Black No More : A Novel (Modern Library (Paperback))

Rating:
Summary: Excellent, Timely Satire
Review: A must read for any person interested in the satirical look at the United States without blacks. This book is a wonder piece of litrerature that chronicles the demise and fall of the country that prides itself as the only one that provides "freedom for all." Schuyler uses his characters to open the reader's mind to the "what if" question of his time. Taking away the racial problem, by turning blacks into whites, sovled the solution in the short term, but ended with the upheaval of all organizations that made this country what it is. Excellent book!

Rating:
Summary: i normally don't think much of conservatives..
Review: especially black ones, but this book hits the mark in race relations, about how blacks and whites really feel about each other and how much we need each other( whether we want to admit it or not !) this book was light years ahead of other black novels when it was first published and can hold its own against any black novel published today . a black man makes himself white in order to get the woman he loves...what a man will do for love !

Rating:
Summary: Life is a Con
Review: George Schuyler's (1895-1977) novel, Black No More, is a deliciously wicked satire on 1920s American racial mores. First published in 1931, it was initially reissued during the late 1980s as part of The Northeastern Library of Black Literature.

Like many satires, Black No More takes a common, controversial idea, gives it form in flesh and blood, and plays it out to its logical conclusion: "What if white America didn't have any more negroes to kick around?"

This idea is realized by "Dr. Junius Crookman" (most of the characters have similarly "subtle" names), who invents an operation for turning black folks white. In lightning speed, the nation becomes monochromatic, as its entire black population "disappears."

No lack of comic -- and dramatic -- complications ensue, when it becomes clear that the operation doesn't change the genetic program for the pigmentation of one's offspring.

George Schuyler worked from a few basic premises: Most of humanity is a damned sight closer to the Devil than to the angels; most men are con artists; and the few who truly believe in anything are even worse!

For Schuyler, W.E.B. DuBois' (1868-1963) "talented tenth" of bourgeois negro society was of no more help to the average black than were the leaders of the racist, white order. Indeed, Schuyler saw those who made a living railing against Jim Crow as having the strongest interest in its preservation: every lynching brought in more money from rich, white reformers.

Thinly veiled caricatures portray DuBois ("Dr. Shakespeare Agamemnon Beard") as a hypocrite, and Marcus Garvey (1887-1940; "Santop Licorice"), the founder of the "Back-to-Africa" movement, as a common swindler (for which Garvey was, in fact, convicted in 1920, and deported in 1924).

For Schuyler, black nationalist rhetoric was merely a smokescreen to obscure its practitioners' class contempt for their erstwhile constituents, whose pockets they were busy picking. (Has anything changed in the meantime?!)

Down deep, Schuyler says, we're all the same -- and God save us! Ultimately, he surmises, if there weren't a color line, men would have had to invent one! His metaphor for American race relations was that of an "insane asylum." (Already during the 1920s -- 60 years before Dinesh D'Souza -- Schuyler had written a pamphlet arguing that total miscegenation, eliminating all distinct races, was the sole cure for America's racial madness.)

Though many of Schuyler's characters are -- as per his genre -- stereotypes, the central pair of "Max Discher/Matthew Fisher" and "Bunny Brown" are as engaging a couple of rogues as any you're likely to be fleeced by, this side of Rudyard Kipling or Chester Himes, their banter generously peppered with the black vernacular of the day.

George Schuyler was a great lover of science fiction, especially the then stupendously popular novels of H.G. Wells. He is the only notable black American novelist to smoothly incorporate science fiction motifs into his work. (To Samuel R. Delany fans: I said "notable" and "smoothly.")

In addition to Schuyler's great story, there are two other reasons for reading Black No More.

First, as by far the most influential black newspaperman this nation has ever seen, George Schuyler bestrode the negro press, and thus, negro America, like a colossus.

From 1924-1966, Schuyler worked at black America's most influential newspaper, the Pittsburgh Courier. But George Schuyler didn't "write" for the Courier; he WAS the Courier. He wrote the weekly, unsigned house editorial; a weekly column, News and Views; wired in scoops and exposes from around America and the world so amazing as to catch the attention of the day's most respected, white newspapers, who also published his work; penned the pseudonymous, serialized pulp novels and short stories that were the Courier's most popular features; and engaged other prominent contemporaries to write for the Courier. It was Schuyler, for instance, who engaged pop historian J.A. Rogers to write the Courier's immensely popular feature on black history. The various strategies of silence and misrepresentation, which are today used (for instance, by alleged journalist Jill Nelson and by Henry Louis Gates Jr.) to erase or diminish Schuyler's legacy, belong to contemporary black studies and black journalism's many scandals.

The second reason for reading Black No More (together with the serialized novels published in book form as Black Empire) is for Schuyler's role as unwitting intellectual godfather of the Nation of Islam. The Nation stole its theory of the "myth of Yacub," which claims that the white man was created 6,000 years ago by an evil black scientist, from Schuyler's Black No More, except that the Nation, as was its wont, turned Schuyler's story on its head. (Schuyler, for his part, was reworking H.G. Wells' story, The Island of Dr. Moreau.)

So read Black No More, enjoy some belly laughs, and learn some history in the bargain.

Black No More has an overly informative foreword by James A. Miller, which is best read as an afterword (so as not to ruin your enjoyment of the book), to clarify historical questions.

Originally published in 1992 in A Different Drummer magazine.

Rating:
Summary: Wonderful and thought provoking
Review: In my search for quality books written by black writers, I stumbled upon BLACK NO MORE and I am so glad that I did. This is a relatively small book, but probably one of the most thought provoking books that I've ever read. It forces you to look at the power of racisim in all of its incarnations, whether it is being imposed on black people from white people or if it is imposed on blacks from their own people. I think that George Schuyler is one of the most unsung heroes of African American literature and all people (especially Black people) should find the time to read his work. I'm currently purchasing anything I can find that he has written.

Rating:
Summary: What it means to be black in America
Review: Schuyler may have been a conservative, but his novel is as forward-think today as it had been decades ago. His insightful, satirical, and at times, funny writing, made me think about the meaning of black nationalism and Martin Delaney's comment about blacks being "a nation within a nation". African-Americans have been a critical part of American history, and to suddenly eradicate them from them makes me wonder what America really is about. Everyone should read this book. It will remind them what it means to be, not just an African-American, but an American.