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Rating: Summary: Nice and Easy Review: Eleven stories make up this solid collection, and three of them are related ("The Vomitorium," "Smoke," and "The Grand Illusion"), starring a kid in the eight grade named Hank and his sometimes goofy, always strange adventures with Ralph, his dangerous deliquent of a friend. All three are excellent, and they make a logical progression, offering nice closure at the end of the third story.The remaining eight are a mixed bag. "The New Year" is fantastic, but "The End of Romance" is not. "The First of Your Last Chances" seemed a bit too crafty, but I ultimately loved the story, which features a hilarious S&M vignette and a real cute ending. "The Politics of Correctness" was a wonderful story all the way through, my favorite in the collection. "The Greatest Goddamn Thing" didn't do it for me -- it all seemed too forced, and I didn't buy the narrator's voice. "Roger's New Life" just never seemed to go anywhere (a detached 3rd person pov, reminiscent of Raymond Carver), while "Torture" was strong from start to finish, though I'm not sure if it's a story that has a real direction. And the last and the longest, "Limbs," is a winner. I wouldn't consider any of these stories as bad -- they are all finely written, and McNally's got a very nice, easy style. Many of the stories were very funny and thoroughly enjoyable. - SJW
Rating: Summary: Brilliant storytelling Review: I was a lucky person to have had John McNally as an instructor in college. He taught at my college for a short time and I still feel that college (which will remain anonymous) did not know what they lost when they lost this brilliant writer. He taught a creative writing class which was based fully on the power of the written word and how the simplest and most realistic language often tells the best story. McNally's own work completely upholds this belief. I unfortunately have lost touch with John, but when I found out via the web that he had published this collection of short stories, I knew I had to find it. I had him for one semester, yet I remember him better than any other teacher I have ever had. As a fan of the writing of Richard Yates and Raymond Carver (who John introduced me to), I can tell you that he learned his craft from the writings of these masters. His characters are believable, the dialogue is simple but powerful and the settings are described in the most minimal detail, but yet you have a feel of exactly where you are and who these people are. McNally's characters exist through their dialogue and that is what makes his stories powerful. I highly recommend this collection of stories. Some are disturbing, others are more lighthearted. However, the writing is tremendous and you get inside these characters almost immediately. The art of the written word is not lost. People like John McNally are keeping it alive.
Rating: Summary: Stories of Troubled Men Review: The eleven stories collected here range in setting from Chicago's south side to small towns in southern Illinois, but are all thematically linked in their exploration of confused and often angry lower-class white males. The stories are also generationally linked, in that their characters all appear to have come of age in the early to mid-'70s. Indeed, the three best stories are set in the '70s and follow the same junior high boys through a trio of episodes ("The Vomitorium,'' "Smoke'' and "The Grand Illusion''), which include a trunk full of stolen Tootsie Rolls, and the forming of an "air band", and a homosexual advance. These three stories share much of the humor and angst of Chris Furhman's excellent novel The Dangerous Lives of Altar Boys, and Tom Perrotta's collection Bad Haircut. In "The New Year", "The Greatest Goddamn Thing" and "Torture", the narrators are teenage boys, whose primary role in each is as sidekick or witness to another person's pain. In the first story, a cuckolded and abandoned father takes an axe to a deer. In the second, a brother just out of jail leads him into an all night bar party complete with gun, fire, and sex. And in the third, a neighbor is stranded on his roof by an irate wife, and no one calls for help. In each case, there's a kind of sad desperation to it all. Desperation is also present in two stories ("The End of Romance" and "Roger's New Life") that follow a UPS driver with a flaccid marriage, two kids, and a shaky grip on sanity. These are the most distant of the collection, as the protagonist is clearly cracking up and it becomes harder and harder to identify with his tenuous grip on reality. A rather similar character is the focus of the longest story, "Limbs," sharing a troubled marriage, kid, and in this case, friends of dubious character. Two Chicago-set stories stick out: "The Politics of Correctness" abandons the world of the unemployed and lower-class for the world of academia and a struggling young English professor who must contend with the drug dealer who menaces his home, and the uber-PC people in his department. One sense this is a very personal story from McNally, and while it's not bad, it's not particularly original or noteworthy either. My own favorite is "The First of Your Last Chances," which stands out if only because it has a happy ending. Both funny and tender, it's a welcome respite from the heaviness of the other ten stories. The collection as a whole reveals a great new talent, I'll look forward to his next work.
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