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Rating: 
Summary: A New Star is Born.
Review: Donald Antrim is perhaps the most unique and brilliant voice in surreal tragi-humor (if such a category does indeed exist).With The Hundred Brothers, a ridiculous premise is set; a family of a hundred brothers, but wholly acceptable through the rational eyes of our narrarator. But then ensues a masterful literary roller coaster ride through bizarre and surreal landscapes. And Antrim never leaves one room! Brilliant!In his novels, Antrim has a way of establishing a simple and rational universe, then subtly and ironically, disseminating it bit by bit, gradually revealing an entirely new surreal and ridiculous world that lay beneath its original carapace. Antrim's writing indeed can twist one's mind and warp any sense of reality that may have managed to linger a few pages into the novel. His allegories are both ellusive and mischevious. His humor is deep. It is infectuous and possesive. It may not make you snicker or giggle on the spot, but it will take seed and infest your thought processes, and cause episodes of deep pondering on the depth and subtext of Mr. Antrim's subtle hillarities. It is the type of Monty Pythonesque multi-textual humor that can quite possibly change your life. The short length of Antrim's mono-chapteric novels fit his narrative perfectly; sprawling, circuituous, seguatious, a uniform current of brilliance that blends vignettes and episodes like an early Pink Floyd album. Still, at the close of an Antrim, novel, one can only thrist for more. The solution to this problem is only obvious: MORE NOVELS BY DONALD ANTRIM!
Rating:
Summary: Antrim's best, so far
Review: Most reviewers seem to focus on whether or not this book exemplifies post-modernism and whether or not that's good or bad. Unfortunately, I've never been able to figure out what postmodernism is, so I can't help ya there. All I know is Pynchon and Delillo just confuse me, Vollman makes me laugh but I can't figure out what the hell he's driving at, but Antrim just makes me feel good all over. Maybe it's the way he introduces all 100 brothers, in order, in about 5 pages, and then blithely writes the rest of the book as if you're going to remember who they all are. Which is a good hook, because, who hasn't been to a social function where you get introduced to a few dozen people within 5 minutes, after which you're supposed to remember everybody? Maybe I just identify with the hapless, socially retarded dope of a narrator who just wants everyone to get along but ends up, well, no spoilers, in a unique and singularly undignified situation. But it's not simplistic comedy - it's a bit like one of those Borges stories where you think, "ok, this is gonna be a quick read, only 12 pages" and then you find it takes a good 2 hours to make a bit of sense of it. Well, you could compare it to a lot of things, but that wouldn't do it justice, because the best part is, it just ain't quite like anything you've read before.
Rating: 
Summary: 100 Brothers is not better than 4
Review: What do you do when you can not write in depth about a subject or at least you can not depend on language to carry your work? You write a postmodern mess that carries the reader along on a wild joyride, and leaves the reader in the end with nothing but good entertainment. This work exemplifies tendancies in contemporary fiction to not write literature as much as write anything that mocks it. If you can not write Literature, then take the necessary elements of literature(in this case plot and character) and stretch it to the extreme producing an original but utterly empty postmodern cartoon. I give Mr. Antrim three stars for entertainment. Its a fun book. But not much else is there.
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