The Year's Best Fantasy and Horror: Tenth Annual Collection

Rating:
Summary: Some were good, some were bad
Review: I would give "The Year's Best Fantasy and Horror Tenth Annual Collection" 3 stars because when I read this book some of the stories really got my attention but some stories were too dull and never seemed to get anywhere and I would go onto the story without finishing the one I was reading. Some personal favorites of mine were Tanith Lee's "The Reason for not Going to the Ball", "The Last Rainbow" by Parke Godwin and Stephen Dedman's "Never Seen by Waking Eyes" although I enjoyed many more. But I was dissapointed upon reading the story by Neil Gaiman because I usually find his stories creative and chilling. I always love Thomas Canty's artwork on all the books he illustrates and on this collection the artwork is one of my favorite he's made because it is both grotesque and beautiful. And I just want to say to the other folks that wrote in other reviews for this book who were writing how horrible it is that they should just take another look and see how much work goes into those antholigies with the writers and editors and artists and publishers and they should think about what they are saying and hope they will be more appreciative for other books like this in the future. Bravo, Terri Windling! Bravo Ellen Datlow, Bravo Thomas Canty! I look forward to more of your collaboration antholigies in the future.

Rating:
Summary: Some were good, some were bad
Review: I would give "The Year's Best Fantasy and Horror Tenth Annual Collection" 3 stars because when I read this book some of the stories really got my attention but some stories were too dull and never seemed to get anywhere and I would go onto the story without finishing the one I was reading. Some personal favorites of mine were Tanith Lee's "The Reason for not Going to the Ball", "The Last Rainbow" by Parke Godwin and Stephen Dedman's "Never Seen by Waking Eyes" although I enjoyed many more. But I was dissapointed upon reading the story by Neil Gaiman because I usually find his stories creative and chilling. I always love Thomas Canty's artwork on all the books he illustrates and on this collection the artwork is one of my favorite he's made because it is both grotesque and beautiful. And I just want to say to the other folks that wrote in other reviews for this book who were writing how horrible it is that they should just take another look and see how much work goes into those antholigies with the writers and editors and artists and publishers and they should think about what they are saying and hope they will be more appreciative for other books like this in the future. Bravo, Terri Windling! Bravo Ellen Datlow, Bravo Thomas Canty! I look forward to more of your collaboration antholigies in the future.

Rating:
Summary: Interesting, But Not Very Horrorific
Review: Interesting collection of writers, some famous and some unknowns, but all in all not a real page turner. Some stories I couldn't even finish I got so bored. Some were so good I got goose pimples. Go figure.

Rating:
Summary: Pretentious and Overblown
Review: Ohhhhh.....Where to begin? I'll start with co-editor Terri Windling. Her opening essay on the year in Fantasy was almost enough to make me hurl down the book in irritation. If she said "Magic Realism" one more time....I lost track at 37. Unbearable. Just unbearable. I have a pretty steadfast rule that, no matter how bad a book may be, I read EVERY SINGLE WORD. Every word. No matter what. I had to skim through Windling's essay, because it was either skim or put my fist through the wall. "Magic Realism. Magic Realism. Magic Realism." Ugh.

Ellen Datlow's essay is slightly more interesting, and the sections on Media and Comic Books were very well done. Now, on to the stories themselves.

I've read a few of the previous Year's Best volumes, and it always bothered me how the book slants towards Fantasy over Horror (Terri Winling is the Fantasy Editor, Ellen Datlow the Horror Editor), but this edition is WAY over the top. Out of 35 stories, Windling's name is on over twenty. Her tastes run towards oblique, overwritten, pretentious tripe, and strange poetry. One of her selections, Gerald Vizenor's Oshkiwiinag: Heartlines on the Trickster Express put me beyond the newfound sacrilige of skimming. I actually had to skip the remainder of the story after five endless, pointless pages. I have never read such strange shizznit in my whole life. I literally had NO idea what he was writing about. Ugh. Another Windling pick (Among The Handlers, by Michael Bishop) is endlessly long, written in an awful hillbilly dialect, and is neither Fantasy or Horror, but IS god-awful. I'll avoid Vizenor and Bishop like the plague, thanks to these stories. We also get other Windling-picked classics like Birthdream, (A poem about childbirth, not Horror or Fantasy, but also awful. If I wanted bad poems, I'd get a poetry book.) Caribe Magico, by Gabriel Garcia Marquez (A travelogue. For God's sake, a travelogue! Not Horror, not Fantasy...but as Windling says...MAGIC REALISM! Code for "Pretentious story that makes no sense."), and Beckoning Nightframe by Terry Dowling, about a woman who is scared of her neighbor's open window. FOR 16 PAGES! UGH. Her only decent choice is Little Beauty's Wedding, by Chang Hwang. It's an unforgettable story.

Ellen Datlow fares better in her choices. The Secret Shih Tan (By Graham Masterson), Never Seen By Waking Eyes (By Stephen Dedman), and the grotesque Three Bears pastiche "Ursus Triad, Later" (By Kathe Koja & Barry N. Malzberg) are all incredible, and I'm glad to have discovered writers I wasn't familiar with, but the overall feeling I had when reading the book was one of irritation with the all-encompassing pretentiousness of the package. I'd say the stinky outweighed the good by 90%. I'm VERY sorry that I've already purchased the next four volumes....But at least I've learned to skim & skip!

Rating:
Summary: Pretentious and Overblown
Review: Ohhhhh.....Where to begin? I'll start with co-editor Terri Windling. Her opening essay on the year in Fantasy was almost enough to make me hurl down the book in irritation. If she said "Magic Realism" one more time....I lost track at 37. Unbearable. Just unbearable. I have a pretty steadfast rule that, no matter how bad a book may be, I read EVERY SINGLE WORD. Every word. No matter what. I had to skim through Windling's essay, because it was either skim or put my fist through the wall. "Magic Realism. Magic Realism. Magic Realism." Ugh.

Ellen Datlow's essay is slightly more interesting, and the sections on Media and Comic Books were very well done. Now, on to the stories themselves.

I've read a few of the previous Year's Best volumes, and it always bothered me how the book slants towards Fantasy over Horror (Terri Winling is the Fantasy Editor, Ellen Datlow the Horror Editor), but this edition is WAY over the top. Out of 35 stories, Windling's name is on over twenty. Her tastes run towards oblique, overwritten, pretentious tripe, and strange poetry. One of her selections, Gerald Vizenor's Oshkiwiinag: Heartlines on the Trickster Express put me beyond the newfound sacrilige of skimming. I actually had to skip the remainder of the story after five endless, pointless pages. I have never read such strange shizznit in my whole life. I literally had NO idea what he was writing about. Ugh. Another Windling pick (Among The Handlers, by Michael Bishop) is endlessly long, written in an awful hillbilly dialect, and is neither Fantasy or Horror, but IS god-awful. I'll avoid Vizenor and Bishop like the plague, thanks to these stories. We also get other Windling-picked classics like Birthdream, (A poem about childbirth, not Horror or Fantasy, but also awful. If I wanted bad poems, I'd get a poetry book.) Caribe Magico, by Gabriel Garcia Marquez (A travelogue. For God's sake, a travelogue! Not Horror, not Fantasy...but as Windling says...MAGIC REALISM! Code for "Pretentious story that makes no sense."), and Beckoning Nightframe by Terry Dowling, about a woman who is scared of her neighbor's open window. FOR 16 PAGES! UGH. Her only decent choice is Little Beauty's Wedding, by Chang Hwang. It's an unforgettable story.

Ellen Datlow fares better in her choices. The Secret Shih Tan (By Graham Masterson), Never Seen By Waking Eyes (By Stephen Dedman), and the grotesque Three Bears pastiche "Ursus Triad, Later" (By Kathe Koja & Barry N. Malzberg) are all incredible, and I'm glad to have discovered writers I wasn't familiar with, but the overall feeling I had when reading the book was one of irritation with the all-encompassing pretentiousness of the package. I'd say the stinky outweighed the good by 90%. I'm VERY sorry that I've already purchased the next four volumes....But at least I've learned to skim & skip!