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Big Woods : The Hunting Stories

Big Woods : The Hunting Stories

List Price: $12.00
Your Price: $9.00
Product Info Reviews

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Rating: 5 stars
Summary: Excellent stories hang together as a novel.
Review: I'm re-reading this book and really enjoying the stories (read it as tales in a novel). The book really puts different views to various people's ways of looking at the same stories and family histories. Read this and know why Faulkner is considered one of the best American novelists of all time. His people ring true, and two stories, "The Old People" and "The Bear", are just fantastic.

Rating: 5 stars
Summary: The Bear Complete
Review: I've occasionally used this collection as required reading for troubled and directionless young adult males. "The Race at Dawn" provides an excellent starting place for a discussion for the need to complete their education. The review from 1999 by "A READER" comments about "The Bear" being incomplete; all five sections are printed in the version collected in "Go Down Moses."

Rating: 3 stars
Summary: Great stories, if incomplete
Review: Of course the short stories here are excellent, but it is terrible that the origional Part Four of The Bear has been removed. Anyone who enjoys The Bear owes it to themselves to find a complete copy (it will have five parts) because Part Four is arguably the most important and meaningful portion of the entire story!

Rating: 4 stars
Summary: his most accessible
Review: The essence of political conservatism is the yearning for the best of the culture and moral clime of the past--the sense that something of value to our souls has been lost in the headlong rush of human social progress. Political liberalism, on the other hand, assumes that bureaucrats and technocrats can improve upon centuries old social structures, cultural inheritances and moral codes. But there is one area where the roles of the two are reversed and that is when it comes to the environment. The American Left has a long standing love affair with nature; from Jefferson to Thoureau, Teddy Roosevelt to Al Gore, there is a pastoral strain to liberal politics, a kind of religious belief in an Edenic past and a nearly Biblical sense that man's attempts to control nature have a corrupting influence.

This sentiment has perhaps never been treated more beautifully in our Literature than in Faulkner's great short novel, The Bear. The story of a succession of hunting seasons is basically a warning from Faulkner that as we destroy the wilderness we threaten the traditions and values of our society. Nature is symbolized by the cagey ancient ursine, Old Ben. Most of the tale is told by Ike McCaslin, who is 10 years old as it begins. Initially he flounders through the woods, but as he surrenders himself to the primordial forces of Nature, he is able to sense the bear's presence. Another year, when he sets aside his gun and compass and other accouterments of civilization, he is finally able to see the bear. Gradually he earns his way into the aristocracy of the wild, until, together with Sam Fathers (part black, part Indian, he represents a kind of noble savage) and Boon Hogganbeck (a sort of elemental force of nature) and a suicidally fearless dog named Lion, he hunts down Old Ben after the bear violates the unwritten code of the woods by attacking a horse. But even as Old Ben succumbs, he will take some of them with him and his parting signals the end of a way of life.

Despite some too obscure interior monologue passages, this is Faulkner's most accessible work. It is the only Faulkner I've ever actually reread and it is so rife with symbolism and ulterior meanings, that you can always find something new in it. And, for whatever reason, it is further evidence that sports writing brings out the best in almost every author (see also "Hub Fans Bid Kid Adieu" by John Updike), in fact, it is often anthologized in Greatest Sports Story collections. Regardless of where you find it, or which version you read, it is well worth a shot.

GRADE: B+

Rating: 4 stars
Summary: his most accessible
Review: The essence of political conservatism is the yearning for the best of the culture and moral clime of the past--the sense that something of value to our souls has been lost in the headlong rush of human social progress. Political liberalism, on the other hand, assumes that bureaucrats and technocrats can improve upon centuries old social structures, cultural inheritances and moral codes. But there is one area where the roles of the two are reversed and that is when it comes to the environment. The American Left has a long standing love affair with nature; from Jefferson to Thoureau, Teddy Roosevelt to Al Gore, there is a pastoral strain to liberal politics, a kind of religious belief in an Edenic past and a nearly Biblical sense that man's attempts to control nature have a corrupting influence.

This sentiment has perhaps never been treated more beautifully in our Literature than in Faulkner's great short novel, The Bear. The story of a succession of hunting seasons is basically a warning from Faulkner that as we destroy the wilderness we threaten the traditions and values of our society. Nature is symbolized by the cagey ancient ursine, Old Ben. Most of the tale is told by Ike McCaslin, who is 10 years old as it begins. Initially he flounders through the woods, but as he surrenders himself to the primordial forces of Nature, he is able to sense the bear's presence. Another year, when he sets aside his gun and compass and other accouterments of civilization, he is finally able to see the bear. Gradually he earns his way into the aristocracy of the wild, until, together with Sam Fathers (part black, part Indian, he represents a kind of noble savage) and Boon Hogganbeck (a sort of elemental force of nature) and a suicidally fearless dog named Lion, he hunts down Old Ben after the bear violates the unwritten code of the woods by attacking a horse. But even as Old Ben succumbs, he will take some of them with him and his parting signals the end of a way of life.

Despite some too obscure interior monologue passages, this is Faulkner's most accessible work. It is the only Faulkner I've ever actually reread and it is so rife with symbolism and ulterior meanings, that you can always find something new in it. And, for whatever reason, it is further evidence that sports writing brings out the best in almost every author (see also "Hub Fans Bid Kid Adieu" by John Updike), in fact, it is often anthologized in Greatest Sports Story collections. Regardless of where you find it, or which version you read, it is well worth a shot.

GRADE: B+


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