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Rating: Summary: Victorian Creepy Crawlies Review: Edward Gorey's quirky and often macabre drawings have been delighting his fans for two generations. In "The Haunted Looking Glass," we find another set of apposite illustrations to accompany his collection of his favourite ghost stories. Recently re-released in the excellent New York Review of Books Classics series, readers will find it to be an agreeably discomforting guided tour through some of the high spots of the golden age of ghost story writing, the Victorian and Edwardian period. There are worthy old chesnuts such as "Casting the Runes" and "The Monkey's Paw" and "August Heat," as well as unexpected gems from E. Nesbit ("Man-size in Marble") and Bram Stoker ("The Judge's House"). A contribution from Charles Dickens ("The Signalman") is especially memorable. This is a wonderful collection of stories, and readers are urged to find out for themselves what lurks within the haunted looking glass!
Rating: Summary: The Gorey Looking Glass Review: I bought my copy of, The Haunted Looking Glass, when it was first published in 1959. I still read out of it but the pages are brittle and yellowed. As a teacher I recommended it to my kids for halloween reading and they managed to find hardbound copies for 5 bucks each and they devoured it just as I did. Edward Gorey published several books under the "Looking Glass Library" label and I regret not buying them up. It is a collection of pretty strong ghost stories that provide a good start for a young ghost story reader. It is also a set of ghost story classics that belongs on the shelf of any genre collector. Many of the stories such as W.F. Harvey's, "August Heat," are frequently anthologized but some like E. Nesbit's, "Man Sized in Marble," are rare and truely eerie. I am sorry that the new edition of The Haunted Looking Glass was not was not printed in hardback. My copy crumbles a little every time I touch it and with Halloween coming it has stories that beg to be read. Savor M. R. James' "Casting the Runes" and experience the three-wish-curse formula in W.W. Jacob's, "The Monkey's Paw."
Rating: Summary: The Gorey Looking Glass Review: I bought my copy of, The Haunted Looking Glass, when it was first published in 1959. I still read out of it but the pages are brittle and yellowed. As a teacher I recommended it to my kids for halloween reading and they managed to find hardbound copies for 5 bucks each and they devoured it just as I did. Edward Gorey published several books under the "Looking Glass Library" label and I regret not buying them up. It is a collection of pretty strong ghost stories that provide a good start for a young ghost story reader. It is also a set of ghost story classics that belongs on the shelf of any genre collector. Many of the stories such as W.F. Harvey's, "August Heat," are frequently anthologized but some like E. Nesbit's, "Man Sized in Marble," are rare and truely eerie. I am sorry that the new edition of The Haunted Looking Glass was not was not printed in hardback. My copy crumbles a little every time I touch it and with Halloween coming it has stories that beg to be read. Savor M. R. James' "Casting the Runes" and experience the three-wish-curse formula in W.W. Jacob's, "The Monkey's Paw."
Rating: Summary: A well-chosen collection of great ghost stories Review: The trouble with most ghost stories is that they're never sufficiently scary enough: even many of the stories of such masters of the genre as M. R. James and Sheridan le Fanu seem insufficiently frightening, often given the limited frame of the short story. Years before his recent death, the great illustrator Edward Gorey assembled a best-of-the-best collection of the most frightening of all ghost stories (accompanied by his personal illustrations), and his choices do not disappoint. Many of the stories have the sickening, terrifying quality of a bad dream (such as Stoker's "The Judge's House" and E. Nesbit's "Mansize in marble"), while even the shorter pieces which have little in the way of characterization (such as "The Empty House") are genuinely frightening and evocative in terms of atmosphere. The very best stories--"The Monkey's Paw," James's "Casting the Runes," and Dickens's "The Signalman"--are little masterpieces of suspense and mood.NYRB wisely decided to break from its standard cover format by allowing Gorey's original handlettered illustration remain intact; his moody drawings for each story are also kept. This is a nice little collection.
Rating: Summary: Nothing Scarey Here Review: There's nothing scarey about these ghost stories. The illustrations by Gorey are great. Gorey fans will love them, but not the text.
Rating: Summary: Spooky Tales for a Late Night Review: This is one of the most interesting books I've read of late, I must say. It's a collection of short fiction from the turn of the last century, writer Edward Gorey's favorites, and they range from odd to downright spooky. It begins with explorers in a haunted house, and over 250 pages manages to cover much of the breadth of late Victorian English ghost stories. Each tale is definitely unique. A couple involve haunted houses, some demons from hell, mysterious magic, ancient curses, strange events, and normal humans on the underbelly of society, afflicted with a dose of the supernatural. There are both long ones, nearly novellas, and more succinct pieces. None are truly gruesome or horrifying, with the exception of "The Body-Snatcher", but rare are the pages that will not send chills down your spine. These writers were the masters of their times, thrilling audiences from newspapers and bookstands. These are tales to be told in the cover of darkness, where the shadow takes firm grip upon the soul of the unwary, tales to be told aloud, for the chuckle and boom of a voice will bring their ghosts to life. To those who would enjoy such tales, and I believe that includes a very wide range, this book is probably one of the best samplers of the genre, a solid footstep from which more can be found. Certainly several of the authors I've already sought out more from. At least some of the stories are bound to appeal to almost anyone, especially on a foggy night around a fireplace. Some are better than anything I've ever read from Stephen King and other modern dealers of this type. Not to mention that I simply enjoyed the archaic dialect of these, being a fan of the old styles. You will not regret picking this book up, as it so forcefully captures the imagination. Not all so captured me, but as I said, variety is the key here, and something is bound to appeal to everyone. My personal favorites were probably Harvey's "August Heat" and James' "Casting the Runes", on opposite ends of the book, nicely pulling me in and leading me out. "Heat" is short, sweltering, and eerie, ending in such a way that is simply too powerful; "Runes" about a the thrilling unraveling of a mystery surrounding a warlock who hexed a man. "The Thirteenth Tree" is perhaps not the most exciting, but definitely is mysterious. The title of "A Visitor From Down Under" has a double meaning, and the story embodies the psychadelia and madness of the period. Rats both haunt and protect a university student in "The Judges House", but little can stop the real horror that lives there. In "The Monkey's Paw" one wish brings ruin on a family, and a second used in desperation seems to bode more... "The Empty House" casts its siren call over an old woman, who brings her nephew in only to witness an invisible murder. The namesake of "The Signalman" has some ability to see future accidents. And in the bloody "Body-Snatcher", medical college students must take criminal steps to ensure a supply of cadavers, until one turns on them.
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