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Poverty Row Horrors!: Monogram, Prc and Republic Horror Films of the Forties |
List Price: $30.00
Your Price: $30.00 |
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Product Info |
Reviews |
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Rating: Summary: good read! worth waiting for a reprinting! Review: Great film reviews and data about these low budget horror films. Good writing, detailed plot summaries and detailed facts. These movies often had far out plots and bad acting, but Mr. Weaver gives them credit where due (original monsters, better than usual direction, or original premises). He also tells of the dizzying heights of absudity they reach . Really good write-ups and highly recommended.
Rating: Summary: good read! worth waiting for a reprinting! Review: Great film reviews and data about these low budget horror films. Good writing, detailed plot summaries and detailed facts. These movies often had far out plots and bad acting, but Mr. Weaver gives them credit where due (original monsters, better than usual direction, or original premises). He also tells of the dizzying heights of absudity they reach . Really good write-ups and highly recommended.
Rating: Summary: It is the book that inspired my name! Review: That this book should be out of print is a travesty. Synposis of 31 "horror" films from PRC, Monogram and Republic are mixed with behind the scenes info, anectdotes and factoids that make this a true necessity for the low budget 40's horror fan. Additional appendices provide info on music, filmographies, "borderline" films and "experts" ranking of the major Monogram entries.
Rating: Summary: It is the book that inspired my name! Review: That this book should be out of print is a travesty. Synposis of 31 "horror" films from PRC, Monogram and Republic are mixed with behind the scenes info, anectdotes and factoids that make this a true necessity for the low budget 40's horror fan. Additional appendices provide info on music, filmographies, "borderline" films and "experts" ranking of the major Monogram entries.
Rating: Summary: Weaving Gold from Poverty Review: Tom Weaver does good horror history. Fifty years hence, anyone doing a history of the Horror Film will find himself resorting agan and again to the ouvre of Thomas Weaver. Besides his numerous and valuable Interview books as well as his groundbreaking work in UNIVERSAL HORRORS, Weaver has undertaken an important task in writing about the Poverty Row Horror films produced by Republic, Monogram and PRC. As usual for Weaver, the book is methodical and well written. While also an entertaining and informative read, the book will probably be the definitive research tool for the films covered and the studios discussed for the foreseeable future. As "poverty row" productions, there was some danger of these films "falling through the cracks" and vanishing into the mists of time but, through the auspices of Weaver, the films have not merely been saved but canonized. And, with Weaver, one knows that POVERTY ROW HORRORS is accurate. An excellent book with the only flaws being the brevity that Weaver handles such important films like NABONGA and WHITE PONGO.
Rating: Summary: Weaving Gold from Poverty Review: Tom Weaver does good horror history. Fifty years hence, anyone doing a history of the Horror Film will find himself resorting agan and again to the ouvre of Thomas Weaver. Besides his numerous and valuable Interview books as well as his groundbreaking work in UNIVERSAL HORRORS, Weaver has undertaken an important task in writing about the Poverty Row Horror films produced by Republic, Monogram and PRC. As usual for Weaver, the book is methodical and well written. While also an entertaining and informative read, the book will probably be the definitive research tool for the films covered and the studios discussed for the foreseeable future. As "poverty row" productions, there was some danger of these films "falling through the cracks" and vanishing into the mists of time but, through the auspices of Weaver, the films have not merely been saved but canonized. And, with Weaver, one knows that POVERTY ROW HORRORS is accurate. An excellent book with the only flaws being the brevity that Weaver handles such important films like NABONGA and WHITE PONGO.
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