The Face in the Frost

Rating:
Summary: Prospero, but not the one you are thinking of
Review: "The Face In The Frost" is a richly imaginative tale of two wizards, Prospero (not the one you're thinking of) and Roger Bacon, who must overcome a third wizard, the evil Melichus before he destroys them, and a lot of other folks as well.

Even if you think you've heard this story before, you've never come across a variation like this one. The closest analogue that I can come up with is "Howl's Moving Castle" for its eccentricity, but 'Face' outdoes 'Howl' in this respect as well as in its fear quotient. The scary scenes approach M.R. James in intensity, and they are always preceded by migraine-like aura. Prospero senses that something is slightly off about the inn where he is staying. He is still trying to figure out what is bothering him at four in the morning:

"Strange thoughts began to come to him now: locked boxes and empty rooms. Four dials and a black hole. Four cards and a blank. And a dead sound on the stroke of four. Why did that mirror bother him?

"Quietly, Prospero got dressed, took his staff from the corner, and opened the door of his room. The hall was dark and silent...He lit [a candle] and tiptoed down the stairs to the place where the mirror hung. Prospero stared and felt a chill pass through his body. The mirror showed nothing-not his face, not his candle, not the wall behind him. All he saw was a black glassy surface."

Prospero explores further and finds his landlady standing fully-clothed in her room, with a butcher knife in her hand. "In her slowly rising head were two black holes. Prospero saw in his mind a doll that had terrified him when he was a child. The eyes had rattled in the china skull. Now the woman's voice, mechanical and heavy: "Why don't you sleep? Go to sleep." Her mouth opened wide, impossibly wide, and then the whole face stretched and writhed and yawned in the faint light."

Prospero manages to escape the inn and town that were nothing more than an elaborate trap set up by Melichus to destroy him. He is reunited with his friend, Roger Bacon and they continue on their quest to find and destroy Melichus's evil magic.

There are delightfully eccentric set-pieces in 'Face:' a king who builds elaborate clock-works of the universe; a monk who collects strange plants; a talking mirror that divulges scores from a 1943 Cubs-Giants baseball game. I suspect the author wove his fantasy out of migraines, nightmares, and a love of mechanical oddities and spells that turn tomatoes into squishy red carriages. Prospero himself has a "cherrywood bedstead with a bassoon carved into one of the fat headposts, so that it could be played as you lay in bed and meditated...On a shelf over the experiment table was the inevitable skull, which the wizard put there to remind him of death, though it usually reminded him that he needed to go to the dentist."

I'd better put an end to this review before I quote the whole book. It's so good, it pulls me in every time I open it---Enchanting, in the original sense of the word, and frightening, too.

Rating:
Summary: Frightening, with a bit of humor
Review: I believe it was Tolkien who said, that when writing bout magic and wizards, you were to never explain the magic, and to never make fun of it. Bellairs conforms to both of these rules in this book, and gives us a novel that is in many ways a children's book, but one that can be enjoyed by adults. The wizards don't wear funny pointed hats with stars and moons on them; they dress like normal people, even if they are a bit eccentric. There are some chilling scenes in this book, somewhat like an understated Lovecraft. There is some humor, too, although there should have been more. The theme, of course, is about Good versus Evil, but the evil here isn't some monster ramaging through the countryside; it's a lot more subtle than that. You have to pay attention to what's going on, otherwise you might miss what it's about. Reading it twice is not such a bad idea.



Rating:
Summary: A little-known fantasy classic.
Review: I have read this book several times over many years, and it never fails to be a pleasure. Moving with ease from laugh-out-loud humor to turn-on-more-lights chills, it tells the story of an apparently hapless wizard, Prospero, who faces the greatest challenge of his career with the able assistance of fellow wizard Roger Bacon. Highlights include Prospero's house, with its talking mirror and the fearful book that a powerful enemy is trying to gain control of. While almost all the rest of Bellair's work is aimed at a young audience, this one may be read with much enjoyment by adults as well. If you enjoy excellent fantasy writing with a healthy dose of humor, you will find this one to be a real classic.

Rating:
Summary: A bit humorless, but still a chilling read
Review: John Bellairs is best known for his children's thrillers, but he also penned one of the best horror-fantasies ever written (a sadly neglected field, only ventured into by a few). My old paperback copy has a quite from Ursula Le Guin, stating that Bellairs "knows what wizardry is all about." Boy, is she right.

The book starts at the home of Prospero, a reclusive, good natured wizard with an obnoxious talking mirror and a lot of very tacky clutter. His friend Roger Bacon arrives at his home, only to find that sinister forces are creeping toward Prospero's home: an enormous moth that gives them a creepy feeling. Gray-cloaked figures lurking outside. A skeletal bird fluttering at the window.

Roger brings news about a strange book; Prospero realizes that there is an old enemy, Melichus, gaining power to destroy him. He and Roger set out on a hazardous journey across the geographically simple land, ruled by a rather unimpressive king, to find and unravel the mystery behind this strange growing force for evil.

More than once, Prospero and Roger will hit a dead end, be deceived by an evil illusion, or face the horrifying effects of their enemy. And the final battle in this book is unlike any battle of wizards ever seen before.

This book is very difficult to summarize, as some things simply don't click into place for a long time. It is, additionally, not a book that you can really skim. I read the book once, said "What?" on the last page, and had to go back and reread the climax.

This book lacks, in parts, the humor so necessary in Bellairs's books to keep the protagonists from going insane. Long stretches have nothing funny at all; we do have the irritating, singing magic mirror, the attack of the troll on the mini-boat, and the ridiculous rhyming spells that the wizards often utter: "Trying to find out if/(Hagiographically)/John of Jerusalem/liked almond paste..."

This book also defies fantasy cliches; the world that Prospero and Roger live in is very simple, not filled with dark fortresses and castles, but with ordinary villages connected by roads and woods. Evil, in Bellairs's world, is not something that sits on a throne and gives sadistic orders; it creeps into cracks and crevices and flits out at people. The "moth" scene manages to give an ordinary annoyance a feeling of horror; the scene where Prospero finds the innkeeper, and his subsequent escape are some of the most effectively creepy scenes I've ever read. He does so without gore or gimmicks; half the horror is not knowing what is conjured by Melichius.

Prospero is a quietly likeable character; his quirky house endears us to him, as does his reaction to the magic mirror. Roger is a little less defined, as the real him appears throughout a relatively small amount of the book. Other characters flit in and out.

Wizardry in this book is more than incantations and walking around with a funny hat (which neither of the characters has). I liked the description of the final duel between good and evil; also the effect on a wizard's staff when the wizard dies. Bellairs's wizardry is not flashy or show-offy, but a serious practice.

This book is relatively short, only about 180 pages; some kids may be a bit confused by the complexity of it, though. However, this is a delightful read...

Rating:
Summary: A warm, whimsical classic
Review: John Bellairs is best known for his juvenile horror novels (best: The House With A Clock In Its Walls); he only wrote two (alas!) adult novels. This one, written in 1969, kicked off the whole humourous sword-and-sorcery genre. It's a counterpoint to the heroic fantasy form: in a world of bumbling monarchs, small farming towns and good beer two whimsical wizards find themselves pitted against an unusual evil power beyond their abilities to match. Luck, imagination and unexpected allies see them through this highly original adventure. A perfect bedtime book, though I wouldn't really recommend it for the under 12 crowd: the scare effects are too imaginative.

Rating:
Summary: Compulsory and Compulsive Reading
Review: My initial reading of this book was when it first came out in paperback in 1978. This isn't by way of bragging, but simply to point out that it impressed me so much that I still have that very copy of the book, despite many relocations and resizings of my own library. For its time it was so unlike any other fantasy book that it made an immediate impression and has continued to do so to this very day.

Written with a deceiving simplicity that, no doubt, owes its origins to Bellairs' many successes as a writer of horror fiction for young adults, 'The Face in the Frost' is the tale of two wizards who must prevent the completion of a spell so awful it would bring the ruin of their world. When Prospero (not the one on the island) finds his comfy and peculiar home under siege by baleful magick he is alarmed. The appearance of his old friend and co-wizard Roger Bacon (the very one) only confirms that ominous portents are about. Faced with giant moths and a force of giant menacing shadows they make their escape, bent on finding the source of the problem.

In short order they realize that someone is in the process of activating a spell inscribed in a legendary tome. They must face illusion, traps, and even death trying to discover the identity of the book's new owner. And then, once the identity is known they must wrest the book from its keeper's grasp and bring it to destruction. In a trick unknown since Aristotle's Cave, Bellairs manages to fit this detailed and wide ranging quest into a novel of less than two hundred pages. For this accomplishment, if no other, Bellairs deserves a great deal of appreciation.

Bellairs characters are gem-like, as is the world in which they move. The tone of the narrative is quite humorous, with Prospero and Bacon getting much of the credit for keeping up a banter full of strange twists that seems to wander at will across time and place without any disastrous side effects. The narrative, in contrast, is quite chilling. Bellairs shows a fine ability to create suspense and horror without having enormous quantities of gore splattered over the pages. On several occasions I found myself unexpectedly spooked by what on the surface was comparative mild-mannered prose.

For all the time I've had this book I have always been surprised that I haven't come across more of Bellairs' work. It is only recently, thanks to the Internet, that I discovered that Bellairs was pre-eminently known as a writer of youthful fiction, and that he died prematurely. In retrospect, it is probably only a fortunate accident that 'The Face in the Frost' crossed over into adult fiction. It certainly could be read with great enjoyment by anyone who can cope with Bellairs clear but literate writing style. Lest I forget, the story is accompanied by many wonderful illustrations from the pen of Marilyn Fitschen, which the reader will find as pleasant as the story.

Rating:
Summary: Compulsory and Compulsive Reading
Review: My initial reading of this book was when it first came out in paperback in 1978. This isn't by way of bragging, but simply to point out that it impressed me so much that I still have that very copy of the book, despite many relocations and resizings of my own library. For its time it was so unlike any other fantasy book that it made an immediate impression and has continued to do so to this very day.

Written with a deceiving simplicity that, no doubt, owes its origins to Bellairs' many successes as a writer of horror fiction for young adults, 'The Face in the Frost' is the tale of two wizards who must prevent the completion of a spell so awful it would bring the ruin of their world. When Prospero (not the one on the island) finds his comfy and peculiar home under siege by baleful magick he is alarmed. The appearance of his old friend and co-wizard Roger Bacon (the very one) only confirms that ominous portents are about. Faced with giant moths and a force of giant menacing shadows they make their escape, bent on finding the source of the problem.

In short order they realize that someone is in the process of activating a spell inscribed in a legendary tome. They must face illusion, traps, and even death trying to discover the identity of the book's new owner. And then, once the identity is known they must wrest the book from its keeper's grasp and bring it to destruction. In a trick unknown since Aristotle's Cave, Bellairs manages to fit this detailed and wide ranging quest into a novel of less than two hundred pages. For this accomplishment, if no other, Bellairs deserves a great deal of appreciation.

Bellairs characters are gem-like, as is the world in which they move. The tone of the narrative is quite humorous, with Prospero and Bacon getting much of the credit for keeping up a banter full of strange twists that seems to wander at will across time and place without any disastrous side effects. The narrative, in contrast, is quite chilling. Bellairs shows a fine ability to create suspense and horror without having enormous quantities of gore splattered over the pages. On several occasions I found myself unexpectedly spooked by what on the surface was comparative mild-mannered prose.

For all the time I've had this book I have always been surprised that I haven't come across more of Bellairs' work. It is only recently, thanks to the Internet, that I discovered that Bellairs was pre-eminently known as a writer of youthful fiction, and that he died prematurely. In retrospect, it is probably only a fortunate accident that 'The Face in the Frost' crossed over into adult fiction. It certainly could be read with great enjoyment by anyone who can cope with Bellairs clear but literate writing style. Lest I forget, the story is accompanied by many wonderful illustrations from the pen of Marilyn Fitschen, which the reader will find as pleasant as the story.

Rating:
Summary: A great book!
Review: Prospero's friend, Roger Bacon, comes to visit him. They were not expecting to the wild journey that lay ahead of them. This is different from the other books Bellairs has written, but just as good.

Rating:
Summary: Wonderfully unique
Review: Prospero, an eccentric wizard living in the Southern Kingdom, has begun to experience something new to him, fear. Nightmares visit him, unearthly shadows dance upon his walls, and dreadful apparitions accost him. When his friend, Roger Bacon, returns from England with shocking news about an eldritch book, he realizes that someone is gaining great power, and that someone wants Prospero dead. And so, Prospero and Roger set off on a quest to unravel the mystery and stop someone who may now be the most powerful wizard in the world.

This book contains one of the most wonderfully unique stories I have every read! It is gothic horror, but one where the protagonist is a wizard. Unlike the wizards presented in many stories however, Prospero often finds that his powers do not help him, and that he must confront the horrors or flee from them, the same as any other man. Through it all, the story portrays a gentle humor that makes it such wonderful reading.

I really enjoyed the black-and-white illustrations provided by Marilyn Fitschen (though this may be only in certain editions), their stark nature adds greatly to this suspense-filled story. I highly recommend this story to any fan of fantasy literature, or player of D&D!

Rating:
Summary: the face in the frost
Review: The Face in the Frost is a masterpiece of adventure, originality, and humor -- with no small amount of creepiness thrown in. I read this book as a child (which I now would not reccommend), and loved it so much I reread it several times before loaning it to a friend. I never saw it again! If you can find it, read it. Not only did it NOT include massive amounts of violence and gore, it's level of horror definitely hits home. It is REALISTICALLY creepy, and utterly believable in spite of being farfetched. In reading this book, I found myself completely freaked out by horror, yet the next line had me laughing uncontrollably. I highly reccommend it; as long as you're willing to sleep with a light on . . . maybe more than one!