Buffy the Vampire Slayer: Tales of the Slayer Vol. 1

Rating:
Summary: In every generation a Slayer is born: meet seven of them
Review: There have been hundreds of Slayers over thousands of years of human history and this first volume of "Tales of the Slayers" begins to reveal the past. We have seen Lucy Hanover in several of Nancy Holder's books, walking the Ghost Roads and doing what she can to help Buffy and the Scoobies in the here and now, but only "Spike & Dru: Pretty Maids All in a Row" by Christopher Golden and Holder's "The Book of the Fours" have dealt with past Slayer in any substantive way. Those were novels and these "Tales of the Slayer" are short stories, a distinction that as I constructed this review.

Like any collection of short stories these tales are a mixed lot and anybody who reads them will like some more than others and visa versa. I liked "Silent Screams" by Mel Odom, set in 1923 Germany, although it, ironically is the story least about a Slayer of the seven tales. At the other end I would put the first tale, "A Good Run" by Greg Rucka, set in 490 B.C.E. Greece, which tells of the Slayer Thessily Thessilonkikki at the Battle of Marathon. While I like the idea of a Slayer obsessed with doing something important and memorable to justify her brief existence, I would have like to have seen something more creative than a footnote to the Greek battle against the Persians, not to mention something dealing with the Greek conception of vampires. But the biggest problem seems to me to be the story is 18 pages long, hardly enough time to set up let alone deliver the payoff. In contrast, Odom's story proceeds at a crisp pace and while it makes an ironic contrast to what Hitler was doing in Munich in 1923 he comes up with an even better twist on the German Expressionistic film movement in general and the classic "Nosferatu" in particular. Yes, it will remind you of "Shadow of the Vampire," but it is making a different point.

I really liked the historical figure who turns out to be the Slayer in Christie Golden's "The White Doe" (and I appreciate the story even more having read the About the Authors section at the back of the book) and the encounter the Slayer and Elizabeth Bathory in Yvonne Navarro's "Die Blutgrafin." Nancy Holder deals with questions of class in "Unholy Madness" while Navarro's second tale deals with the issue of race," both of which touch on the idea that people might not be happy with who the Slayer is and where she comes from (Holder's story also offers the most chilling point in the book, bottom page 119). Doranna Durgin's "Mornglom Dreaming" also has an intriguing premise, a Slayer who does not know she has been called, which is the story I most would have liked to have seen as a novel instead of a short story. Conversely, Odom's tale is perfectly suited to this format. I suppose my compromise suggestion would have been fewer stories developed with more depth (i.e., novellas).

Still, these stories reflect what you would hope from such a mixed bag of tales: Slayers learning they have been called and their final battles, with only one tale comfortable with the idea of exploring the middle rather than the beginning or the end. Yes, there is high drama to be found in the birth and death of Slayers, but the mother lode is going to be in between and that is what needs to be mined in future volumes. However, both the second and third volumes of "Tales of the Slayer" hold to form. Let us keep our fingers crossed for Volume 4 later this year.

Rating:
Summary: In every generation a Slayer is born: meet seven of them
Review: There have been hundreds of Slayers over thousands of years of human history and this first volume of "Tales of the Slayers" begins to reveal the past. We have seen Lucy Hanover in several of Nancy Holder's books, walking the Ghost Roads and doing what she can to help Buffy and the Scoobies in the here and now, but only "Spike & Dru: Pretty Maids All in a Row" by Christopher Golden and Holder's "The Book of the Fours" have dealt with past Slayer in any substantive way. Those were novels and these "Tales of the Slayer" are short stories, a distinction that as I constructed this review.

Like any collection of short stories these tales are a mixed lot and anybody who reads them will like some more than others and visa versa. I liked "Silent Screams" by Mel Odom, set in 1923 Germany, although it, ironically is the story least about a Slayer of the seven tales. At the other end I would put the first tale, "A Good Run" by Greg Rucka, set in 490 B.C.E. Greece, which tells of the Slayer Thessily Thessilonkikki at the Battle of Marathon. While I like the idea of a Slayer obsessed with doing something important and memorable to justify her brief existence, I would have like to have seen something more creative than a footnote to the Greek battle against the Persians, not to mention something dealing with the Greek conception of vampires. But the biggest problem seems to me to be the story is 18 pages long, hardly enough time to set up let alone deliver the payoff. In contrast, Odom's story proceeds at a crisp pace and while it makes an ironic contrast to what Hitler was doing in Munich in 1923 he comes up with an even better twist on the German Expressionistic film movement in general and the classic "Nosferatu" in particular. Yes, it will remind you of "Shadow of the Vampire," but it is making a different point.

I really liked the historical figure who turns out to be the Slayer in Christie Golden's "The White Doe" (and I appreciate the story even more having read the About the Authors section at the back of the book) and the encounter the Slayer and Elizabeth Bathory in Yvonne Navarro's "Die Blutgrafin." Nancy Holder deals with questions of class in "Unholy Madness" while Navarro's second tale deals with the issue of race," both of which touch on the idea that people might not be happy with who the Slayer is and where she comes from (Holder's story also offers the most chilling point in the book, bottom page 119). Doranna Durgin's "Mornglom Dreaming" also has an intriguing premise, a Slayer who does not know she has been called, which is the story I most would have liked to have seen as a novel instead of a short story. Conversely, Odom's tale is perfectly suited to this format. I suppose my compromise suggestion would have been fewer stories developed with more depth (i.e., novellas).

Still, these stories reflect what you would hope from such a mixed bag of tales: Slayers learning they have been called and their final battles, with only one tale comfortable with the idea of exploring the middle rather than the beginning or the end. Yes, there is high drama to be found in the birth and death of Slayers, but the mother lode is going to be in between and that is what needs to be mined in future volumes. However, both the second and third volumes of "Tales of the Slayer" hold to form. Let us keep our fingers crossed for Volume 4 later this year.