Description:
Palm Springs Weekend could have been just a breezy look at the celebrity culture of this California desert playground. Instead, Alan Hess offers an authoritative yet refreshingly nondoctrinaire view of the various ways European and American architects--some famous, some not--adapted the canons of modernism to suit the desert climate, landscape, and lifestyle. With evocative vintage photographs and an engagingly retro design by Andrew Danish, this is one of the most enjoyable popular architecture books in years. The story begins with "the panorama of brown rock... peppered with ever-changing shadows and the unexpected desert plants that turn this great natural wall into a tapestry of texture and color." Then came the wealthy industrialists and Hollywood royalty who wanted vacation homes and were more or--at least initially--less amenable to modern design. Car culture and casual living morphed the international style into new silhouettes and textures fit for a modern oasis. Swiss émigré Albert Frey designed minimalist houses "like tents staked in the desert." Richard Neutra's famous Kaufmann House has polished glass walls, flat, floating roofs, and luxury finishes, while John Lautner's Elrod House--seen in the James Bond film Diamonds Are Forever--is a futuristic concrete cave. Tract homes by William Krisel and Dan Palmer for the Alexander Company offered a mass-market modernist solution, with butterfly roofs and patterned concrete block walls crisply defined by the intense sun. By the early '50s, local projects also included civic and commercial buildings. Memorable nonresidential projects range from William Cody's Huddle Springs restaurant, with its bold angled beams, canvas awnings, and open plan, to Victor Gruen's City National Bank, on which a sweeping curved roof reminiscent of Le Corbusier's Ronchamp chapel meets the desert opulence of gold filigree. --Cathy Curtis
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