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Rating: Summary: Literary Masterpieces Review: Don't let the terms "horror" and "ghost" send you running. I'm not big on the generic King-style stories, but I was turned on to checking out THE TWO SAMS after a friend suggested I read it as a challenge. She was right. There is so much more here than meets the eye.Each story is a thought-provoking literary journey. And the general ideas/plots were realistic enough that I didn't find myself rolling my eyes. My favorite gem was the title story about a man who after losing two unborn children himself, watches after a parentless child - both moving/touching and haunting. And "Dancing Men" brings the holocaust to life as the reader watches it being passed down from generation to generation. Not only is this one of the best collection of ghost stories I have ever read, but I have to wonder if Glen Hirshberg has created a whole new genre: literary horror. It really stuck with me. I think I'll read them all again.
Rating: Summary: Literary Masterpieces Review: Don't let the terms "horror" and "ghost" send you running. I'm not big on the generic King-style stories, but I was turned on to checking out THE TWO SAMS after a friend suggested I read it as a challenge. She was right. There is so much more here than meets the eye. Each story is a thought-provoking literary journey. And the general ideas/plots were realistic enough that I didn't find myself rolling my eyes. My favorite gem was the title story about a man who after losing two unborn children himself, watches after a parentless child - both moving/touching and haunting. And "Dancing Men" brings the holocaust to life as the reader watches it being passed down from generation to generation. Not only is this one of the best collection of ghost stories I have ever read, but I have to wonder if Glen Hirshberg has created a whole new genre: literary horror. It really stuck with me. I think I'll read them all again.
Rating: Summary: Literary Masterpieces Review: Don't let the terms "horror" and "ghost" send you running. I'm not big on the generic King-style stories, but I was turned on to checking out THE TWO SAMS after a friend suggested I read it as a challenge. She was right. There is so much more here than meets the eye. Each story is a thought-provoking literary journey. And the general ideas/plots were realistic enough that I didn't find myself rolling my eyes. My favorite gem was the title story about a man who after losing two unborn children himself, watches after a parentless child - both moving/touching and haunting. And "Dancing Men" brings the holocaust to life as the reader watches it being passed down from generation to generation. Not only is this one of the best collection of ghost stories I have ever read, but I have to wonder if Glen Hirshberg has created a whole new genre: literary horror. It really stuck with me. I think I'll read them all again.
Rating: Summary: Compelling storytelling. Review: Exhibiting the same compelling, richly textured storytelling style displayed in Hirshberg's noteworthy debut novel, The Snowman's Children, The Two Sams features five novellas that work satisfying variations on familiar themes. All are told in the first person. The two most intriguing stories in the collection are the bittersweet title story, "The Two Sams," and the surreal "Mr. Dark's Carnival." "The Two Sams" features a troubled husband reflecting on the two miscarriages his wife has suffered-the character's sense of loss is palpable, the climax is profoundly moving. "Mr. Dark's Carnival" which, while evocative of Bradbury's Something Wicked This Way Comes is far, far darker, chronicles a college professor's disturbing Halloween encounter with a local legend. Another tale set on Halloween night, "Struwwelpeter," is about a haunted house and the allure it holds for a troubled teenager. "Shipwreck Beach" is about the uneasy relationship between two cousins; as it's title indicates, it's about shipwrecks, both literal, and those some people make of their lives. Finally, "Dancing Men" provides a sensitive yet simultaneously harrowing look at some fallout from the central tragedy of our age, the Holocaust. The enthusiasm Ramsey Campbell displays for Hirshberg's work in his introduction is justifiable-truly an "original and considerable talent," Hirshberg does indeed "bring enviable skills to his work," such as a "stylistic precision that comes of loving language, an unerring eye for character and the moments that define or reveal it," and "a keen sense not just of place but how light and the time of day transform his settings." As to Campbell's assertion that "history will hail him as a crucial contributor to the field," only time will tell. Based on the evidence in The Two Sams, the probability certainly seems high.
Rating: Summary: Classic storytelling Review: Pull up a chair, start the fire, listen as the tales are told, and see if you sleep tonight. Being a sucker for a ghost story, I thought I'd get a quick scare, have a bit of fun and then put the book down with only a vague recollection of the tales. I couldn't have been more wrong. What I found was so psychologically shattering, it left me with a chill for days. Centering on education and childhood fears, the fours stories connect and ambush the reader with a combined strike of terror and awe. The title story is heartbreaking and may come to revisit the reader for months, even years after. Each individual plot is so beguiling and intellectually chilling, they leave you breathless. Comfortable and warm, the atmosphere quietly switches gears so fast it's paralyzing. The characters are deeply portrayed, filled with a delicacy and a history that has damaged them in some way. They soon begin to not only resonate, but also demand to be heard. The pace set in the story is slow and gentle with a build up of a speed so intense it leaves you gasping for air. Hirshberg's style of writing is measured and ingenious, always leaving the reader with his or her own explanations. Here are five tale that are nominal and unconventional. Classic storytelling with a decisive twist. Perfect! I give this book a 5 . Buy this book today, but don't forget the No Dose...I wish i hadn't!
Rating: Summary: Classic storytelling Review: Pull up a chair, start the fire, listen as the tales are told, and see if you sleep tonight. Being a sucker for a ghost story, I thought I'd get a quick scare, have a bit of fun and then put the book down with only a vague recollection of the tales. I couldn't have been more wrong. What I found was so psychologically shattering, it left me with a chill for days. Centering on education and childhood fears, the fours stories connect and ambush the reader with a combined strike of terror and awe. The title story is heartbreaking and may come to revisit the reader for months, even years after. Each individual plot is so beguiling and intellectually chilling, they leave you breathless. Comfortable and warm, the atmosphere quietly switches gears so fast it's paralyzing. The characters are deeply portrayed, filled with a delicacy and a history that has damaged them in some way. They soon begin to not only resonate, but also demand to be heard. The pace set in the story is slow and gentle with a build up of a speed so intense it leaves you gasping for air. Hirshberg's style of writing is measured and ingenious, always leaving the reader with his or her own explanations. Here are five tale that are nominal and unconventional. Classic storytelling with a decisive twist. Perfect! I give this book a 5 . Buy this book today, but don't forget the No Dose...I wish i hadn't!
Rating: Summary: Scary Food For Thought Review: Some eerily good writing on both a micro and macro level will keep you thinking about these stories for days after you read them (Dancing Men, in particular, gave me a chill up the spine for about a week, with its incredibly vivid last image)--what more can I say, but this is a brilliant work by an up and coming young writer in this genre. I think that you'll enjoy it greatly.
Rating: Summary: Literary horror of the highest order Review: The five novellas that make up The Two Sams are billed as ghost stories, but I would describe them more as haunting pieces of fiction, which is not necessarily the same thing. Glen Hirshberg has a wonderful writing style, one that has already earned him many award nominations in his young career. It's a mix of the classic and the modern, a sort of Henry James meets Ramsey Campbell, and in fact Campbell supplies the meritorious introduction to this collection. What you get here is the highest literary form of the dark tale.
There is a great deal of variety between the five long short stories collected here, but they all share a wonderful atmosphere and the underpinnings of well-constructed tales. They are not traditional ghost stories; indeed, they could best be described as psychological horror pieces that remind us once again that the most frightening ghosts are sometimes the ones inside our own heads.
The title story is the shortest and my least favorite of the bunch. It revolves around a father trying to deal with the history of two miscarried pregnancies as his wife's third pregnancy enters its final stages. Who can say what kind of connection a father might have to his children who were not to be? "Dancing Men" seems to garner the most critical acclaim among these stories, but this tale of a boy's very strange rite of passage, one linking the horrors his grandfather suffered in the Holocaust with Native American rituals, didn't evoke the same type of feelings the other stories evoked in me. "Shipwreck Beach" is an interesting story set just off the coast of a Hawaiian island. A young lady has come to see her cousin and friend for the first time since he got out of jail and moved to the islands. Her cousin has something to show her, a mysterious boat that sort of just appeared and cannot be sunk just off the coast. The most interesting aspect of this tale is the story that evolves from the young man's history, the mysterious culmination of which comes onboard the strangely otherworldly boat.
If you are looking for real scares, I would direct your attention to "Struwwelpter" and "Mr. Dark's Carnival." The first story is rather a strange one involving a youth's fascination with a mysterious old man's house and gardens, especially a bell that can reportedly raise the dead. The exploration of the house produces some potentially scary moments for the reader, and the story takes a strange and in some ways much more disturbing turn at the very end.
"Mr. Dark's Carnival" is, in my opinion, the best story by far in this collection. It is set in a college Montana town famous for its Halloween celebrations, much of the collective enthusiasm bound up in the local legend of a strange carnival of undisclosed horrors going back many years. The protagonist is a college professor who delights in teaching this local tradition to his students, and for years he has sought the opportunity to visit this ultimate Halloween haunted house experience -- if it actually exists. You have to be invited to the undisclosed location, and this year he receives what might be a genuine ticket to the supposedly legendary festivities. The whole atmosphere of the story is teeming with spooky potential, the experience as it is happening is fully capable of raising a few hairs on the back of your neck, and the ending hits you like a punch in the guts. I have to say, in all honesty, "Mr. Dark's Carnival" is one of the most impressive horror stories I have read in a long time.
If you have your doubts about the continued honing of the darker crafts of writing in this modern age, you will be especially pleased to sample the impressive wares of Glen Hirshberg. This guy is, as they say, going places -- and he is taking a deep sense of the rich history of the horror genre along with him.
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