Rating: 
Summary: Placemaking Guide
Review: One can find the answers to most of life's little (and big) problems in this classic work. It does everything from helping one determine why the backyard just doesn't feel right to describing the problems with sprawl. I hesitate to label it as an architectural work because it can be so much more. Certainly, it illustrates how architecture can play a much larger role in shaping our lives than it has during the past fifty years.The format of the book is effective in that it allows one to follow the connections between various design rules/patterns that might otherwise not be obvious. The use of these "links" within the book could have been a source of inspiration for web designers. This book will appeal just as much to the lay person as it does to the legions of architectural professionals who use it as a guide on a frequent basis.
Rating:
Summary: Empirical architecture and humane social design
Review: The attention that this book has received from many quarters is well deserved. Although formally a work on architecture, it is really a handbook for anyone concerned with the development of healthy and humane social environments. Alexander and his colleagues are successful because they take an empirical approach to architecture. Instead of beginning with abstract geometries, they go out into the world and study buildings and social spaces that do in fact work well. From these observations they generalize a set of "patterns" -- common structural and spatial elements -- that support living communities. These pattern elements range in scale from city-wide features to the placement of furniture in rooms. I am an advocate of decentralized residential colleges within large universities as a way to improve the quality of campus life. I was pleased to find most of the specific structures that I have been trying to promote within universities included among Alexander's patterns, and to find many of them refined and improved upon. For example, the patterns "Zen View," "Activity Pockets," "Sleeping in Public," "Child Caves," "Pools of Light," and "Half-private Office" are all ones I have used in trying to establish strong educational communities. Indeed, the idea of a residential college itself corresponds to the pattern "Identifiable Neighborhood" with its limit of 400-500 people. And every university that built high-rise dormitories during the period of architectural insanity that was the 1960s should study and act upon, preferably with a wrecking ball, the implications of the pattern "Four-story Limit." ("There is abundant evidence to show that high buildings make people crazy.") Like many great books, A Pattern Language a bit idiosyncratic. But it is such a rich mine of ideas that you shouldn't let, for example, the occasionally illegible figures bother you needlessly. For a book this influential, however, and one that has already gone through more than twenty printings, the publisher (Oxford University Press) really ought to invest in the preparation of an index. Buy this book and turn to it often, and compare the ideals that it presents with the real world that less enlightened people have built around you.
Rating:
Summary: This book changed the way I look at buildings ... and life!
Review: My fascination with Christopher Alexander's work began with "The Timeless Way of Building," but increased tenfold upon discovering his inexhaustible classic, "A Pattern Language." At over a thousand pages (I think,) "A Pattern Language" is an encyclopedic study of what makes buildings, streets, and communities work -- indeed, what makes environments human. Alexander and his co-authors present us with over two hundred (roughly 250) "patterns" that they believe must be present in order for an environment to be pleasing, comfortable, or in their words, "alive." The patterns start at the most general level -- the first pattern, "Independent Regions," describes the ideal political entity, while another of my favorite patterns, "Mosaic of Subcultures," described the proper distribution of different groups within a city. The patterns gradually become more specific -- you'll read arguments about how universities should relate to the community, the proper placement of parks, the role of cafes in a city's life. If you wonder about the best design for a home, the authors will describe everything from how roofs and walls should be built, down to how light should fall within the home, where your windows should be placed, and even the most pleasant variety of chairs in the home. An underlying theme of all the patterns is that architecture, at its best, can be used to foster meaningful human interaction, and the authors urge us to be aware of how the houses we build can help us balance needs for intimacy and privacy. They admit that they are uncertain about some of the patterns -- they indicate their degree of certainty using a code of asterisks placed before the pattern. For each pattern, the authors summarize the pattern in a brief statement printed in boldface, and then describe it at length, drawing upon a variety of sources to give us a full sense of what they mean: these "supporting sources" include an excerpt from a Samuel Beckett novel, papers in scholarly journals, newspaper clippings, etc. Most patterns are accompanied by a photograph (many of them beautiful and fascinating in their own right) and all are illustrated by small, casual hand-drawings. Taken together, "A Pattern Language" is an extraordinarily rich text, visually and conceptually. As I said in the header of this review, "A Pattern Language" has changed the way I look at buildings and neighborhoods -- I feel like this book has made me attuned to what works, and what doesn't work, in the human environment. I'm constantly realizing things about buildings and streets that this book helped me see -- things that make people feel at home, or feel "alive," in their surroundings, or conversely, things that make people uncomfortable. And the book makes me think differently about life because it showed me how our well-being depends so much upon the way our buildings fit, or don't fit, us as UNIQUE INDIVIDUALS.
Rating:
Summary: Different Meanings for Different People
Review: While ostensibly a book about city planning, architecture and building construction, A Pattern Language is a treasure chest offering so much more: Academics will respect this 1171-page treatise for its thoroughly researched (eight years' work by six co-authors during the 1970s) and eminently logical (mathematically motivated) analysis, arriving at an optimal hierarchical configuration of our living space (253 self-consistent "patterns"), based on the simple premise that social function should determine physical form. Idealists will praise the book for its wonderfully comprehensive utopian prescription specifying how our society--cities, neighborhoods, houses, rooms, alcoves and even trim and chairs--should be designed and built. Curious types will marvel at the richness of this book as a launching pad for exploring new realms--for example: Land usage (how countryside in England differs from public parks and private farms in the U.S.), transitional space (how outdoor-indoor and public-private boundaries are as important as the buildings and rooms themselves), small window panes (how large pane windows paradoxically do not bring us closer to nature), etc. Romantics will be moved by the contrasting luminescence in Tapestry of Light and Dark, the warmth of The Fire, and the retelling in Marriage Bed of how Odysseus was reunited with his wife, Penelope, after 20 years of separation. Pragmatists will take the best ideas from the collection--The Flow Through Rooms, Light on Two Sides of Every Room, Alcoves--and use them with abandon in the most opportunistic way in designing, building and remodeling homes.
Members of the status quo will see this book as the underground manifesto of a threatening movement, an attempt by Berkeley anti-architect radicals to apply social engineering to thrust their liberal values (e.g., communal bathing, composting of human waste, banning of skyscrapers and chain stores) on our present society that is "just fine the way it is, thank you!" And realists will criticize this book for falling short, failing to tell us in any truly practical sense how to fix the problems inherent in our convenient, automobile-centric, impersonal, profit-oriented social structure of today.
Rating:
Summary: Living Space Defined in Elegant, Timeless Patterns
Review: Contemplate "Wings of Light." Yeah, "Wings of Light." Most houses are built like a box because most builders are ignorant fools as are the bureaucrats who prescribe building codes. In contrast, mathmetician and architect Mr. Alexander gives us a plan for inter-twining indoor and outdoor space in a near seamless harmony, including "Positive Outdoor Space" and "Wings of Light." No Fads here, the principles in this book are timeless principles that interact in truly inspiring ways. We mere mortals are insprired by the principle of "Wings of Light" and hundreds of other inspiring, well-orderd Patterns that Mr. Alexander et al describe in short, concise, illustrative chapters that forever influence our understanding of living space. You may not be able to change the world but you can change your own little world. "A Pattern Language" is your roadmap. In all of Architecture, there is no other book of rivaling importance. This is the Bible of Architecture, written and dedicated to the masses. Myself, I am a voracious reader of non-fiction, as well as a life-long student of science. I can say, without hesitation, that this is the most important book I have ever read. Consider for a moment your home, you living environment. Unless you are profoundly fortunate, you abode is rather dull and uninspiring. Your next home won't be if you put into action the lovely patterns in this monumental book.
Rating:
Summary: This book changed the way I look at buildings ... and life!
Review: My fascination with Christopher Alexander's work began with "The Timeless Way of Building," but increased tenfold upon discovering his inexhaustible classic, "A Pattern Language." At over a thousand pages (I think,) "A Pattern Language" is an encyclopedic study of what makes buildings, streets, and communities work -- indeed, what makes environments human. Alexander and his co-authors present us with over two hundred (roughly 250) "patterns" that they believe must be present in order for an environment to be pleasing, comfortable, or in their words, "alive." The patterns start at the most general level -- the first pattern, "Independent Regions," describes the ideal political entity, while another of my favorite patterns, "Mosaic of Subcultures," described the proper distribution of different groups within a city. The patterns gradually become more specific -- you'll read arguments about how universities should relate to the community, the proper placement of parks, the role of cafes in a city's life. If you wonder about the best design for a home, the authors will describe everything from how roofs and walls should be built, down to how light should fall within the home, where your windows should be placed, and even the most pleasant variety of chairs in the home. An underlying theme of all the patterns is that architecture, at its best, can be used to foster meaningful human interaction, and the authors urge us to be aware of how the houses we build can help us balance needs for intimacy and privacy. They admit that they are uncertain about some of the patterns -- they indicate their degree of certainty using a code of asterisks placed before the pattern. For each pattern, the authors summarize the pattern in a brief statement printed in boldface, and then describe it at length, drawing upon a variety of sources to give us a full sense of what they mean: these "supporting sources" include an excerpt from a Samuel Beckett novel, papers in scholarly journals, newspaper clippings, etc. Most patterns are accompanied by a photograph (many of them beautiful and fascinating in their own right) and all are illustrated by small, casual hand-drawings. Taken together, "A Pattern Language" is an extraordinarily rich text, visually and conceptually. As I said in the header of this review, "A Pattern Language" has changed the way I look at buildings and neighborhoods -- I feel like this book has made me attuned to what works, and what doesn't work, in the human environment. I'm constantly realizing things about buildings and streets that this book helped me see -- things that make people feel at home, or feel "alive," in their surroundings, or conversely, things that make people uncomfortable. And the book makes me think differently about life because it showed me how our well-being depends so much upon the way our buildings fit, or don't fit, us as UNIQUE INDIVIDUALS.
Rating: 
Summary: Modern Architecture Ends Here
Review: Not quite the research it pretends to be, more a polemic against Modernism in its final days. If you don't object to reading things like cladding should be layered but stucco is OK because it's "layered internally", you might enjoy it.
Rating:
Summary: Living Space Defined in Elegant, Timeless Patterns
Review: Contemplate "Wings of Light." Yeah, "Wings of Light." Most houses are built like a box because most builders are ignorant fools as are the bureaucrats who prescribe building codes. In contrast, mathmetician and architect Mr. Alexander gives us a plan for inter-twining indoor and outdoor space in a near seamless harmony, including "Positive Outdoor Space" and "Wings of Light." No Fads here, the principles in this book are timeless principles that interact in truly inspiring ways. We mere mortals are insprired by the principle of "Wings of Light" and hundreds of other inspiring, well-orderd Patterns that Mr. Alexander et al describe in short, concise, illustrative chapters that forever influence our understanding of living space. You may not be able to change the world but you can change your own little world. "A Pattern Language" is your roadmap. In all of Architecture, there is no other book of rivaling importance. This is the Bible of Architecture, written and dedicated to the masses. Myself, I am a voracious reader of non-fiction, as well as a life-long student of science. I can say, without hesitation, that this is the most important book I have ever read. Consider for a moment your home, you living environment. Unless you are profoundly fortunate, you abode is rather dull and uninspiring. Your next home won't be if you put into action the lovely patterns in this monumental book.
Rating:
Summary: A new way to look at architecture
Review: I run a website about sustainability, and to my visitors and newsletter subscribers I continually advocate the benefits of designing and if possible building your own energy-efficient and sustainable home. I reviewed and recommended A Pattern Language because, like the other books I suggest, it gives people the information (and confidence) they need to go against the tide and take responsibility for their environment. On top of its practicality, this book poses a lot of interesting ideas, especially when it comes to archetypes. It's these ideas that originally drew me to this book. Though a little outdated, and a little expensive, this is a book you can hold on to and refer to again and again.
Rating:
Summary: the most valuable tool in a remodel job
Review: I have just this past month completed the total renovation or remodel of a 1952 California tract home. Three years ago as the process was beginning a friend gifted us with "A Pattern Language". The impact of this book on our project and the enduring benefit we'll receive over the years is beyond calculation. The depth to which the authors understand the issues is clear from the simple and graceful way in which they have sorted out the critical factors. Space, light, air, traffic, common and private spaces are explained in a simple manner that makes the concepts applicable and appreciable in all types of buildings. In addition, they capture the more primitive factors such as our fondness of being able to see the ground when seated at a window or being uncomfortable lying in bed below a high ceiling. The way they make sense out of those components aided us in every choice from entryway to backyard secret garden. The typical reaction of those who enter our humble little dwelling for the first time is a sharp intake of breath and a quick exclamation "Oh, I LOVE your home!" Using A Pattern Language as our guide we got $400,000 value from a $100,000 remodel.
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