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Rating: Summary: THE Edition of the Great American Novel Review: Bravo! Michael Patrick Hearn has done it again! He has done the same great honor to HUCKLEBERRY FINN as he did last year to THE WIZARD OF OZ. Here is an exquisite, sumptuous edition of the Great American Novel supplemented with a lengthy and informative introduction and countless notes on all the autobiographical, literary, and historical allusions in the story. This commentary has greatly enlightened my reading of the novel and is a treasure trove of Southwestern and Twainian lore. Is there anything about Mark Twain that Hearn has not read? He even quotes from many previously unpublished sources. He meticulously traces the book's long and often controversial history from from being "the veriest trash" to the cornerstone of American literature. I had no idea so much mud has been thrown at poor Huck Finn! All of the original E. W. Kemble illustrations from the first edition are included as well as several drawn later for other purposes and numerous rare contemporary prints, photographs, maps, and other pictures. Hearn takes into consideration the various revisions Twain made in the text over the years and reprints the recently discovered suppressed "Jim and the Dead Man" episode. And Hearn is not afraid to answer the charge of racism head on. The book will be a great help in the classroom and to anyone else interested in American literature. A superb job all around. I look forward to when my grandchildren are old enough so I can share it with them.
Rating: Summary: THE Edition of the Great American Novel Review: Bravo! Michael Patrick Hearn has done it again! He has done the same great honor to HUCKLEBERRY FINN as he did last year to THE WIZARD OF OZ. Here is an exquisite, sumptuous edition of the Great American Novel supplemented with a lengthy and informative introduction and countless notes on all the autobiographical, literary, and historical allusions in the story. This commentary has greatly enlightened my reading of the novel and is a treasure trove of Southwestern and Twainian lore. Is there anything about Mark Twain that Hearn has not read? He even quotes from many previously unpublished sources. He meticulously traces the book's long and often controversial history from from being "the veriest trash" to the cornerstone of American literature. I had no idea so much mud has been thrown at poor Huck Finn! All of the original E. W. Kemble illustrations from the first edition are included as well as several drawn later for other purposes and numerous rare contemporary prints, photographs, maps, and other pictures. Hearn takes into consideration the various revisions Twain made in the text over the years and reprints the recently discovered suppressed "Jim and the Dead Man" episode. And Hearn is not afraid to answer the charge of racism head on. The book will be a great help in the classroom and to anyone else interested in American literature. A superb job all around. I look forward to when my grandchildren are old enough so I can share it with them.
Rating: Summary: Wonderful insight into an American classic Review: I purchased this book for my son, a high school student who was assigned HUCKLEBERRY FINN in an American Studies class, and promptly fell in love with it. The commentary is delightful, and the many illustrations (many taken from the original edition,) photographs, prints, cartoons, and maps give a real sense of time and place. Homey details that might not be familiar to the modern reader are explained in some detail, as are customs of the time. The author includes material from Twain's notes and details about his life, always in a manner that illuminates the passage. HUCKLEBERRY FINN frequently turns up on lists of banned books, and it's interesting to read of the controversy that dogged this story from the beginning. The particulars of readers' outraged sensibilities might change, but the response this book has always engendered suggests the timelessness of Twain's targets: ignorance, cruelty, hypocracy, racism. The story is a clear-eyed yet subversive look at a society in transition, and a relentless skewering of treasured myths concerning childhood. These themes remain as troubling today as they were in the 1840s, the supposed setting of the novel. This book is an excellent resource for students and teachers, as well as for those of us who love Mark Twain's stories. The book itself is beautiful, with high quality paper and binding. A worthy addition to every library!
Rating: Summary: Add this one to Your Library Review: Mark Twain at his best...great pictures and annotation...that are first rate. Due to time restraints, I have only skimmed the book. What I have read is great. It is a Norton book...always-great editions. If weight means anything, then this is a heavy-duty book. I look forward to reading the entire book after graduation in the spring. In addition, it even looks good on the shelf....
Rating: Summary: Add this one to Your Library Review: Mark Twain at his best...great pictures and annotation...that are first rate. Due to time restraints, I have only skimmed the book. What I have read is great. It is a Norton book...always-great editions. If weight means anything, then this is a heavy-duty book. I look forward to reading the entire book after graduation in the spring. In addition, it even looks good on the shelf....
Rating: Summary: "When I couldn't stand it no longer, I lit out." Review: The greatest American novel, still. The country it sees is still in front of our eyes. The Americans it shows, we still are, though we live nearer to highways now than rivers. Twain's tale can be read both intellectually (yuck) as symbolic of the American quest for masterlessness (see Studies in Classic American Literature by D.H. Lawrence) and as a kid-on-a-raft-let's-see-what-happens story. Art and fun. Not an easy achievement to tie those two rascals together with one rope. Master of structure and flinger of fun though he be, the most exciting reason to read Twain is the language. The book is a hundred and sixteen years old, the writing ain't --"Steamboat captains is always rich, and get sixty dollars a month, and they don't care a cent what a thing costs, you know, long as they want it. Stick a candle in your pocket; I can't rest, Jim, till we give her a rummaging. Do you reckon Tom Sawyer would ever go by this thing? Not for pie, he wouldn't. He'd call it an adventure-that's what he'd call it; and he'd land on that wreck if it was his last act. And wouldn't he throw style into it?" --One caveat: Be careful the illustrations don't mess up the pictures the author can put in your head with his sentences.
Rating: Summary: Indispensable Review: This is an American literature teacher's dreambook. Exhaustively researched. Amazing. Thumbs up, way up. Look high and look long, you will not find more information about Twain's novel anywhere. Extremely valuable; the book became an instant cornerstone to my teaching of the novel. You will wonder how you got along without it.
Rating: Summary: Indispensable Review: This is an American literature teacher's dreambook. Exhaustively researched. Amazing. Thumbs up, way up. Look high and look long, you will not find more information about Twain's novel anywhere. Extremely valuable; the book became an instant cornerstone to my teaching of the novel. You will wonder how you got along without it.
Rating: Summary: The Ultimate Edition of a Great American Novel! Review: Until something better comes along, The Annotated Huckleberry Finn will be the preferred way to journey with Mark Twain through The Adventures of Huckleberry Finn. When you get an outstanding illustrated, annotated, and introduced version of an American classic, how could anyone view the result as less than five stars? The book is massive. The introduction alone is almost full-book length. There are over 175 delightful original illustrations, supplemented by dozens of photographs (including the "obscene" one), drawings, cartoons, maps, memorabilia reproductions, and prints. The annotations often overwhelm the text in their extensiveness. I found the introduction to be a joy. Although massive compared to most, the introduction is done in an interesting, illustrated style which added much to my enjoyment of the story by covering a lot of background. The introduction begins with the personal habits of Mark Twain and goes on to provide a mini-biography of him and a history of the book's creation, editing, publication, reviewer and reader reactions, bans on the book, promotion, and subsequent history. In this section, I was pleased to read what prominent African-Americans have had to say about the racist and anti-racist elements that are present here, and how the story affects young African-Americans. Most people will be amused by the attempts by Mrs. Clemens, his editors, and Mark Twain himself to eliminate his tendency to make his stories a little too colorful in their references to religion and use of swearing. These changes are well documented in both the introduction and in the annotations. Those who love to read about the process of writing will find this section to be a joy. For the average reader, the illustrations will be the most valuable addition to their enjoyment of the book. I especially liked seeing how the original Huckleberry Finn illustrations compared to the ones for Tom Sawyer. I liked the Huckleberry Finn ones much more. They have a lightness and originality that add pleasure to the reading. The annotations seemed overdone to me. But annotations should probably better be overdone than underdone. Those who are familiar with the vernacular of the mid-19th century in the United States won't need many of the explanations. Understanding how the prose was cleaned-up so as to not shock as many church-goers of that day is more of sociological interest than of literary importance. I did find several annotations that I enjoyed. I really had no idea what a huckleberry was, and that knowledge adds meaning to the choice of Huck's name. For young people who do not know this version of the vernacular well, I suspect that the annotations can make understanding the story easier in several places. The writing style of the annotations is simple, concrete, and accessible . . . rather than literary and abstract like the annotations of many European novels. For such a simple story, The Adventures of Huckleberry Finn often proves to be elusive for its readers. Here are some guideposts to look out for: This story is told by Huck, and is not in the classic shape of a novel. Rather it is a precursor to Ulysses and Remembrance of Things Past, where other great writers attempted to capture the essence of our internal dialogue. Huck is also hiding a lot from himself. You as the reader can quickly see through him, though. He is trying to put a brave and positive face on a very dangerous situation. We all do that. Huck also has to face himself before the book ends. What really is important? We can all spout a lot of moral talk, but what we do is critical. If we lived in Huck's times, we would also see that there was an enormous moral dilemma. The rules of humanity were often not applied to enslaved and free African-Americans. You could choose to go along and feel like a hypocrite (if you thought about what you were doing), or you could do the right thing. Sensitive people of that day often found it hard to do the right thing. If your neighbors were open-minded and you lived in the North, you might do one thing. If your neighbors were slaveholders and lived in the South, you might do another. Also, think about the trip down the river as an analogy for going through life. How will it turn out if you just let your direction go with the current? Who in our society is being treated like Jim today? How can you help?
Rating: Summary: The Ultimate Edition of a Great American Novel! Review: Until something better comes along, The Annotated Huckleberry Finn will be the preferred way to journey with Mark Twain through The Adventures of Huckleberry Finn. When you get an outstanding illustrated, annotated, and introduced version of an American classic, how could anyone view the result as less than five stars?
The book is massive. The introduction alone is almost full-book length. There are over 175 delightful original illustrations, supplemented by dozens of photographs (including the "obscene" one), drawings, cartoons, maps, memorabilia reproductions, and prints. The annotations often overwhelm the text in their extensiveness. I found the introduction to be a joy. Although massive compared to most, the introduction is done in an interesting, illustrated style which added much to my enjoyment of the story by covering a lot of background. The introduction begins with the personal habits of Mark Twain and goes on to provide a mini-biography of him and a history of the book's creation, editing, publication, reviewer and reader reactions, bans on the book, promotion, and subsequent history. In this section, I was pleased to read what prominent African-Americans have had to say about the racist and anti-racist elements that are present here, and how the story affects young African-Americans. Most people will be amused by the attempts by Mrs. Clemens, his editors, and Mark Twain himself to eliminate his tendency to make his stories a little too colorful in their references to religion and use of swearing. These changes are well documented in both the introduction and in the annotations. Those who love to read about the process of writing will find this section to be a joy. For the average reader, the illustrations will be the most valuable addition to their enjoyment of the book. I especially liked seeing how the original Huckleberry Finn illustrations compared to the ones for Tom Sawyer. I liked the Huckleberry Finn ones much more. They have a lightness and originality that add pleasure to the reading. The annotations seemed overdone to me. But annotations should probably better be overdone than underdone. Those who are familiar with the vernacular of the mid-19th century in the United States won't need many of the explanations. Understanding how the prose was cleaned-up so as to not shock as many church-goers of that day is more of sociological interest than of literary importance. I did find several annotations that I enjoyed. I really had no idea what a huckleberry was, and that knowledge adds meaning to the choice of Huck's name. For young people who do not know this version of the vernacular well, I suspect that the annotations can make understanding the story easier in several places. The writing style of the annotations is simple, concrete, and accessible . . . rather than literary and abstract like the annotations of many European novels. For such a simple story, The Adventures of Huckleberry Finn often proves to be elusive for its readers. Here are some guideposts to look out for: This story is told by Huck, and is not in the classic shape of a novel. Rather it is a precursor to Ulysses and Remembrance of Things Past, where other great writers attempted to capture the essence of our internal dialogue. Huck is also hiding a lot from himself. You as the reader can quickly see through him, though. He is trying to put a brave and positive face on a very dangerous situation. We all do that. Huck also has to face himself before the book ends. What really is important? We can all spout a lot of moral talk, but what we do is critical. If we lived in Huck's times, we would also see that there was an enormous moral dilemma. The rules of humanity were often not applied to enslaved and free African-Americans. You could choose to go along and feel like a hypocrite (if you thought about what you were doing), or you could do the right thing. Sensitive people of that day often found it hard to do the right thing. If your neighbors were open-minded and you lived in the North, you might do one thing. If your neighbors were slaveholders and lived in the South, you might do another. Also, think about the trip down the river as an analogy for going through life. How will it turn out if you just let your direction go with the current? Who in our society is being treated like Jim today? How can you help?
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