Description:
No good idea ever goes unimitated. Thus, recent years have introduced several mystery series built around disaster-bedeviled Elizabethan theater troupes. The most consistently entertaining of these may be Edward Marston's stories about Westfield's Men and resourceful stage manager Nicholas Bracewell (The Vagabond Clown), but in close competition is Simon Hawke's series starring a young William Shakespeare and his friend Symington "Tuck" Smythe III as amateur sleuths (The Merchant of Vengeance). The Bard does a turn too in Philip Gooden’s Mask of Night, the fifth lighthearted puzzler to feature actor-cum-detective Nick Revill. With London bracing for twin tragedies--the imminent death of Queen Elizabeth I and the spread of bubonic plague--Revill and his fellow members of Chamberlain's Men hie off in 1603 to Oxford. There they are to perform Romeo and Juliet for the benefit of two feud-prone families about to be linked through marriage. But the pestilence follows these performers west, making them less than welcome in the college town, and what joy should have arisen from the nuptials of William Sadler and Sarah Constant is soured by the locked-room knifing of a local doctor and aspiring thespian, who had commissioned the company's Oxford appearance. As he did in The Pale Companion and Alms for Oblivion, Revill--already alert to a poisoning threat against the bride, wary of Shakespeare's evident dalliance with a tavern keeper's striking spouse, and spooked by the crepuscular roamings of men attired as giant black birds--must do his unheroic best to separate happenstance from homicide. This will require figuring out not only how a corpse changed his shoes, but what relationship the perishing of a formidable old nurse has to do with "naughty men’s cherries." British author Gooden has some trouble here keeping all of his plot lines lively; one, concerning Sarah Constant's envious cousin, is particularly disappointing for how much it promises but how little it delivers. Yet Mask of Night nimbly captures the societal arcana of 17th-century England, with its con men profiting from faked sicknesses and physicians fusing science with superstition. Endowed of circuitous intrigues and a perspicacious protagonist, this novel is--to quote the Bard himself--"as merry as the day is long." --J. Kingston Pierce
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