Description:
William Diehl clearly understands the three essentials of any bestselling 1940s-era crime thriller: gangsters, gunplay, and guilty secrets. But Eureka isn't just another noirish shoot-'em-up, as shallow and forgettable as a stoolie's grave. It's a combustible, epic-aspiring saga about long-ago violence and the limits of justice, about revenge and redemption and two rivalrous lawmen drawn together by common ideals. Most of the action centers around Zeke Bannon, a young L.A. cop whose probing into the murder of a mysterious widow--electrocuted in her own bathtub--leads him to the once-sinful town of Eureka, now called San Pietro. It's from there that she'd been receiving anonymous cashier's checks over the last two decades, money Bannon figures she earned by her silence. Was she helping to cover up the truth about a 1921 shootout that caused the death of Eureka's frontier-style sheriff? Nobody in modern San Pietro will talk, least of all Thomas "Brodie" Culhane, a World War I hero who cleaned up the town and is now running for governor of California. Torn between admiring Culhane and trying to link him to the widow's killing, Bannon ignites historical enmities that threaten to express both men to their graves. Although Diehl offers ample cinematic violence here, there's little true menace, and a romantic subplot involving Bannon with a gorgeous banker is neither credible nor effectively exploited. Still, Eureka is a polished work, full of careful character studies and drama, with a gasp-provoking solution that few readers will anticipate. --J. Kingston Pierce
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