Writing from the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within

Rating:
Summary: Hope for all writers
Review: An awesome book for those who are "stuck" in their writing lives. Palumbo uses real-life examples to demonstrate that all writers, from the beginner to the most successful, at one time or another struggle with the writing process. The examples he uses reassures us that "we are not alone" in our creative frustrations and there is hope, even if we (as writers) don't see it.

Rating:
Summary: If you want to write, DON'T read this book!
Review: Book Review: Writing From The Inside Out, by Dennis Palumbo

Dennis Palumbo has an enormous wealth of information that he is willing to share. The points he makes in Writing from the Inside Out are poignant for ANYONE in this game called life, especially those who are pursing creative interests because those individuals have to put their heart and soul on the line to earn their daily bread. He is not, however, very encouraging to those who are thinking about writing and have yet to make the commitment. Don't take it personally, the information is good and will help you avoid the pit falls you may encounter. Palumbo makes the writing issues as simple as possible while still realizing that DOING the right/healthy thing is easier said than done. You may want to make a few notes and pin them on your bulletin board to keep reminding yourself, JUST WRITE, ENJOY THE PROCESS, I AM ENOUGH, MY GOODS AND BADS ARE JUST GRIST FOR THE MILL.

Rating:
Summary: Some great suggestions, but could be better
Review: Eric Maisel's "Living the Writer's Life" is one of the best books I've found on the writer's life, right up there with Rachel Simon's "The Writer's Survival Guide". Palumbo's, unfortunately, is not so spectacular, although it definitely has its merits.

One of Palumbo's best-conceived ideas is that in order to be happy with our writing, we must learn to enjoy the process for its own sake, not simply for external rewards such as sales and good reviews. I particularly like his view of writing as meditation, "a hushed, private space"--a calling more than a career. Palumbo talks about the problems all writers face, and it might help you to realize that you aren't so alone after all.

As much as I loved the good parts of Palumbo's book, however, there were definitely some parts I didn't like. For example, I took real issue with some of his claims regarding bipolar disorder, particularly his claim that bipolar is nothing more than an unhelpful label. As someone who HAS bipolar disorder (a genetically-inherited, biologically-based *illness*), and whose life was very much aided by the proper medication, I can say that such "labels" can be very helpful indeed! If you're worried about somehow losing your creativity if you medicate and calm your manic phases, I can personally testify to the fact that in many cases medication makes it much easier to actually sit down and take advantage of your creativity, rather than taking it away.

It is clear that Palumbo has some very strong feelings on certain matters, and every few chapters these feelings detract from the usefulness of the book. He bashes would-be writers who haven't yet written anything, comparing them to someone who says that they've always wanted to give heart surgery a try one of these weeks (the analogy holds merit in that writing requires skill, but falls apart in that writing requires more learning-by-doing, and can at least be attempted, explored, and practiced by the unskilled!). If there's one thing I took away from Maisel's book, it's that every writer was once a would-be writer. And the line between "wanna-be" and "would-be" isn't something we can assume just by looking at someone.

I don't recommend this book to the novice or "would-be" writer. Unlike Maisel's book, it's likely to give you a few skewed ideas about creativity and your own role in writing. On the other hand, it has a lot of very useful suggestions for writers who have some experience and are looking for help with the ups and downs of their craft. Palumbo has written lots of scripts and screenplays, so he has plenty of advice that is of particular use to those writers dealing with Hollywood.

Rating:
Summary: Some great suggestions, but could be better
Review: Eric Maisel's "Living the Writer's Life" is one of the best books I've found on the writer's life, right up there with Rachel Simon's "The Writer's Survival Guide". Palumbo's, unfortunately, is not so spectacular, although it definitely has its merits.

One of Palumbo's best-conceived ideas is that in order to be happy with our writing, we must learn to enjoy the process for its own sake, not simply for external rewards such as sales and good reviews. I particularly like his view of writing as meditation, "a hushed, private space"--a calling more than a career. Palumbo talks about the problems all writers face, and it might help you to realize that you aren't so alone after all.

As much as I loved the good parts of Palumbo's book, however, there were definitely some parts I didn't like. For example, I took real issue with some of his claims regarding bipolar disorder, particularly his claim that bipolar is nothing more than an unhelpful label. As someone who HAS bipolar disorder (a genetically-inherited, biologically-based *illness*), and whose life was very much aided by the proper medication, I can say that such "labels" can be very helpful indeed! If you're worried about somehow losing your creativity if you medicate and calm your manic phases, I can personally testify to the fact that in many cases medication makes it much easier to actually sit down and take advantage of your creativity, rather than taking it away.

It is clear that Palumbo has some very strong feelings on certain matters, and every few chapters these feelings detract from the usefulness of the book. He bashes would-be writers who haven't yet written anything, comparing them to someone who says that they've always wanted to give heart surgery a try one of these weeks (the analogy holds merit in that writing requires skill, but falls apart in that writing requires more learning-by-doing, and can at least be attempted, explored, and practiced by the unskilled!). If there's one thing I took away from Maisel's book, it's that every writer was once a would-be writer. And the line between "wanna-be" and "would-be" isn't something we can assume just by looking at someone.

I don't recommend this book to the novice or "would-be" writer. Unlike Maisel's book, it's likely to give you a few skewed ideas about creativity and your own role in writing. On the other hand, it has a lot of very useful suggestions for writers who have some experience and are looking for help with the ups and downs of their craft. Palumbo has written lots of scripts and screenplays, so he has plenty of advice that is of particular use to those writers dealing with Hollywood.

Rating:
Summary: Not just for fiction writers
Review: I am an assistant professor and this book helped me get over writer's block on my academic research. The fear, self-doubt, and all of the other psychological things discussed in this book are true for all writers. This is a must read for ANY WRITER, I assign it to my graduate students.

Rating:
Summary: At last! A Comforting Voice of Reason
Review: I've looked forward to this book for a long time. Anyone who's been to the "mountaintop" of movie and tv writing, has stories to tell. And Dennis tells those stories and then some. What he also tells you is that those feelings of fear, loneliness, procrastination, doubt...all of that means you're a writer. He encourages the reader/writer to truly understand something. You are enough. Write from your heart and do it every day. Palumbo relates the Three Cosmic Truths and more with the lean, hopeful prose of a master. If your'e a writer, this is the most important book you can have next to your dictionary.

Rating:
Summary: HOW I SAVED $11,000
Review: I've read this book three times, some sections four times. Most of the chapters were originally a series of monthly columns "The Writer's Life" by Dennis Palumbo that ran in the Writer's Guild of America magazine. Like most members of the WGA it was the first thing to which I turned, because it was indeed about my life, about writing my first novel, the occasional screenplay, and now that I am currently writing my sixth novel, this book is on my bed stand-which explains the third and fourth readings.
But "Writing from the Inside Out" is not a collection of old columns. Palumbo enhanced and rewrote the original material as an inspired book about the psyche of the writer and the creative process itself and how to nurture and sustain it when not only the outside world but your own mind appears to be thwarting you. For such a wise and insightful work it is often entertaining and a delight to read, no doubt because Palumbo was a successful TV sitcom and screenwriter who co-wrote "My Favorite Year" (not incidentally about a meshuggeneh TV writer) before answering the calling to be a psychotherapist specializing in creative issues. In his new profession he now enjoys an international rep.
The comic and comedy writer Gary Shandling comments in a blurb, "Every writer should have a shrink or this book. The book is cheaper."
Shandling is not joking. At Palumbo's current fees I estimate I have saved $11,000 each time I read this book thoughtfully chapter by chapter.
There are a few who criticize that "Writing from the Inside Out" makes the struggle to write seem too difficult. For them there is a bridge in lower Manhattan that runs from the Soho garrets of struggling writers to the trendy Brooklyn Heights residences of several acclaimed authors on which I can make them a very good deal. For a low comfortable down payment and easy monthly installments, this historic bridge can be yours.
For those with more realistic ambitions to be a writer, I commend this wise empowering book without reservation.

Richard Setlowe

Rating:
Summary: HOW I SAVED $11,000
Review: I've read this book three times, some sections four times. Most of the chapters were originally a series of monthly columns "The Writer's Life" by Dennis Palumbo that ran in the Writer's Guild of America magazine. Like most members of the WGA it was the first thing to which I turned, because it was indeed about my life, about writing my first novel, the occasional screenplay, and now that I am currently writing my sixth novel, this book is on my bed stand-which explains the third and fourth readings.
But "Writing from the Inside Out" is not a collection of old columns. Palumbo enhanced and rewrote the original material as an inspired book about the psyche of the writer and the creative process itself and how to nurture and sustain it when not only the outside world but your own mind appears to be thwarting you. For such a wise and insightful work it is often entertaining and a delight to read, no doubt because Palumbo was a successful TV sitcom and screenwriter who co-wrote "My Favorite Year" (not incidentally about a meshuggeneh TV writer) before answering the calling to be a psychotherapist specializing in creative issues. In his new profession he now enjoys an international rep.
The comic and comedy writer Gary Shandling comments in a blurb, "Every writer should have a shrink or this book. The book is cheaper."
Shandling is not joking. At Palumbo's current fees I estimate I have saved $11,000 each time I read this book thoughtfully chapter by chapter.
There are a few who criticize that "Writing from the Inside Out" makes the struggle to write seem too difficult. For them there is a bridge in lower Manhattan that runs from the Soho garrets of struggling writers to the trendy Brooklyn Heights residences of several acclaimed authors on which I can make them a very good deal. For a low comfortable down payment and easy monthly installments, this historic bridge can be yours.
For those with more realistic ambitions to be a writer, I commend this wise empowering book without reservation.

Richard Setlowe

Rating:
Summary: A book that actually makes you WANT to write!
Review: In "Writing from the Inside Out," author Dennis Palumbo masterfully synthesizes psychology and creativity into a collection of disarmingly honest, consistently clever, and frequently unexpected journeys into self-awareness - - - not just for writers, but for anyone who struggles with the creative process. Many writers attempt to bridge the gap between the "personal" and the "universal"...but Palumbo succeeds.

Rating:
Summary: Hollywood Reporter reviewer calls book a spiritual banquet!
Review: Let's see what the film industry says. Reviewer Michael Farkash relates it like this in his November, 2000, Hollywood Reporter article: "Screenwriter-turned-psychotherapist Dennis Palumbo is able to do the most difficult thing for anxiety-ridden scribes to do: turn negatives into positives. An eminently readable book that deftly identifies stumbling blocks and how to overcome them, "Writing From the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within" is more than a little food for thought. It's the promise of an entire spiritual banquet for emotionally debilitated creative writers."

Savor the flavor, I might add. Farkash continues, "This is not a how-to book in the usual sense, nor is it a compendium of quick fixes. "Writing" identifies key problems, including envy and burnout, that may weigh down writers or anyone else who uses creative methods in their work. There are also the hard facts here, the cold equations that have no answers--like dealing with agents who won't return your phone calls.

"With the kinds of insights available to a professional writer and the thoughtful study that turns a layman into a therapist, Palumbo offers keys to dealing with the thousand or more doubts and frustrations that a writer's spirit is prone to suffer. The book offers tons of inspiration that can actually drive hope into creative writers."

Hmm. When was the last time something like that happened? The reviewer continues. "It's in the final chapters that Palumbo covers the ultimate challenges of the career writer's life: dealing with ageism and hanging on despite adversity.

"In terms of ageism, there's commiseration but no solution. After all, how does one buck an entire marketplace? (Other than slogging ahead and doing the work?) Palumbo writes: 'It's not a problem to be solved. ...It's an experience to be had, a set of circumstances to be endured.'"

Farkashs zeroes in. "After all, points out Palumbo, most artists do their best work during their middle-age years: "The more mature, confident and self-trusting an artist is, the more likely he or she is to break with convention, to explore more deeply."

And the more likely to read a review like this and more fully appreciate a book such as this. Very worthy reading for every wordsmith. -- G. Cavanaugh