The Divine Comedy

Rating:
Summary: The need for Quality Assurance ???
Review: Dante stands alongside Shakespeare, Milton, & T.S Eliot et al. as one of the most profound minds and thinkers of our shared culture and history. Whilst the recording does not capture the tone and poetic sensibilities of Dante, It is tragic to say the least that anyone can publish a review - in particular those who can not even read (See Annie Feng's review). I think there is a need for some form of Quality Assurance to ensure that those who can appreciate art (regardless of their religious or philosophical stance) can read reviews that are of a genuine critical nature that understand something of the historical and literary context of a particular work rather than just bigoted condemnations !!! A good way of doing this would be to note the number of people who find a particular review helpful -

It is important to note that 0 out of 3 found Annie Fengs review of help !!! (good to see Annie gave the Angel DVD series 5 stars - i think this speaks for itself).

Could Annie and people like her please stick to the Angel series or at least learn to read - are u really over 13 years of age Annie ???

Rating:
Summary: Hell's greatest architect
Review: Dante's "The Divine Comedy" is an allegory of the range of human potential from the depths of sin to the heights of grace, and the journey a man must take -- that is, the way he should live his life -- to make himself worthy of the ultimate rewards of Heaven. In a way, it contains the prototypical visions of the afterlife, images of heavenly and hellish realms that would remain definitive and powerful to centuries of readers. Structurally, it is a poem divided into three parts: Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Heaven). The protagonist, Dante himself, must travel through these three realms in order to reach God, the ultimate beatitude.

The poem begins with Dante lost in the woods, like a man who lacks spiritual guidance or is uncertain how to live his life. He is approached by the Roman poet Virgil, who offers to lead him out of the wilderness. They have to travel down through the depths of Hell and face Satan himself (Inferno) before they can escape to the outside world and scale the mountain of Purgatory (Purgatorio), at the top of which is situated the Garden of Eden, where Beatrice, Dante's earthly love, will guide him up through the celestial spheres towards Heaven (Paradiso).

Dante's great inspiration is his concept of the physical and spiritual aspects of these realms. Hell is composed of nine circles arranged in an inverted cone, each circle representing a mortal sin such as violence, theft, treason, witchcraft, blasphemy, suicide, heresy, etc., in which souls who committed these sins in their lifetimes are punished. Even the topmost circle is a sort of Limbo reserved for pre-Christians like Virgil himself, pagans and the unbaptized. Having envisioned this infernal masterpiece, Dante could be considered Hell's greatest architect.

The mountain of Purgatory consists of seven terraces, each representing some corrigible sin like envy, pride, anger, etc., on which souls who committed these sins in their lifetimes do penance. The Garden of Eden represents living man's ideal state of existence, that of perfect wisdom and nearness to God. Admission to the Garden of Eden must be earned by doing penance for earthly sins, hence Purgatory. In the Paradiso, the celestial spheres, each representing a virtue (ambition, love, prudence, fortitude, etc.), consist of the moon, the inner and outer planets, the sun (based on the Ptolemaic model of the solar system), and finally Heaven, wherein dwell God and all angels.

The poem could be considered a morality tale or a series of object lessons, but it's a little more purely narrative than that, given its creative illustration of the hierarchy of souls and its effortless synergy of classical Greco-Roman mythology and Christian theology. It is an essential Medieval literary landmark, and it is difficult to imagine how European literature would have evolved without it.

Rating:
Summary: A True Classic
Review: Dante, with the Divine Comedy, has produced a work that has endured for centuries and influenced many of the greatest Renaissance thinkers. This is quite a testament to his abilities. The Divine Comedy is divided into three basic sections: Hell, Purgatory, and Paradise. Dante begins his travels in hell. Guided by the Latin poet Virgil, he sees kings, monks, popes, and an assortment of other people, all of whom are tormented in ways fitting the level and type of their sins. After leaving hell, he continues to the mountain of Purgatory. Here he encounters those souls who must be purged of their sinfulness in order to reach heaven. Finally, he enters into Paradise, where the lovely Beatrice now guides him. He travels through the seven planetary heavens (an interesting note on the science of Dante's time) where he dialogues with the Saints, beholds the radiance and glory of the Triune God and is told the mysteries of Heaven. Dante presents his poem with vividness and great detail allowing the reader to comprehend the horrors of Hell and the otherworldly beauty of Paradise.

I particularly enjoyed reading about the many colorful people he encounters on his journey. It is interesting to see the people he puts in hell, purgatory, and paradise and to hear their stories. Many are famous historical figures. His comedy has many examples of allegory, prophecy and even theology. He tackles issues such as the Atonement, divine justice, and free will. The story includes many references to both classical pagan stories (e.g. Greek mythology) and Christian writings (e.g. Thomas Aquinas). The only downside (in my opinion anyway) is that Dante devotes too much time to philosophical discussions relating to Aristotle, who was popular with nearly every prominent medieval thinker. These discussions slow the pace of the poem at times.

This particular edition contains all three parts of the comedy and is unabridged. The low price is a plus too. It is in prose, although the language is pretty stilted. It uses "thees" an "thous," for example. This is not necessarily bad because it makes the story quite dignified, but some of the sentences can be very difficult to understand. Here is an example: "Thy kindliness not only succoreth whoso requesteth, but doth oftentimes freely forerun request." Fortunately, there are long introductions that summarize each chapter (canto) and numerous endnotes, which explain in detail the people, places, things, and ideas of Dante's work. Overall, I highly recommend the Divine Comedy to every reader, especially for those interested in medieval literature. Still, you may want to find another edition.

Rating:
Summary: The Greatest Literature I've Ever Read
Review: I am not a literary expert, nor am I well read in all of the great literature of the past, but I have read enough to say this is the best piece of literature I've read.

First, the Divine Comedy Itself. I first read the Inferno as an Undergrad in general ed. I just loved this story as challenging as it was to read. Curiosity got to me, and I bought this edition (the same as I had read for the Inferno). The book got much more challenging to read as it progresses, perhaps because the imagery is much more abstract, but it also gets more fantastic all the way through. The Paradiso definitely fits its purpose as a climax. The whole of The Divine Comedy is a good story of the spiritual journey of one man through "the afterlife" so to speak. I love the interaction the book takes of Dante's interaction with history and religion, biblical and mythical. It is an interesting perspective that shows the genious of Dante the author.

As for this particular edition. I could not tell you it is the best as I have never read others. I've heard this is one of the few that has tried to make the translation stay true to the original Latin poetic form Dante used. I also think it is wonderful, and from my point essential, that this edition comes with extensive notes that help explain in layman's terms what is going on in the story Canto by Canto as well as line by line explanations of the different references made to historical people, places, and events as well as literary references.

In sum, all I can say is that "The Divine Comedy" is worth a read especially if you are up to the challenge. I am not a literary expert; I work in engineering, but I find this the most fascinating literature I've ever read. Most of all, it is inpirational, the quest of one man to find his true love, facing Hell and more...

Rating:
Summary: Leave all hope, ye that enter
Review: I was interested in Dante's thoughts on hell, religion, and the afterlife as taught by the Catholic church at the time of its writing. What I got was a detailed political history of Medieval Italy. This book is great for the first few chapters, but then it becomes a repetitive saga. Synopsis of the each chapter of the Inferno: Go to next layer of hell; describe in 20 words or less the torture found there; make fun of some political opponents, Catholic church officials, and so forth; prepare for further descent. In my opinion, this book resides somewhere between the 21st and 22nd layers of hell. Canto three pretty much has it right.... 'Leave all hope, ye that enter'

Rating:
Summary: A Musical Translation
Review: I was introduced to Ciardi's translation of "The Divine Comedy" in an anthology of continental literature I read in college. At that time, after experiencing fragments of Fagles' horrible "verse" translation of Homer's works, I had low expectations for the translations in that anthology.

However, the instant I started reading John Ciardi's verse translation of "The Inferno", my hardened heart once again began to beat with the vibrancy it had when I read poems of Wordsworth or Browning.

John Ciardi, with a poetic talent that seems to be unmatched -- except for what I've read of W.S. Merwin's "Paradiso XXXIII," -- creates a poetic flow that feels, tastes, and even smells Italian. A poetic flow that delightfully contrasts Fagles', whose poetic flow is limited by popular styles and even phrases of the 20th century.

Instead of trying to lift Dante to the 20th century, Ciardi gracefully carries us to the early 14th century.

Instead of assuming that Dante is arcane, old fashioned, and in need of John's own poetic help, he believes that the original Italian is fresh, exciting, and poetically graceful.

The translation of Dante would have been diluted if Ciardi were to try and bring the 14th century to us through the modernization of the language, symbolism, and even the geography of Dante's world. (Fagles even geographically modified his "Odyssey" at one point to rename a Greek river the Nile because readers may get `confused'.)

I'm glad that Ciardi tries to bring us back in time when the universe was cosmically full of life, where even the stars were more than the mere byproducts of abstract forces, chance, that can only be systematically analyzed and dissected.

The medieval worldview is far richer than the purely logical and scientific mindset that's now common. By bringing Dante to us unfiltered by that mindset, Ciardi helps move us towards the bright and vibrant medieval world.

I strongly recommend John Ciardi's poetic translation of "The Divine Comedy."

Rating:
Summary: A review of this edition, not the masterpiece
Review: I won't bother to review Dante's "Divine Comedy". The fact that it has withstood the test of time, and its depicitions of heaven and hell have become ingrained into our mythology, reveal far more than anything I could say.

This translation, however, was simply too difficult to read. It was too full of "thees" and "thous", and quite frankly did not flow at all. Reading it was a real struggle for me. The annotation and Canto introductions, however, were very helpful, and gave me a better picture of what Dante was saying than the actual text itself. The book also has the advantage of being compact (all three parts in one average-sized book), and reasonably priced.

However, I would recommend searching for a translation written in a more modern style, so that Dante's message isn't obscured in a linguistic haze. What he said was too important to be lost in a struggle with the langauge.

Rating:
Summary: Very nice translation
Review: The book is a bit bulky as a paperback, with a third of the bulk being footnotes and extraneous writings. Why not go ahead and include etchings, too? I don't need that. I already have the books in separate with all the historical info I need, and if I hadn't, I have the library within a few minutes drive. I was looking for a compact version of the trilogy to carry around (I don't know why) or keep beside my bed. Anyway, the translation compared to others I've leafed through is superb. No nonsense and very straight-forward, but at the same time betraying a certain depth. You can choose to read between the lines or not. The translation warrants a 5-star rating, but the book's fuction as a paperback brings that rating down.

Rating:
Summary: one word- SICK
Review: this book is the reason that books like Da vinci's code and Mists of Avalon exists. this book offends non-christian people because it's message is only this: If you are not a Christian, no matter how great a person you are or of what reason you are not a Christian, YOU GO TO HELL!
not to mention how incredibly self-centered Dante is. And he calls himself " the Humble servant of God???" Dante is nothing but prejudice. He thinks that he and all the people he like will go to heaven, everybody else will go to Hell. Like he's guide is Virgil- VIRGIL the guy who wrote the Aeneid???? He's anything but Christian but Dante juss goes like: " because I like him I'll make an exception" And also the part where he scorns one the damned like a dog ( I forgot what his name was). I thought that he was a really bad person but when I read the reading guide I found out that he was just a political enemy of Dante!!!! Dante doesn't even give everybody a fair judgement but wholly based on his like or dislike of the person.
so okay, I'll just read this book as an Adventure book and forget about all the religious issues and forgive Dante since it does take place 700 years ago. but Dante should really use his gifted imagination on something else ( I mean, how could ANYBODY thought of details that are sooo SICK???) I'll give him credit for such imagination of Hell. But when I got to the end where Satan appears. I was getting excited to see what will Satan do to him. But guess what???- NOTHING- What a big disappointment!!! all of his journey little characters like Medussa ( who shouldn't exist if Dante doesn't believe in the Greek religion) block his way and gives him trouble, but when you get to the King of Hell, NOTHING!!! the King of Hell just stands there and suffers and does ABSOLUTELY NOTHING! Dante just passes Satan and looks apon him like he's visiting a museum! What a terrible ending! You can't even read this book for a sick entertainment!

Rating:
Summary: One of the Finest Translations of the Divine Comedy
Review: This is one of the best and most approachable translations of the Divine Comedy available. It is easily read by those of most any educational background and can be understood in many different levels.

If you are looking for a reliable,and accurate translation of "The Divine Comedy" , this volume would serve you well.

The notes and explanations are a great plus as well.