio undertook one of Alexander's architectural courses, 20 years ago, and posted me notes on Alexander's colour theory. I've used them ever since. But the articulation of this guru's understanding of the experience world & how we process it & make art in and for it, has become keener, more subtle & concise over the years. This is a very, very profound teaching without any messianic overdrive. Indeed, its the patience and humility of Alexander's process of discovering essential rules & roles for making art, that are most profound and the enduring feature of his presentation. And the book's own look exemplifies his quest for the beautiful.I'm not so taken with the reproductions of his own painting, however. I can't quibble with the twentieth century masters he reproduces as evidence for enduring beauty. A fabulous book!

Rating:
Summary: A Profoundly Eloquent Glimpse of Life's Depth...
Review: Those who know me know that I am not prone to making either quick judgements or vacuous statements, so my friends (at least) will know that both the title of this mini-review and the few words that follow are far from whimsical: Alexander's Nature of Order, and in particular this fourth volume which I have recently received and simply cannot put down, are in my humble opinion, destined to rank as one of this *world's* great literary/philosophical achievements. What Alexander has produced is nothing short of a brilliant vision for the transcendent reality that lies beneath and beyond conventional categories. I write this as a Ph.D. physicist, with two graduate-level mathematical physics texts under my belt (both on complex systems), and semi-pro photographer with 30 years of experience of trying to capture "beauty" in nature. Alexander's work has provided a tentative -- but oh so deep -- glimpse of an answer to my own philosophical struggles as scientist and artist: physics and art are but two sides of a vastly richer coin, and are merely pointers to an infinitely rich *life* that pervades this universe; indeed, the life that *is* this universe. Every human being who has ever sincerely pondered the question "Why?" when looking up at the sky, while admiring a pretty flower, or looking into a mirror, can do no better than to curl up by a fireplace with a hot cup of tea, open up volume four of this incredible set of books and start using the musings lovingly offered here to look within for answers. Truly a remarkable achievement. I have never met Christopher Alexander, but can honestly say that I have been deeply touched by this preternaturally wise soul.