The Princess and the Goblin (Books of Wonder)

Rating:
Summary: a sense of the Holy
Review: C.S. Lewis has written of encountering a sense of the holy while reading the works of George MacDonald. I agree with Lewis' assessment when it comes to "The Princess and the Goblin." Anyone who reads this book with profit by having done so.

First, and perhaps most importantly "The Princess and the Goblin" is a delightful story. There is a lot of the "just plain fun reading" stuff going on in this story. There is also a lot more.

MacDonald has buried a lot of treasures within the cave walls of his story. If the reader looks carefully as they follow the fates of Irene and Curdie, they will find these jewels just sitting there shining in the darkness, ready to be mined. There are nuggets of wisdom to be gained here in the dialogue, the narration, and in the overall arch of the story.

More than this, MacDonald's story features the best of what was Romantic literature and blends it with the greatest characteristics of fairy tales--then he turns convention on its head. Some examples:

-Whereas in fairy tales wisdom is associated with the old and knowledgeable, wisdom is here associated with innocence.

-While in traditional tales, it is the hero who saves the princess, here the princess must rescue the hero.

-Fans of modern fantasy may be used to Providential Guidance being related to male literary figures such as Tolkien's Gandalf, Lewis' Aslan. Here the figure is Feminine--the Grandmother.

In the process of playing off of and twisting traditional Romantic literature and fairy tales MacDonald manages to transcend both genres and create a truly original work of wonder.

I recommend the "Princess and the Goblin" most highly. Get it today. Just be careful that you don't pick up an abridgment--they tend to rip out the heart of the tale in an attempt to make the text more modern (neutered).

Rating:
Summary: Reading level is wrong
Review: Dang, but this is good! I can see why Lewis and Tolkien, the acknowledged kings of fantasy, loved it. Written long before the Hobbit, I'd say that this might be the first kid's fantasy book still published today.

Young Princess Irene is kept in ignorance of the ghastly goblins that live under the mountains--neither she nor any of the castle staff are allowed out after dark. But when she and her nurse Lootie accidently stay out too late, a hideous creature chases them and nearly catches them. Because of that, Irene meets the young miner boy, Curdie, who knows the weaknesses of the goblins.

After her narrow escape, Irene is drawn up into abandoned parts of the castle to where her great-great-grandmother lives, surviving on pigeon's eggs--also a wonderful character, somewhere between a guardian angel and a grandmother. Her shifting forms, subtle magic and enigmatic speech are mesmerizing. The enchanted bath scene is worth the book alone!

Irene and Curdie are human yet excellent role models for kids. Irene appears to be only seven or eight, but tries to carry herself as a princess at all times, with bravery and dignity (she doesn't always succeed, but it's never shown as being a GOOD thing). Curdie is also brave and dignified, a prince in the spirit with humble roots.

And the goblins? Well, I got nightmares when I was little from some of the descriptions, but if you can read, say, Harry Potter (not as good) without freaking then you should have no trouble.

This is probably the earliest fantasy, and one of the best.

Rating:
Summary: Classic 19th century children's novel
Review: George MacDonald's The Princess and the Goblin is a classic childrens tale of the 19th century, and one of the earliest and most influential. The story concerns a young princess (around 8 years when the story begins), and the devious plots of the goblins to kidnap her. To help her she has her new friend, the boy miner Curdie, and her beautiful and wise old grandmother.
Any lover of children literature should definitely give this a read.

Rating:
Summary: A Classic
Review: I cant believe I haven't read this untill now, its such a great book! A princess lives in a castle all her life, never knowing of the great dangers that go on in the mountain. One day(being about 7 years old) she finds a stairway in her house that she has never seen and it leads her to her great, great grandmother. After she meets her grandmother she is shown the dangers of the goblins and meets a boy named Curdie who mines in the mountain with his father. Throughout the book Curdie and the princess have many encounters with the goblins. This is a great book I highly recommend it for readers of all ages.

Rating:
Summary: Love Narnia? You�ll love this!
Review: So you love C.S. Lewis� Narnia Chronicles? There people who don�t are few and far between. One of the biggest influences on C.S. Lewis was this man, George MacDonald (1824-1905). It was MacDonald�s talent for telling fairy stories that inspired Lewis in writing his own. Like Lewis, MacDonald has a remarkable ability to tell a delightful and enchanting story for children, layered with strong Christian themes and imagery by means of allegory and symbols. �The Princess and the Goblin� is one of his most beloved works for children, and an excellent introduction to his style and success.

�The Princess and the Goblin� features a heroine � a princess called Irene � and a hero � a simple miner�s son called Curdie. While working overtime in the mines to earn money to buy his mother a red petty-coat, Curdie chances upon the goblins who live in the mountain, and discovers that they are hatching an evil plot against the king and his palace. Meanwhile the princess makes a discovery of her own � high in the castle she finds a wonderful old lady who is her great-great-grandmother. The problem is, nobody else knows of her grandmother, and nobody believes her. But the princess does believe, and it is by her faith in her grandmother and the magic thread that she receives from her, that she is able to rescue Curdie. Together they rescue the entire palace from disaster at the hands of the goblins.

In telling the story, MacDonald has an enchanting conversational style, wonderfully suitable for reading aloud to enraptured children � an ability perfecting in telling stories to his own eleven children. But �The Princess and the Goblin� is more than just a story. Before pursuing a literary career, MacDonald was a Congregationalist minister, and so integrates important underlying Christian themes. Believing in the great-great-grandmother despite the fact that many cannot see her, is a symbol of believing in God. MacDonald uses this to show how the Christian faith involves believing without seeing, and that not everyone has to �see� something for it to be true. The grandmother�s lamp and magic thread are the guides on which the princess must depend, much like the Word which is a lamp on our path. It may sound tacky, but it works.

Children are not likely to grasp the deeper underlying themes that MacDonald is working with. Nonetheless the story has a clear message for children. The clear conflict between the royal powers of light against the goblin powers of darkness is unmistakable. Moreover, the princess is presented as a model of virtue, and MacDonald frequently asserts the importance of moral virtues such as always telling the truth, keeping your word, and admitting your faults � moral virtues that are equally important for princes and princesses of God�s kingdom. Courage, honesty, grace, dignity and beauty are timeless ideals for children of all times to strive for. If you love Narnia, you�re sure to like this one, and you�ll find yourself quickly grabbing the sequel, �The Princess and Curdie.� �The Princess and the Goblin� was one of J.R.R. Tolkien�s childhood favorites, highly regarded by C.S. Lewis, described by W.H. Auden as �the only English children�s book in the same class as the Alice books�, and generally considered as a classic example of nineteenth century children�s literary fairy tales. So if you haven�t yet read this book, it�s about time you did. With admirers such as Tolkien, Lewis and Auden, if you become a MacDonald�s admirer you�ll find yourself in good company!

Rating:
Summary: A Fantasy Classic
Review: This story is a classic of its kind and was influential in the ongoing development of contemporary fantasy. It combined several pre-existing story elements into a tale with adventure, monsters, morals, and a touch of faery. It is probably no accident that this story is so similiar in tone to Tolkien's fantasies.

While I am considerably older than the targeted age group, I found the story to be exciting with a touch of mysticism and mystery. And, yes, it does have a stong moral ending.

The princess was thoroughly in character. While overly mature for her age, she exemplifies the British ideal of nobility. And Curdie represented the best of the British working class. As the saying goes, they continually kept their heads while everyone else around them were losing theirs. Although such virtues have been downplayed and vilified in recent times, they are still strong survival skills.

MacDonald maintains a sense of suspense and mystery throughout the story, with a good mix of action and reflection. While the authorial comments might seem strange, they do ring true as part of a verbal presentation. Children will ask questions and will insist on clearing up the odd puzzlement.

I came upon this story by accident, but I enjoyed it enough to pass it on.

Rating:
Summary: A classic well worth seeking out
Review: This wonderful children's novel tells the story of eight year old Princess Irene. Cared for by her nurse Lootie, she lives in a mountain farmhouse while her father rules over the region from a mountain top castle. The local folk work as miners but are beset by the Goblins who inhabit the underground. Irene is saved from the Goblins by Curdie, a thirteen year old miner, and she in turn saves him. The whole thing is told in a pleasant conversational style and is filled with humor, word games, magic, derring-do, and pure wonderment.

George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.

The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.

GRADE: A

Rating:
Summary: A classic well worth seeking out
Review: This wonderful children's novel tells the story of eight year old Princess Irene. Cared for by her nurse Lootie, she lives in a mountain farmhouse while her father rules over the region from a mountain top castle. The local folk work as miners but are beset by the Goblins who inhabit the underground. Irene is saved from the Goblins by Curdie, a thirteen year old miner, and she in turn saves him. The whole thing is told in a pleasant conversational style and is filled with humor, word games, magic, derring-do, and pure wonderment.

George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.

The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.

GRADE: A