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Rating: 
Summary: a nice surprise
Review: I chose to read this series in chronological order and not the order in which they were written. This being the third to be written but last in order, I read this one last. I must say that I was surprised at how enjoyable a read it was seeing that the last two I read (The Pathfinder and The Pioneers) were pretty disappointing. This novel has excellent descriptions of the prairie setting and the characters involved without weighing the reader down with page upon page of needless descriptions or rhetoric. The story line was very well-conceived, plausable, and coherent; qualities which not many books can boast. Of course, this being the last book in the series, I was concerned about how the author would conclude the saga of Natty Bumpo. Not wanting to spoil anything, I must say that I was very impressed with the way Natty's character was handled. There is nothing worse than reading five or so books and having the author ruin them all by messing up the character at the end. No need to worry here. This novel pretty much has all the ingredients which make The Deerslayer and The Last of the Mohicans exceptional: indian warfare, revenge, some romance, the differences and similarities between Natty's and the American Indian's religious views and philosophy on life, and of course just some good ol' action. I would recommend reading this series in chronological order, but if you do have to skip one of them, The Pioneers can be that one and you would not really miss a beat.
Rating:
Summary: a nice surprise
Review: I chose to read this series in chronological order and not the order in which they were written. This being the third to be written but last in order, I read this one last. I must say that I was surprised at how enjoyable a read it was seeing that the last two I read (The Pathfinder and The Pioneers) were pretty disappointing. This novel has excellent descriptions of the prairie setting and the characters involved without weighing the reader down with page upon page of needless descriptions or rhetoric. The story line was very well-conceived, plausable, and coherent; qualities which not many books can boast. Of course, this being the last book in the series, I was concerned about how the author would conclude the saga of Natty Bumpo. Not wanting to spoil anything, I must say that I was very impressed with the way Natty's character was handled. There is nothing worse than reading five or so books and having the author ruin them all by messing up the character at the end. No need to worry here. This novel pretty much has all the ingredients which make The Deerslayer and The Last of the Mohicans exceptional: indian warfare, revenge, some romance, the differences and similarities between Natty's and the American Indian's religious views and philosophy on life, and of course just some good ol' action. I would recommend reading this series in chronological order, but if you do have to skip one of them, The Pioneers can be that one and you would not really miss a beat.
Rating: 
Summary: Anonymous Natty
Review: James Fenimore Cooper's 1827 novel "The Prairie" is an epic adventure featuring two major plots, twelve major characters, and a cast of thousands. Set in the Great Plains shortly after the Louisiana Purchase (the Lewis and Clark expedition is mentioned en passant), "The Prairie" sets two Indian tribes, the Sioux and the Pawnee, against each other as well as two disparate groups of white travelers. Even though Cooper had reservations regarding Sir Walter Scott that writer's influence on Cooper cannot be doubted. (One of the characters in "The Prairie" is named Le Balafré, as is a character in Scott's "Quentin Durward", published in 1823.) On the other hand, Cooper's style foreshadowed Charles Dickens in many passages, particularly the powerful depiction of frontier justice in Chapter Thirty-two. The central section of the novel, with its siege of Ishmael Bush's encampment and the portrait of Bush's Amazonian wife Esther, seems to have affected Hemingway's "For Whom the Bell Tolls". There are two young heroines, one swoony and the other spunky; but there are several heroes, including Duncan Uncas Middleton, a descendant of characters from "The Last of the Mohicans", and Hard Heart, a Pawnee partisan. (Partisan is an obscure synonym for chief which Cooper uses throughout the book.) Then there is Cooper's most famous character Natty Bumppo, who had already appeared in "The Pioneers" in 1823 and "The Last of the Mohicans" in 1826. He was to figure twice more in the 1840's as a young man, but "The Prairie" describes his final days as a graybeard. The odd thing is he's never named -- he's simply called the Trapper. Evidently his Deerslayer days are over, though he's referred to as "venable venator" by the novel's comic relief character Obed Batt (or Dr Battius, as he pedantically prefers). One assumes that Natty had become such a popular character readers were not confused by his anonymity. At any rate, he carries the complicated narrative, partly because he communicates with both the whites and the Indians in their native languages. The narrative's flow is smooth and rapid, and "The Prairie" is a page-turner for a lazy afternoon or a long flight.
Rating:
Summary: Anonymous Natty
Review: James Fenimore Cooper's 1827 novel "The Prairie" is an epic adventure featuring two major plots, twelve major characters, and a cast of thousands. Set in the Great Plains shortly after the Louisiana Purchase (the Lewis and Clark expedition is mentioned en passant), "The Prairie" sets two Indian tribes, the Sioux and the Pawnee, against each other as well as two disparate groups of white travelers. Even though Cooper had reservations regarding Sir Walter Scott that writer's influence on Cooper cannot be doubted. (One of the characters in "The Prairie" is named Le Balafré, as is a character in Scott's "Quentin Durward", published in 1823.) On the other hand, Cooper's style foreshadowed Charles Dickens in many passages, particularly the powerful depiction of frontier justice in Chapter Thirty-two. The central section of the novel, with its siege of Ishmael Bush's encampment and the portrait of Bush's Amazonian wife Esther, seems to have affected Hemingway's "For Whom the Bell Tolls". There are two young heroines, one swoony and the other spunky; but there are several heroes, including Duncan Uncas Middleton, a descendant of characters from "The Last of the Mohicans", and Hard Heart, a Pawnee partisan. (Partisan is an obscure synonym for chief which Cooper uses throughout the book.) Then there is Cooper's most famous character Natty Bumppo, who had already appeared in "The Pioneers" in 1823 and "The Last of the Mohicans" in 1826. He was to figure twice more in the 1840's as a young man, but "The Prairie" describes his final days as a graybeard. The odd thing is he's never named -- he's simply called the Trapper. Evidently his Deerslayer days are over, though he's referred to as "venable venator" by the novel's comic relief character Obed Batt (or Dr Battius, as he pedantically prefers). One assumes that Natty had become such a popular character readers were not confused by his anonymity. At any rate, he carries the complicated narrative, partly because he communicates with both the whites and the Indians in their native languages. The narrative's flow is smooth and rapid, and "The Prairie" is a page-turner for a lazy afternoon or a long flight.
Rating:
Summary: Book Three of the Leatherstocking: Natty called home.....
Review: Third in the Leatherstocking Tales series, The Prairie finds Nathaniel Bumppo beyond the Mississippi as the encroachment of civilization pushes him further and further afield. There are five books to the Leatherstocking Tales. Cooper did not write them in chronological order. Accordingly, The Prairie relates the close of Bumppo's career among the Pawnee and Sioux of the Great Plains. As with The Pioneers, The Prairie starts slow and takes time to develop. Additional concessions must be made for a least one plot twist that tickles the limits of plausibility. It should be remembered, however, that the age and the romantic style of writing then in vogue permitted latitude today's novelists are not afforded. Be that as it may, once past this questionable plot development, it matters little for the book is that grand.Sioux and Pawnee, contesting the plains, find Bumppo, a wagon train of shifty settlers, and a bee-hunting suitor caught between them. What follows is a historical novel which includes every ingredient required for a masterful yarn. Bumppo, in this case "the trapper", represents the ultimate antiestablishmentarian as he longs only for freedom and the space to enjoy it, despising the restrictions of polite society. It is a message that has not lost it's power. Indeed, James Fenimore Cooper, through the Leatherstocking Tales, exquisitely captures a period and place in a manner so evocative that the reader longs to range beside "the trapper" through thick and thin , through the length and breadth of the fledgling American frontier. Having read more than my share of historical fiction, The Leatherstocking Tales rate as one of the finest examples. The Prairie is no exception. Fare thee well, Natty Bumppo.
Rating:
Summary: Book Three of the Leatherstocking: Natty called home.....
Review: Third in the Leatherstocking Tales series, The Prairie finds Nathaniel Bumppo beyond the Mississippi as the encroachment of civilization pushes him further and further afield. There are five books to the Leatherstocking Tales. Cooper did not write them in chronological order. Accordingly, The Prairie relates the close of Bumppo's career among the Pawnee and Sioux of the Great Plains. As with The Pioneers, The Prairie starts slow and takes time to develop. Additional concessions must be made for a least one plot twist that tickles the limits of plausibility. It should be remembered, however, that the age and the romantic style of writing then in vogue permitted latitude today's novelists are not afforded. Be that as it may, once past this questionable plot development, it matters little for the book is that grand. Sioux and Pawnee, contesting the plains, find Bumppo, a wagon train of shifty settlers, and a bee-hunting suitor caught between them. What follows is a historical novel which includes every ingredient required for a masterful yarn. Bumppo, in this case "the trapper", represents the ultimate antiestablishmentarian as he longs only for freedom and the space to enjoy it, despising the restrictions of polite society. It is a message that has not lost it's power. Indeed, James Fenimore Cooper, through the Leatherstocking Tales, exquisitely captures a period and place in a manner so evocative that the reader longs to range beside "the trapper" through thick and thin , through the length and breadth of the fledgling American frontier. Having read more than my share of historical fiction, The Leatherstocking Tales rate as one of the finest examples. The Prairie is no exception. Fare thee well, Natty Bumppo.
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