A Certain Curve of Horn: The Hundred-Year Quest for the Giant Sable Antelope of Angola

Rating:
Summary: Wildlife & War
Review: Casting the giant sable antelope as a modern day unicorn, John Frederick Walker's Certain Curvature of Horn is at once a tale of mystery, wildlife biology, and potboiling politics. Anyone with an interest in Africa's megafauna will enjoy this carefully researched saga of the sable's precarious existence through Angola's long civil war. The first part of the book is not for the squeamish as one antelope after another is felled by trophy hunters and museum collectors. Walker's obvious reverence for the iconic beasts makes each shot and each death feel like a personal loss. But it is the mano a mano of Angola's warring leaders - Eduardo dos Santos and Jonas Savimbi - in the book's second half that causes the most discomfiture as the conservation world agonizes over the sables' fate on battlefields that have bled for over 30 years. The question of the sable's survival among so much human bloodshed is the book's big unanswered question. Walker tries mightily to get a flesh and blood glimpse of the endangered animal, making numerous trips to Angola and finally, a furtive dash into the war zone itself. Not to give away too much, his disappointment is tempered by what seems like the end to Angola's civil war and the beginnings of new animal sanctuaries where decimated wildlife, like the giant sable, can begin anew. Walker manages to make you care for a magnificent animal that like the country it symbolizes, is a tough survivor.

Rating:
Summary: Wildlife & War
Review: Casting the giant sable antelope as a modern day unicorn, John Frederick Walker's Certain Curvature of Horn is at once a tale of mystery, wildlife biology, and potboiling politics. Anyone with an interest in Africa's megafauna will enjoy this carefully researched saga of the sable's precarious existence through Angola's long civil war. The first part of the book is not for the squeamish as one antelope after another is felled by trophy hunters and museum collectors. Walker's obvious reverence for the iconic beasts makes each shot and each death feel like a personal loss. But it is the mano a mano of Angola's warring leaders - Eduardo dos Santos and Jonas Savimbi - in the book's second half that causes the most discomfiture as the conservation world agonizes over the sables' fate on battlefields that have bled for over 30 years. The question of the sable's survival among so much human bloodshed is the book's big unanswered question. Walker tries mightily to get a flesh and blood glimpse of the endangered animal, making numerous trips to Angola and finally, a furtive dash into the war zone itself. Not to give away too much, his disappointment is tempered by what seems like the end to Angola's civil war and the beginnings of new animal sanctuaries where decimated wildlife, like the giant sable, can begin anew. Walker manages to make you care for a magnificent animal that like the country it symbolizes, is a tough survivor.