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Rating: Summary: Shows Author's Progress and Promise Review: If you start with Tomato Red and work backwards, you can chart Woodrell's growth and maturity as a writer. Tomato's story of down-and-outers who consistently act contrary to their own best interests is both entertaining and riveting. The first-person narrative sets a mood that grabs you on the first page and never lets go. The third-person voice of The Ones You Do is not as assured, but the plot and characters are interesting, and Woodrell displays his characteristic flair for language and ear-catching dialogue.Woodrell also has a way of evoking sympathy for people whose actions you can't condone, and the protagonist of The Ones, John X Shade, is as amusing as he is appalling. The sense of pathos in this novel improves upon its predecessor, Muscle for the Wing, which focuses on John's son, Rene. Muscle reads like a lesser Elmore Leonard novel transplanted to the Ozarks - a TV movie with crisper dialogue. The Ones has some of the same stock characters as Muscle - small-time criminals who underestimate their oppostion, well-endowed women who jump into bed all too eagerly, etc. But the decline in John X's skills in his older years and his humorous fatalism raise the story above that of a standard action hero. Woodrell has written five "Ozark noir" novels and one about the Civil War, Woe to Live On. Each of the Ozark novels improves upon its predecessor, but that's not a reason to bypass his earlier work. In fact, what I enjoyed most was observing Woodrell's development of skills from one book to the next. Woe to Live On was only his second novel, but stands on its own as a very different and very affecting commentary on the war. Its first-person voice finds full flower in Give Us a Kiss and Tomato Red. I recommend immersing yourself in Woodrell's work for a while; if nothing else, you'll be entertained and learn how one writer honed his skill -- maybe there's hope for the rest of us!
Rating: Summary: Shows Author's Progress and Promise Review: If you start with Tomato Red and work backwards, you can chart Woodrell's growth and maturity as a writer. Tomato's story of down-and-outers who consistently act contrary to their own best interests is both entertaining and riveting. The first-person narrative sets a mood that grabs you on the first page and never lets go. The third-person voice of The Ones You Do is not as assured, but the plot and characters are interesting, and Woodrell displays his characteristic flair for language and ear-catching dialogue. Woodrell also has a way of evoking sympathy for people whose actions you can't condone, and the protagonist of The Ones, John X Shade, is as amusing as he is appalling. The sense of pathos in this novel improves upon its predecessor, Muscle for the Wing, which focuses on John's son, Rene. Muscle reads like a lesser Elmore Leonard novel transplanted to the Ozarks - a TV movie with crisper dialogue. The Ones has some of the same stock characters as Muscle - small-time criminals who underestimate their oppostion, well-endowed women who jump into bed all too eagerly, etc. But the decline in John X's skills in his older years and his humorous fatalism raise the story above that of a standard action hero. Woodrell has written five "Ozark noir" novels and one about the Civil War, Woe to Live On. Each of the Ozark novels improves upon its predecessor, but that's not a reason to bypass his earlier work. In fact, what I enjoyed most was observing Woodrell's development of skills from one book to the next. Woe to Live On was only his second novel, but stands on its own as a very different and very affecting commentary on the war. Its first-person voice finds full flower in Give Us a Kiss and Tomato Red. I recommend immersing yourself in Woodrell's work for a while; if nothing else, you'll be entertained and learn how one writer honed his skill -- maybe there's hope for the rest of us!
Rating: Summary: Well written escapist literature Review: Woodrell is a master of dark humor, peopleing his novels with characters who have yet to be housebroken. But with Woodrell the rough, rowdy and savage characters are very human - embracing both the good life and destructive fate with humor. Although the cover blurb leads one to expect Rene Shade as a major character, he is a sideline. His father John X. and ten-year-old half sister Etta are at the center of the story. Etta keeps her aged father going, getting him his first drink of the morning, serving sandwiches and beer at his poker games, and reading his every move ... sassing him back with his own words. This is a kid who cons her Dad into believing school starts November 9 for public school students, thus avoiding school. She is a memorable survivor. Two love interests assist in creating a coherent image of the Shade family. Rene has fallen for a basketball player who is as unsure as he as to what future she wants. Tip has fallen for Gretel who is currently living in a home for pregnant women putting children up for adoption. Gretel is the product of a hippie couple surviving in the back woods on the standard government property cash crop and proud of their lack of conveniences. While she understands marriage to be a kind of death, living in a house with plumbing is a major life goal. The plot would be predictable if it were not for humorous turns of fate. John X. is on the lam - his pursuer attempts to increase his capital by scamming a tourist couple who are scam artists themselves. A cockolded husband who's held a grudge for 40 years, goes to kill the agressor only to die of a heart attack ... The writing is good quality - with turns of phrases here and there that are pleasant, memorable and believable surprises in the otherwise harsh environment. So if you want to kick back, turn your mind off and read for sheer pleasure, Daniel Woodrell has again fit the bill.
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