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Rating:  Summary: funny as only the English can be Review: Don't expect a mindbending Agatha Christie novel when you pick up Fitzgerald's first novel -- it's much more of a British farce making fun of the stuffy art critic world, the English in general (the main character has to deal with his wife Haggie who finds him uninspiring and boring) and anything to do with pretension. The whole premise of the novel is funny: people are queueing for days in the cold for this incredible exhibition of the so called Golden Child, but it turns out to be a fake. At one point, the main character is strangled by the "golden thread" that is supposedly a key part of the exhibit. There is a superb scene when the main character actually is trying to kill time to avoid his wife and decides to stand on line to see the exhibit for himself. He develops a feeling of solidarity with the people in line who share war stories about their wait to see the statue for the brief 20 seconds they are allotted. Fitzgerald captures perfectly this "fan mania" that anyone who has ever lined up for an event will enjoy reading. He chickens out right before actually seeing the exhibit and never makes it. The mystery part of the book is not that great, but the hilarious characters and dry satire make it an enjoyable read.
Rating:  Summary: funny as only the English can be Review: Don't expect a mindbending Agatha Christie novel when you pick up Fitzgerald's first novel -- it's much more of a British farce making fun of the stuffy art critic world, the English in general (the main character has to deal with his wife Haggie who finds him uninspiring and boring) and anything to do with pretension. The whole premise of the novel is funny: people are queueing for days in the cold for this incredible exhibition of the so called Golden Child, but it turns out to be a fake. At one point, the main character is strangled by the "golden thread" that is supposedly a key part of the exhibit. There is a superb scene when the main character actually is trying to kill time to avoid his wife and decides to stand on line to see the exhibit for himself. He develops a feeling of solidarity with the people in line who share war stories about their wait to see the statue for the brief 20 seconds they are allotted. Fitzgerald captures perfectly this "fan mania" that anyone who has ever lined up for an event will enjoy reading. He chickens out right before actually seeing the exhibit and never makes it. The mystery part of the book is not that great, but the hilarious characters and dry satire make it an enjoyable read.
Rating:  Summary: An entertainment with profound sympathy for eccentric cast Review: Fitzgerald's great strengths were already visible in this, her first novel: a wide range of deftly sketeched characters and an ability to make a particular institutional milieu comprehensible. Here it is the British Museum.
The attempted "thriller" part is entertaining, and involves a hilarious visit to the Soviet Union for the novel's hero. The murder mystery is, perhaps, the least interesting of the mysteries in the book, and Fitzgerald was wise to abandon trying to be a genre novelist. Better to show the clashings of incompatible ways of being and doing. But the generic parts are fairly entertaining, and the compassion of the novelist for the butterflies she pins to the page is palpable already in her first novel.
Rating:  Summary: I¿m sorry she waited until 69 Review: This lady was truly an amazing writer. She started her career at the age of 69, and happily produced a good-sized body of work. "The Golden Child" is the third work of hers that I have read. It's a wonderful book, as I have yet to read anything other from her pen, but it is as different from the other two, as they are from each other."The Bookshop" was quite serious, "The Blue Flower" a wonderful historic piece during the period of Goethe's Germany, and now this work which demonstrates her unconstrained wit. She still includes subtle bits of humor, but much is laugh out loud funny. Granted some is a bit dark, but as another reviewer mentioned, it is very "English" as in, "oh...that, well yes, bullet wound you see, no bother, terribly sorry about the carpet". That line is not specifically in the book, but I hope it gives an idea of the fun within "The Golden Child". The story is populated with great characters; including two of the best curmudgeons I have enjoyed reading. At one point she goes well onto a limb with a performance by one of the Museum's top executives, who is called upon to "lecture" about that which he knows little of. The performance approaches Monty Python humor. A third book, and a third great read. I look forward to seeing how many other genres she must have handled so well.
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