<< 1 >>
Rating: 
Summary: Fantastic!
Review: 2001 Pulitzer Prize Winner for Poetry Stephen Dunn, a Richard Stockton College of New Jersey Distinguished Professor of Creative Writing has won the 2001 Pulitzer Prize for Poetry for his Different Hours collection of poems.
Rating:
Summary: a well-deserved Pulitzer
Review: As a Jerseyite, I know quite well that there are a lot of poets in this state, but Stephen Dunn is easily the best. Hopefully, the country will know that he is one of the best poets in the country with this book, because it well deserved the Pulitzer Prize. This is poetry you can read to your girlfriend and not feel sappy about it.
Rating:
Summary: a well-deserved Pulitzer
Review: As a Jerseyite, I know quite well that there are a lot of poets in this state, but Stephen Dunn is easily the best. Hopefully, the country will know that he is one of the best poets in the country with this book, because it well deserved the Pulitzer Prize. This is poetry you can read to your girlfriend and not feel sappy about it.
Rating: 
Summary: Excellent
Review: Dunn's Different Hours is quite an accomplishment. Dunn focuses on the ordinary and on human relationships and uses wry humor, omission, nostalgia, and expertly controlled language to limn the ordinary into song, whether classical or from a jutebox. These subjects, in other hands, may fall flat, for Dunn does not elevate his experience into the sublime, or into the intellectual like C.K. Williams' Pulitzer-winner "Repair." Different Hours---a unique and mature book.
Rating:
Summary: The Book That is Also a Friend
Review: Few poets achieve such a plainspoken poignancy as Mr. Dunn. I think of Cavafy, C.K. Williams, Philip Larkin, Horace -- masters of the craft gifted with the knack for discovering scraps of truth within the simplest words. "You might as well be a clown/big silly clothes, no evidence of desire," Dunn suggests in the book's opening poem. This is the language that gets you clawing through the pages to get to the lines that know you, that approve of some private cowardice or failure you wouldn't dare confess even to the closest friend.
But there is a kind of trust Dunn builds with the reader here, a wisdom so simple yet complicated enough that you could not quite have put your finger on it as quickly or accurately as he. I mean how his poems know that "as we fall in love/we are already falling out of it." How they resist self-pity in the face of fate: "Because in my family the heart goes first/and hardly anybody makes it out of his fifties/I think I'll stay up late with a few bandits of my choice and resist good advice." It is the sort of statement that gets me flying out of my chair pumping my fist as though I'm cherring on the home team at a high school football game. I am happy for the speaker of these poems the way I was happy for Hulk Hogan as a kid. Dave Smith writes that Dunn may not be correct, but he is never wrong. Mr. Smith, himself a phenomenal and overlooked American poet, is exactly right: Dunn's voice is unafraid, skeptical, warm, consoling, bitter, celebratory and -- most of all -- accurate.
Books like "Different Hours" become "tombstones on our lives" as James Merrill says of love. I know that is true of my own experience with it. I was in a Virgin Records, still reeling from an atrocious break-up whose pain refused to leave me. The book collection upstairs was as miserable as I was at the moment; shelves so poorly stacked that it seemed the store was about to do away with selling books altogether. But then a dark and vibrant cover caught my eye; a book by someone named Stephen Dunn whom I had not only never heard of but who also happened to have won the Pulitzer. In the terrible frame of mine I was in that afternoon, I needed nothing more than to listen to what these poems had to say:
Those Trotskys of relationships,
perpetual revolution their motto,
their impatient hearts
dangerous to all that's complacent,
I understand them perfectly
and also why someone they've left behind
might travel all the way to Mexico
with a pickaxe to put an end to things.
Coming across these poems for the first time, it felt as though they were spoken from somewhere inside of me, scratched into my skin; lines that were extended hands strong enough to pull me out of the dark. If angels are not physical presences, then they are actions. They are moments like these in which you hear your name called from a poorly stocked bookshelf in a record store and stumble upon the road that takes you to who you are. Though I am no longer a captive of the bitter junkyard that was my heart at that time, I have never stopped enjoying these poems. I read over "Different Hours" as well as Dunn's "Loosestrife" and "Selected Poems" to this day. Taken as a whole, Dunn's work is one of the most reliable and compassionate friends I have ever had.
Rating:
Summary: An Elegant and Provocative Book
Review: For a couple of decades Stephen Dunn's poems have been a source of insight and solace best described by the title of one of his books, "Local Time." His focus is often the complex and absorbing relationships between lovers, family members, friends, opponents - how art/nature are both incidental and intrinsic to the lives we lead. This book is a masterful rendering of time - imagined and compelling in each gesture. To read "Different Hours" as philosophy is to miss the artful storytelling. And yet it is not without a subtle nod to philosophy with its tough-minded admissions, its gentle refusals. Like the great Stanley Kunitz, Dunn's music is pianissimo, say along the lines of an astringent Schumann opus - a pared-down Scriabin etude. Read the book for its many rewards. It is simply exquisite.
Rating:
Summary: pretty good collection
Review: Stephen Dunn won the Pulitzer in 2001 for his collection of poetry, Different Hours. And unlike other Pulitzer winners (Carl Dennis' Practical Gods for example), this one might actually deserve the award. It is a pretty good collection. The poems are lyrical and interesting. Dunn isn't obsure. He doesn't ramble. It's a solid collection, with several really good poems ("Evanescence", "The Death of God", "Optimism", "John & Mary", "returning from an Artist's Studio", and "Story").
Rating:
Summary: Great
Review: What a wonderfull book. I read this book twice and will read it again.His poetry settles in like a old friend. Read anything by Dunn that you can find.
<< 1 >>
| 
