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Rating: 
Summary: A stunning Book
Review: ...It is a joy to read, and transports the reader to a world that is lost and which few of us living today ever knew existed. But that is only part 1.
It gets better! Taking up the narrative twenty years later in the shambles of post-war Amsterdam, the story, like life, gets deeper. I guessed at less than half of the intrigues and interconnections that are revealed in the denouement.
I was up half the night trying to finish this book, and the other half trying to comprehend what I had read. It is a compelling commetary on the interplay of good and evil, the limits of government, and the tension between truth and diplomacy. I was left turning over in my mind the well-worn words of Edmund Burke "In order for evil to flourish, all that is required is for good men to do nothing". But which of us is good, and which "nothing" should we not do?
Rating:
Summary: A stunning Book
Review: ...It is a joy to read, and transports the reader to a world that is lost and which few of us living today ever knew existed. But that is only part 1.
It gets better! Taking up the narrative twenty years later in the shambles of post-war Amsterdam, the story, like life, gets deeper. I guessed at less than half of the intrigues and interconnections that are revealed in the denouement.
I was up half the night trying to finish this book, and the other half trying to comprehend what I had read. It is a compelling commetary on the interplay of good and evil, the limits of government, and the tension between truth and diplomacy. I was left turning over in my mind the well-worn words of Edmund Burke "In order for evil to flourish, all that is required is for good men to do nothing". But which of us is good, and which "nothing" should we not do?
Rating:
Summary: An erudite and self-conscious story of 1920's Venice
Review: For those who appreciate the old-fashioned British style of novel writing, this Penguin paperback telling of life as a British consul in the 1920's-1930's Venice will be a delight. The man plays as if in his 80's, writing of his youthful work when sent out to Venice. (The author in fact seems to be an Anglo-Indian born in 1955!) He tells of interesting English ex-patriates enjoying the cheap prices of post-WWI Europe, and life in Venice amongst their charms, their parties, their endless hours of leisure. He becomes fond of one Jewish art appraiser and comes to his rescue, he finds himself in confusion over love, and he comments always as if he were now very old and considering all of it again, but in retrospect. I thoroughly enjoyed this style, and his ability to keep one attached and interested in the motley characters who are tied together by time, place, English language and money, but who then find themselves blown apart by the rise of the Fascisti and the revolutionary forces afloat in Europe.
Rating:
Summary: An erudite and self-conscious story of 1920's Venice
Review: For those who appreciate the old-fashioned British style of novel writing, this Penguin paperback telling of life as a British consul in the 1920's-1930's Venice will be a delight. The man plays as if in his 80's, writing of his youthful work when sent out to Venice. (The author in fact seems to be an Anglo-Indian born in 1955!) He tells of interesting English ex-patriates enjoying the cheap prices of post-WWI Europe, and life in Venice amongst their charms, their parties, their endless hours of leisure. He becomes fond of one Jewish art appraiser and comes to his rescue, he finds himself in confusion over love, and he comments always as if he were now very old and considering all of it again, but in retrospect. I thoroughly enjoyed this style, and his ability to keep one attached and interested in the motley characters who are tied together by time, place, English language and money, but who then find themselves blown apart by the rise of the Fascisti and the revolutionary forces afloat in Europe.
Rating:
Summary: I cannot praise this one too much.
Review: I hesitate writing a review for this book because I fear I lack the words to do it justice. Still, I like to try - if only for the hope that maybe I end up saying something that might convince another reader to pick up this exceptional novel. Certain that he/she will at the end agree that the reading of this novel has been one of the richest reading experiences in his/her life; I know it has been for me.
I first read Gestures over a decade ago and the memory of that experience is still vivid in my mind. What H.S. Bhabra managed to do was draw me in in such an artful way that I wasn't even aware of what was happening. And not until I found myself surrounded by the atmosphere of the characters and places was it that I knew that I was lost in the tale that H.S. Bhabra was telling. A tale told with the virtuosity of an extremely gifted writer.
Like the other reviewer I too stayed up till deep in the night, experiencing a wide range of emotions and feelings that to this day impresses me deeply. Rarely has an author's words managed to evoke half that many emotions and feelings from me as H.S. Bhabra has.
I could, of course, talk about what befalls the characters. Tell about their fate, the places they visit, the relations they have, but I won't. I won't because I'd hate to ruin the surprise. All I will say is that to not read this novel will make you poorer by having missed out on what undoubtedly would have been one of the best reading experiences of your entire life. A big statement, yet I'm certain of its truth.
One last remark. For years I've searched for other books by H.S. Bhabra, to my surprise Amazon did not even have Gestures for sale (this made me anxiously guard my copy of Gestures as I feared losing it and never again being able to read it), and today was the first time when searching for books by Bhabra yielded results. To my surprise I found Gestures. :) It makes me very happy to see this story in print again (it was first published in Great Britain in 1986). Some stories are simply too great to ever be out of print.
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