Rating: 
Summary: Still a Fan
Review: I have all of the Leo Waterman and Frank Corso books. Was Blind Eye one of the best? Doesn't even come close to Black River, but I don't regret having made the purchase and would still recommend. No, it wasn't always believable (hey, it's fiction), but the trip across country and the weaving in of past events kept me interested. Frank and Meg once again make it out alive which for me made up for the rather creepy ending.
Rating: 
Summary: Decently crafted but on the whole a downer
Review: I've read every one of G.M Ford's books. This book covers similar territory to his second book "Cast in Stone". "A Blind Eye" is more tightly plotted and moves faster than CIS but it feels less inventive to me. There's some ok dialogue and some interesting material on isolated hill communities in the eastern US but there's some incredibly weak dialogue as well, e.g. the banter between Corso and his ex-lover Dougherty at the beginning. After three books, the Frank Corso character just doesn't interest me that much. My response to the grim subject matter tells me that it is time to read more uplifting stuff. Addicts to the genre will be not be too disappointed but for me it's really time to move on, i.e. I'll probably read the next book. Go figure.
Rating:
Summary: American Gothic
Review: In an opening sequence as fast-paced and frantic as the prologue to an Indiana Jones movie, true crime writer Frank Corso (trying to avoid appearing before a Grand Jury in Texas as a material witness) and his ex-lover Megan Dougherty drive from snowbound O'Hare airport in the hope of catching a plane from Madison... but they skid on an icy road and take shelter in a long-abandoned farmhouse. Tearing up some floorboards for firewood, they find several buried bodies. The Texans catch up with Corso while he's recovering from the crash in hospital in the small town of Avalon, and Corso makes a deal with the local sheriff: if he solves the murder and helps her win re-election, she'll fight the extradition order for a few days until the Grand Jury case is over.Corso soon becomes intrigued by the case, then horrified, and continues working to solve it even after the sheriff's deputy is found dead and he's accused of the murder. Apart from a rather contrived beginning, A Blind Eye is an excellently crafted fast-paced thriller which builds up to a gripping climax, comparable to Red Dragon or The Silence of the Lambs. Ford makes good use of forensic science (including some rather gruesome details of forensic entomology) as well Corso and Dougherty's knack for extracting the information they need from people and computers, and cunningly weaves in some clues that even Corso misses. There's plenty of action as Corso tries to elude everyone who's trying to catch or kill him, and more than a hint of sexual tension, though most of the sex happens off-stage (if not necessarily off-camera). Ford is also skilled at creating interesting, often surprising, characters in remarkably few words. His good guys have flaws, and it's difficult not to empathise (at least a little) with his killers as well as most of their victims. His dialogue is sharp, but believable. And like Stephen King or Bruce Springsteen, Ford does an excellent job of portraying slowly-dying rust-belt Smalltown USA, where the cemetery is not only all that remains of an area's history but the closest thing it has to a claim on the future. Though grim to the point of being gothic, A Blind Eye is a genuinely gripping read that should appeal to all thriller, mystery and horror enthusiasts.
Rating: 
Summary: The suspense is at the usual high level for a G. M. Ford boo
Review: Reporter Frank Corso fell from grace when he was accused of making up a crime story. However, Frank is resourceful and easily reinvented himself into a true-crime writer who claims to have insider information on a Texas high-society murder. Rather than face the results of a subpoena demanding he talk, Frank does what comes naturally; he goes on the run. Accompanying Frank into hiding in wintry Wisconsin is his photographer, Meg Dougherty. Following an accident caused by blizzard like weather, Frank and Meg take shelter on an abandoned farm in Avalon. In the shed, they discover the remains of the male members of the Holmes family, whom everyone thought, simply left town fifteen years ago. The local sheriff cuts a deal with Frank that he won't be handed over to Texas if he investigates the murders. Already fascinated by the grisly scene, Frank accepts the terms. He starts his inquiries by looking into the mother of the brood who's not part of the skeletal remains. He soon traces her bloody trail to other homicides, but the culprit has plans to add the writer to the pile of deaths. The suspense is at the usual high level expected in a G.M Ford novel starring the likable antihero Frank who is accompanied by a support cast that adds exaggerated regional eccentricities. Yet with all that the tale seems off slightly because whenever Frank hits a dead end he finds this incredible Ziggy like source that moves him further along on the case. Still fans will continue reading because the rapid pace, the chilling suspense, and the quaint cast make for a strong entertaining read. Harriet Klausner
Rating:
Summary: Snowblind and snowjobbed
Review: Setting your mysteries in Seattle (one of my favourite cities) is not the way to keep me as a reader, but it will certainly help get me started. Thankfully, G.M. Ford has a way with writing that will always keep me around. His Leo Waterman mysteries were first-rate, and his Frank Corso books have kept his string of winning novels alive. A Blind Eye continues this, as Ford creates a page-turner that will keep any hard-boiled detective fan glued to the text. True Crime author and disgraced newspaper reporter Frank Corso is having a bad day. He's stuck in Chicago's O'Hare airport, snowed in and stranded, with an irate Meg Dougherty (former lover and one real friend) along for the ride. Why is Meg irate? Because Frank never bothered to tell her that the reason for the "story" they are pursuing is really because two Texas rangers have a warrant for his arrest. Stuck in an airport, his picture showing up on CNN and security starting to look at him strangely, Corso drags Meg on an ill-considered car ride into Wisconsin, where icy roads send them to the bottom of a ravine. What they discover there will bring more than just Texas law enforcement down on his head. It will involve them in a cross-country trip on the trail of a serial killer uncaught for over 30 years. It also, of course, makes him a target. A Blind Eye takes Corso out of his familiar Seattle, and I think it stretched Ford's writing talent as well. Seattle and western Washington has always been a cozy location for him in which to write, with familiar territory and landmarks making identification easier. This one starts out in Chicago, goes to southern Wisconsin, Iowa, Pennsylvania, and the wilds of the New Jersey mountains. Removed from his familiar environs, Ford has to work a little bit harder, and he does a great job. Some of it is a bit stereotypical (I'm from Iowa, and he captures it decently, but not wonderfully), but overall it shows that he did some research on his locales. Removing Corso and Dougherty from the northwest also allows him to broaden their characters as well. Seeing them on the run presents a different side of them, how they react when desperation hits. Usually, we see our heroes chasing the bad guys, not the other way around. The relationship between Dougherty and Corso crackles with energy. They used to be lovers and have now become the best of friends. Dougherty is extremely annoyed with Corso, but she goes along with him anyway. She obviously still loves him to put up with all that he puts her through. In fact, their relationship goes through an even more pronounced change in A Blind Eye, evolving as they are forced together by circumstances. That's one thing I love about Ford's writing: the characters are always open to change and growth. While it certainly is not necessary to read the books in order, things change enough that you are rewarded for doing so. This makes both of them even deeper characters then most genre detectives. The minor characters are given just enough depth to be believable while not overshadowing the protagonists. The sheriff of the Wisconsin town is predictably overwhelmed by having all of the media attention centered on her, along with a gloryhound deputy who's gunning for her job. This situation actually ends up being important, driving some of the action despite the fact that it's not center-stage. This is a bit distracting from the main plot, but it's not critical. Most of the rest get little, if any, development, but their suitably quirky and/or malevolent to serve their roles. The one exception to this isn't obvious until the end, however. In between some of the chapters are entries from a journal whose author is unrevealed. As the book goes on, it becomes clearer and actually adds to the horror of what is happening, as we realize that the cycle of violence may not be ending like we thought it would. There are only a couple of faults with this book. The first is the fact that there are some superfluous scenes in the book that seem to be included just to show us how tough Corso is. Regular readers already know how tough he is, and subsequent events in the book show this to new readers. Unless Ford is just trying to show us what our rights are during a traffic stop, I see no point to them. While this is forgivable, the second problem is far more damning. The book posits the existence of a super-secret organization that journalists and others can use to get information that is otherwise unobtainable (at least in a timely manner). This organization is so secret that they will not accept any new queries from a phone number they don't have on file, and any such calls require that the phone be disposed of as soon as the call is completed. The presentation of this organization screams PLOT DEVELOPMENT every time Corso uses it, bringing me out of the narrative. It results in a couple of funny scenes (especially when Corso has to use Meg's phone for a question), but overall it's just distracting. Overall, A Blind Eye is a wonderful page-turner. It's not a taxing read, in fact it's perfect for Sunday afternoons or beach reading. If you like your mysteries with great characters who grow and change, the Frank Corso books are definitely for you. You don't even have very many to catch up on. Whatever you do, though, check this one out. David Roy
Rating:
Summary: Snowblind and snowjobbed
Review: Setting your mysteries in Seattle (one of my favourite cities) is not the way to keep me as a reader, but it will certainly help get me started. Thankfully, G.M. Ford has a way with writing that will always keep me around. His Leo Waterman mysteries were first-rate, and his Frank Corso books have kept his string of winning novels alive. A Blind Eye continues this, as Ford creates a page-turner that will keep any hard-boiled detective fan glued to the text. True Crime author and disgraced newspaper reporter Frank Corso is having a bad day. He's stuck in Chicago's O'Hare airport, snowed in and stranded, with an irate Meg Dougherty (former lover and one real friend) along for the ride. Why is Meg irate? Because Frank never bothered to tell her that the reason for the "story" they are pursuing is really because two Texas rangers have a warrant for his arrest. Stuck in an airport, his picture showing up on CNN and security starting to look at him strangely, Corso drags Meg on an ill-considered car ride into Wisconsin, where icy roads send them to the bottom of a ravine. What they discover there will bring more than just Texas law enforcement down on his head. It will involve them in a cross-country trip on the trail of a serial killer uncaught for over 30 years. It also, of course, makes him a target. A Blind Eye takes Corso out of his familiar Seattle, and I think it stretched Ford's writing talent as well. Seattle and western Washington has always been a cozy location for him in which to write, with familiar territory and landmarks making identification easier. This one starts out in Chicago, goes to southern Wisconsin, Iowa, Pennsylvania, and the wilds of the New Jersey mountains. Removed from his familiar environs, Ford has to work a little bit harder, and he does a great job. Some of it is a bit stereotypical (I'm from Iowa, and he captures it decently, but not wonderfully), but overall it shows that he did some research on his locales. Removing Corso and Dougherty from the northwest also allows him to broaden their characters as well. Seeing them on the run presents a different side of them, how they react when desperation hits. Usually, we see our heroes chasing the bad guys, not the other way around. The relationship between Dougherty and Corso crackles with energy. They used to be lovers and have now become the best of friends. Dougherty is extremely annoyed with Corso, but she goes along with him anyway. She obviously still loves him to put up with all that he puts her through. In fact, their relationship goes through an even more pronounced change in A Blind Eye, evolving as they are forced together by circumstances. That's one thing I love about Ford's writing: the characters are always open to change and growth. While it certainly is not necessary to read the books in order, things change enough that you are rewarded for doing so. This makes both of them even deeper characters then most genre detectives. The minor characters are given just enough depth to be believable while not overshadowing the protagonists. The sheriff of the Wisconsin town is predictably overwhelmed by having all of the media attention centered on her, along with a gloryhound deputy who's gunning for her job. This situation actually ends up being important, driving some of the action despite the fact that it's not center-stage. This is a bit distracting from the main plot, but it's not critical. Most of the rest get little, if any, development, but their suitably quirky and/or malevolent to serve their roles. The one exception to this isn't obvious until the end, however. In between some of the chapters are entries from a journal whose author is unrevealed. As the book goes on, it becomes clearer and actually adds to the horror of what is happening, as we realize that the cycle of violence may not be ending like we thought it would. There are only a couple of faults with this book. The first is the fact that there are some superfluous scenes in the book that seem to be included just to show us how tough Corso is. Regular readers already know how tough he is, and subsequent events in the book show this to new readers. Unless Ford is just trying to show us what our rights are during a traffic stop, I see no point to them. While this is forgivable, the second problem is far more damning. The book posits the existence of a super-secret organization that journalists and others can use to get information that is otherwise unobtainable (at least in a timely manner). This organization is so secret that they will not accept any new queries from a phone number they don't have on file, and any such calls require that the phone be disposed of as soon as the call is completed. The presentation of this organization screams PLOT DEVELOPMENT every time Corso uses it, bringing me out of the narrative. It results in a couple of funny scenes (especially when Corso has to use Meg's phone for a question), but overall it's just distracting. Overall, A Blind Eye is a wonderful page-turner. It's not a taxing read, in fact it's perfect for Sunday afternoons or beach reading. If you like your mysteries with great characters who grow and change, the Frank Corso books are definitely for you. You don't even have very many to catch up on. Whatever you do, though, check this one out. David Roy
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