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Rating: 
Summary: Amazon.com's peculiarly missing critiques
Review: "During the last fifty years, Donald Richie has been our greatest guide to the East. An outsider turned insider-a beautiful and subtle writer with an eye for the wild life as well as an ear for the silences of Japan."
MICHAEL ONDAATJE"Donald Richie is the Lafcadio Hearn of our time, a subtle, stylish, and deceptively lucid medium between two cultures that confuse one another: the Japanese and the American."
TOM WOLFE "Richie is the only foreigner I know who can take [Japan] on its own terms, as few newcomers do, yet bring to it a freshness that almost every long-time resident has lost."
PICO IYER, THE TIMES HIGHER EDUCATION SUPPLEMENT "This wonderful book can be read as a work in progress of almost fifty years. No writer about Japan matches Richie's breadth of knowledge, depth and variety of experience, and his love of the people he writes about. The book of a lifetime, which will last."
......P>http://www.stonebridge.com/RICHIEREADER/richiereader.html
Rating:
Summary: the Dean of American writers in Japan
Review: Donald Richie is the Dean of American writers and observers in Japan. He casts a favorable but critical eye on this complex culture. This book captures the twist of his observations over time, first appreciating Japanese culture, but eventually wearying of it. Perhaps its a cycle seen by many longtime Gaijin. The writing covers a wide gamut of topics: Art, Film (Donald Richie is the pre-eminant Gai-jin critic of Japanese movies), Culture, Society, and even sex. It's truly a broad based reflection of a long time participant and observer in Japanese society. The writing is crisp, refreshing, and unabashedly biased. While many of the critiques are on serious subjects, this is not an academic work. Overall it's an iteresting book for those interested in Japan, but may not be appropriate for the general reader.
Rating:
Summary: the Dean of American writers in Japan
Review: Donald Richie is the Dean of American writers and observers in Japan. He casts a favorable but critical eye on this complex culture. This book captures the twist of his observations over time, first appreciating Japanese culture, but eventually wearying of it. Perhaps its a cycle seen by many longtime Gaijin. The writing covers a wide gamut of topics: Art, Film (Donald Richie is the pre-eminant Gai-jin critic of Japanese movies), Culture, Society, and even sex. It's truly a broad based reflection of a long time participant and observer in Japanese society. The writing is crisp, refreshing, and unabashedly biased. While many of the critiques are on serious subjects, this is not an academic work. Overall it's an iteresting book for those interested in Japan, but may not be appropriate for the general reader.
Rating: 
Summary: Chrysanthemum's are blooming again!
Review: Having lived in Japan for nearly twenty years, I can still
recall those early days when I first set foot upon these shores
and began a love-hate relationship with this island nation that
has persisted to this day. Richie's writings prior to l984 helped
to shape my initial perceptions of this often bewildering and
enigmatic culture where a smile and crafty deceit are almost one
and the same. Like a latter day Hearn, I was enchanted at first
by what was to prove a vanishing glimpse of an older Japan that
fell victim to the Bubble Economy. How swiftly values changed.
The thrift of the past, the frugality of earlier times gave way
to materialistic and ethical abandon in the greed and gilded
Bubble world (l986-93). I rate his book with only two stars
because the Japan that existed in the late 50's or early 60's
has all but disappeared. In its place is a darker, nihilistic
society that continues to dream of global economic power and
nationalistic supremacy as envisioned by such neo-fascist
leaders as Shintaro Ishihara. For those readers who have never
been to Japan, be very skeptical of books that portray Japan as
a peace loving and friendly nation that seeks to be a more
active member of the international community. Japan loves to
remain isolated and aloof, wishing merely to 'trade with the
world' but not wishing to involve itself in the sordid affairs
of inferior or dangerous nations (the USA is considered a
crime ridden society that is semi-barbaric and thrilling at
the same time). Richie and his generation of Chrysanthemum
lovers did little to prepare newcomers to ugly realities that
he turns a blind eye to or else glosses over. Read Alex Kerr's
'Lost Japan' to better understand what I mean. Those of us
who became jaded over the years mockingly refer to Lafcadio as
'Lafcadio Hearnia'! He, too, was culturally myopic and chose
to ignore the more disturbing events taking place in Japan in
the early Meiji era such as the rise of a very aggressive
military regime and the plight of a very large under-class that
remained shackled to feudalistic level serfdom. The foreign
residents in Japan today are still kept outside the society.
Both India and Japan are caste conscious societies with very
clearly defined ranks for all members. Richie may be a celebrated
writer in Japan but outside of the publishing world, he's just
another Gaijin, the foreign intruder.
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