Brighton Rock (Classics Deluxe Edition) : (Penguin Classic Deluxe Edition)

Rating:
Summary: The grim underbelly of the English Seaside
Review: Graham Greene writes crisply, and the colours and textures with which he paints an inter-war Brighton are vivid, if uniformly gray and brutal. The story is simple enough: I don't think it's what the characters do as much as what they stand for which interests Greene - for this reason the protagonists are not especially lifelike: Pinky is all brooding, anti-social and violent; absent even a hint of redemption (Greene uses the word 'poisoned' a lot in relation to Pinky), whereas Ida is drawn as a libertine Dickensian harlot whose only motivating moral is the pursuit of fun ' and, somewhat incongruously, really ' justice, for the forsaken Hale. The opposing forces or good and evil are far too contrary to have been meant to be taken at face value.

For all the solemnity of Greene's main object, at times he pulls some surprises: just when the going begins to get truly rough, there is a delightfully comic scene involving a lecherous but repressed lawyer that had me laugh out loud. I haven't seen the film version, but the lawyer, Prewitt would be a peach of a part for some hammy old Shakespearean actor fancying a break into the big time.

The narrative didn't really rivet me; Greene's writing is a bit too artful to be truly exciting, and in places I found Brighton Rock rather too easy to put down. Having said that, what I really admired were the backlights and figurative plays with which Greene makes his point - they exist alongside the plot, so that Greene can say his piece without having to shoehorn it into the story as bluntly as a lesser author might.

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Summary: Madness & Guilt at The Beach
Review: Having worked my way through about a third of Greene's output, I was quite looking forward to this entertainment about a teenage gangster in 1930s Brighton. At first, the atmosphere met my expectations, with the seedy underbelly of the holiday getaway exposed, with shabby bars, and razor gangs fighting for their slice of the protection rackets. However, the story's themes left me largely unsatisfied, as cardboard characters go through the motions of embodying larger ideas and forces. The book starts with the murder of a corrupt London newspaperman, who is killed by a minor Brighton gang. This gang is led by Pinkie, a 17-year-old sociopath who has filled the void left by the death of the previous leader. Although the newpaperman's murder goes off without a hitch, and the gang appears to be in the clear, problems starts when a hooker with a heart of gold starts poking her nose into the affair. With little to motivate her other than a fleeting connection to the dead man and an awfully stubborn notion of justice, Ida sets out to unmask the truth. Meanwhile, Pinkie's not totally convinced that the gang's tracks are covered and does a little checking around himself. Both PInkie and Ida realize that there is an unwitting witness who, a 16-year-old waitress, named Rose. The story then boils down to a tug-of-war between Pinky and Ida for Rose's loyalty.

Pinkie is a misanthropic pessimist, who looks to violence as the solution to most problems, and is profoundly mentally disturbed, especially when it comes to sex, which a repressive Catholic upbringing has sullied. Ida is his opposite, a fun-loving, happy-go-lucky (and disproportionately represented) type, the hooker who enjoys her work. Pinkie is a brooding thug, with little motivation other than to be on top of the world, preferably with his boot at its neck. Ida is all about carpe diem, living in the moment, and not worrying too much about what tomorrow will bring. Rose sits between them as a naive blank slate, with nothing driving her beyond senseless schoolgirl infatuation. Watching these characters circle each other with scheme and counter-scheme never gets very interesting. They are much much too broad to be believed in, and as vessels of larger themes they never measure up. Nor are the supporting characters of any help, each one more thinly sketched than the one before. It's all very melodramatic, and ends in the only way possible. In interviews, Greene admits his own dissatisfaction with this book. He started it as a straight detective story, and then reconfigured it, which is why the tone veers so strangely partway through.

Rating:
Summary: Brighton Rock Rocks
Review: I enjoyed BRIGHTON ROCK. I had never read anything that Graham Greene wrote before picking up this volume, and I was very impressed by so many aspects of it. On the surface, it's simply a gangster story set around the racetrack of a bustling English vacation town in the 1930s. But there are so many little touches and details that Greene adds that all raise this story up and make it more than just another exciting and gory tale of mob violence.

The plot is perhaps the weakest element of the book, but this is not a story that revolves around its plot. The plot points are merely the catalysts that propel these wonderful characters forward. We meet Pinkie, a mere seventeen-year-old, who has found himself in the unenviable task of becoming the head of a criminal organization that is embroiled in a power-struggle with an even larger, better-funded gang. In his world, Pinkie is fighting not only for dominance in his gang, but also battling for territory and control in the town of Brighton. However, he also encounters a strange conflict from an unlikely source: a fun-loving, cheerful, iron-willed woman by the name of Ida.

Ida comes into the story by the most unlikely of coincidences, and is determined to investigate what she feels is a grave injustice. She plays a great foil to Pinkie's character, even though the two of them rarely meet. The only downside that I saw to this fascinating person was the fact that after her fantastic introduction she seems to be coasting through the rest of the novel on autopilot. For a normal book, this would be perfectly expected, but Greene set the bar very high for himself here, especially with this character's motivation, and it just seems a bit jarring when not everything maintains an equal level of excellence.

Greene brings in quite a lot of thought to this novel. Religion, love, spirituality, and death are not things that one expects to undergo detailed analysis on the pages of a crime thriller, yet Greene approaches all of these with maturity and understanding. Each character (bar a handful) is given believable motivations. There are some plot pieces that are predictable, but that only means that I was daring the characters not to go the way that they did, and genuinely upset when they did unfortunate things, even though I had anticipated them. Greene draws on so many ideas to breath life into his novel. He places familiar concepts into irregular characters, and unfamiliar concepts into regular characters; the results are often wonderful and thought provoking.

As I mentioned, I'd not read a Graham Greene novel prior to this, but I certainly plan on doing so in the future. Greene packed quite a bit of careful thought into this intelligent thriller, and the outcome is as exciting as it is reflective. Gripping and spellbinding, this is definitely worth reading.