Description:
The Resurrectionists, Irish writer Michael Collins's follow-up to his Booker Prize-nominated The Keepers of Truth, is a thriller that bubbles up from the tawdry stew of its central character's fringe existence. Frank Cassidy is a clinically depressed, all-but-impoverished New Jersey man who receives word that his uncle Ward (who raised Frank after his parents were killed) has died. Frank's reaction is telling: perhaps there's a piece of Ward's Michigan farm that has been willed to him. Traveling in a succession of stolen cars, Frank gets to his snowbound destination and finds that Ward's death is shrouded in mystery; worse, Frank is implicated in the crime. Collins has written a significantly ambitious work here that wants to be more literary than its genre conventions typically require. This makes for a novel with many memorable elements but a blurry reading experience overall. Still, one has to appreciate the author's insight. Strategically set in 1979, the story's emotional landscape is profoundly provocative and disturbing, a photo album of sociocultural exhaustion. The characters are burdened by sundry fallout effects of Vietnam, Watergate, recession, and mutable family structures. Cumulative dread and regression fill the air. In such a setting, a fellow like Frank, somewhere between ordinary life and the netherworld of crime, between failure and redemption, is a consummate protagonist. --Tom Keogh
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