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Summary: Castles in the Night
Review: This is Mick Farren's third effort in a series that focuses on the adventures of Victor Renquist, the 1,000 year old master of a vampire nest in Los Angeles. Farren's vampires are the results of alien genetic experiments about 15,000 years ago, but are otherwise fairly traditional. While not particularly averse to religious symbolism, they can be destroyed by light and must sleep during the day. Taken as a subculture, they are a weird and degenerate group, ranging from Victor's suave style and manners to half insane Scotsmen who go on regular blood rampages. For the most part they are not 'evil' but they have no particular feelings of remorse about using people for their regular diet.In this tale Victor is called to England to help with a curious problem that has overtaken a troika of female vampires. These creatures are Columbine Dashwood, a regency beauty who has a severe intelligence problem; Marieko Matsunaga, deadly as both Japanese courtesan and swordswoman; and, finally, Destry Maitland; who has spent much of both her life and her unlife as a mercenary. Destry possesses Dormandu, an Uzbek, the incredibly rare hereditary steed of the warrior vampires. The problem Victor has been called on for is that digging at a nearby archeological site has started to awaken something that has begun to affect the women's dreams, especially Columbine. Anything that can do that is a threat that can't be ignored. Victor arrives to discover that the dig hides the resting place of an ancient Urshu, known as Taliesin the Great Merlin. The Urshu were a creation of the same aliens that bred the vampires. They were considerably more powerful than vampires, especially in powers of illusion and are able to work in daylight. Nor do they require the normal vampire diet. The Urshu were created to help protect humanity and so are often opposed to their vampire relatives. To add to Victor's problems, Fenrior, the vampire Laird of a huge clan of Scottish vampires is also much interested in the waking Urshu. He will stop at nothing to get control of the Merlin and discover its secrets. Reader's used to the frantic action of the average vampire thriller will find Farren's work a bit of a different experience. "More Than Mortal" moves at stately pace and takes the time to dwell on its characters and the settings in which they move. I find this a refreshing change from the paperback that can be gulped down in a handful of hours and just as quickly forgotten. The lover of characters will enjoy the return of Lupo, the master assassin, the self-centered empty-headedness of the fair Columbine, as well as the cold, calculating Renquist. Not that there isn't plenty of action, it just doesn't all happen at once, if you know what I mean. It would never be considered dull or bloodless. The book stands well on its own, but the reader would benefit from having at least read the first in the series, "The Time of Feasting."
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